Example 1.1: Giovanni Battista Pergolesi, Stabat Mater, "Inflammatus et accensus," Dominique Labelle, soprano and Meg Bragle, mezzosoprano, Voices of Music: Youtube
Also see "Audio and Video Recordings to Accompany Anthology" (click at left)
Portal to websites on the Enlightenment http://www.fordham.edu/Halsall/mod/modsbook10.asp
Digital edition of Diderot's Encyclopédie ou Dictionnaire raisonné des sciences, des arts et des métiers http://encyclopedie.uchicago.edu/
The Grand Tour (Metropolitan Museum of Art) http://www.metmuseum.org/toah/hd/grtr/hd_grtr.htm
Barzun, Jacques. From Dawn to Decadence, 1500 to the Present: 500 Years of Western Cultural Life (New York: HarperCollins, 2000), 359–92 Worldcat
Black, Jeremy. The British Abroad: The Grand Tour in the Eighteenth Century (New York: St. Martin’s Press, 1992) Worldcat
Buch, David J. Magic Flutes & Enchanted Forests: The Supernatural in Eighteenth-Century Musical Theater (Chicago: University of Chicago Press, 2008) Worldcat
Burney, Charles. The Present State of Music in France and Italy, 2 vols. (London: Becket, 1773); available on IMSLP; also available on Google Books
Burney, Charles The Present State of Music in Germany, The Netherlands, and United Provinces, 2 vols. (London: T. Becket, 1773); available on IMSLP ; also available on Google Books
The Cambridge Companion to Eighteenth-Century Opera, ed. Anthony R. DelDonna and Pierpaolo Polzonetti (Cambridge: Cambridge University Press, 2009) Worldcat
The Cambridge Companion to the French Enlightenment, ed. Daniel Brewer (Cambridge: Cambridge University Press, 2014)
The Cambridge History of Eighteenth-Century Music, ed. Simon P. Keefe (Cambridge: Cambridge University Press, 2009 Worldcat
The Century of Bach and Mozart: Perspectives on Historiography, Composition, Theory, and Performance, ed. Thomas Forrest Kelly and Sean Gallagher (Harvard University Press, 2009) Worldcat
The Classical Era: From the 1740s to the End of the 18th Century, ed. Neal Zaslaw (Englewood Cliffs, NJ: Prentice Hall, 1989) Worldcat
The Eighteenth-Century Symphony, ed. Mary Sue Morrow and Bathia Churgin (Bloomington: Indiana University Press, 2012) Worldcat
Essays on Opera, 1750–1800, ed. John A. Rice (Farnham, Surrey: Ashgate, 2010) Worldcat
Fubini, Enrico. Music and Culture in Eighteenth-Century Europe (Chicago: University of Chicago Press, 1994)
Head, Matthew. Sovereign Feminine: Music and Gender in Eighteenth-Century Germany (Berkeley: University of California Press, 2013) Worldcat
Heartz, Daniel. Haydn, Mozart, and the Viennese School, 1740–1780 (New York: Norton, 1995) Worldcat
Heartz, Daniel. Music in European Capitals: The Galant Style, 1720–1780 (New York: Norton, 2003) Worldcat
Heartz, Daniel. From Garrick to Gluck: Essays on Opera in the Age of Enlightenment, ed. John A. Rice (Hillsdale, NY: Pendragon, 2004) Worldcat
Heartz, Daniel. Mozart, Haydn, and Early Beethoven, 1781–1802 (New York: Norton: 2009) Worldcat
Hunter, David. "Handel and the Royal African Company," on the AMS blog Musicology Now (14 June 2015)
Hunter, David. "The Beckfords in England and Italy: A Case Study in the Musical Uses of the Profits of Slavery, Early Music, Volume 46, Issue 2, 19 July 2018, Pages 285–298, https://doi.org/10.1093/em/cay017
Jacob, Margaret C. The Enlightenment: A Brief History with Documents (Boston: Bedford/St. Martin's, 2001)
Outram, Dorinda. Panorama of the Enlightenment (Los Angeles: J. Paul Getty Museum, 2006)
The Oxford Handbook of Topic Theory, ed. Danuta Mirka (New York: Oxford University Press, 2014) Worldcat
Pagden, Anthony. The Enlightenment and Why It Still Matters (Oxford: Oxford University Press, 2013) Worldcat
Rice, John A. "Music in the Age of Coffee," Eighteenth-Century Music 4 (2007), 301–305 Also accessible on academia.edu
Rice, John A. "Music and the Grand Tour in the Eighteenth Century": Hollander Distinguished Lecture in Musicology, Michigan State University, 15 March 2013 https://sites.google.com/site/johnaricecv/music-and-the-grand-tour
Taruskin, Richard. The Oxford History of Western Music, vol. 2: The Seventeenth and Eighteenth Centuries (New York: Oxford University Press, 2005) Worldcat
Webster, James. “Between Enlightenment and Romanticism in Music History: First Viennese Modernism and the Delayed Nineteenth Century,” 19th-Century Music 25 (2001): 108–26 http://www.jstor.org/stable/10.1525/ncm.2001.25.2-3.108
Webster, James. “The Eighteenth Century as a Music-Historical Period?” Eighteenth-Century Music 1 (2004): 47–60 http://dx.doi.org/DOI:10.1017/S147857060400003X
Withers, Charles W. J. Placing the Enlightenment: Thinking Geographically about the Age of Reason (Chicago: University of Chicago Press, 2007)
Some names, titles, and terms introduced in Chapter 1
Wolfgang Amadeus Mozart
Denis Diderot
Diderot's Encyclopédie
Johann Sebastian Bach
Carl Linnaeus
Johann Joseph Fux
Gradus ad Parnassum
Baldassare Galuppi
Ludwig van Beethoven
Giovanni Battista Pergolesi
Stabat Mater
Inflammatus et accensus
Jean-Jacques Rousseau
Charles Burney
General History of Music
Johann Joachim Quantz
Carl Philipp Emanuel Bach
The Grand Tour
Die Zauberflöte
Joseph Boulogne, Chevalier de Saint-Georges
James Webster
Treaty of Utrecht
Congress of Vienna
Portrait of Charles Burney by Joshua Reynolds
The eighteenth century was like a mermaid, "of whom one half is a lovely nymph and the other a loathsome fish-tail." Does Carl Theodor's simile help us understand eighteenth-century music?
How does the "enrag'd musician"—the violinist in Hogarth's print—personify the music discussed in this book? What other kinds of music-making does Hogarth depict, and is this book justified in ignoring most of it?
Are such terms as "classical style" and "Viennese classicism" still useful in understanding music of the eighteenth and early nineteenth centuries?