Corrections

Music in the Eighteenth Century

p. 49, paragraph 4, line 6: change "m. 5" to "m. 4"

p. 56, example 4.2, translation: after "farewell," insert "my dear,"

p. 75, paragraph 1, line 2: King Louis XVI was the grandson, not the son, of Louis XV (thanks to Evan Edwards of the University of Kansas for this correction)

p. 86, paragraph 1, line 1: change "70" to "65"

p. 96, example 7.1, system 3: first word should be "dol - ce"

p. 103, paragraph 2, line 1: opening quotation mark should be before "loved"

p. 104, paragraph 2, line 10: change "They" to "It"

p. 119, paragraph 3, line 2: change "has" to "as"

p. 129, musical example 9.3. The apostrophe after "B" should be a prime sign

p. 135, example 9.5, measure 2, upper staff: second note (16th note G flat) should be G natural (but without natural sign)

p. 154, paragraph 2, line 3: change "II" to "I" (thanks to Steven Whiting of the University of Michigan for this correction)

p. 175, paragraph 3, line 8: change "revolve" to "resolve"

p. 209, example 14.2, measure 4, upper staff: omit natural sign in the second beat

p. 210, paragraph 2, line 6: omit "the" before "trumpets"

p. 211, paragraph 4, line 8: change "Bohmian" to "Bohemian"

p. 212, long quotation, 5 lines from the end: change "poets" to "poet"

p. 239, paragraph 1, line 2–3: change "Miss Cantelo (first name unknown)" to "Ann Cantelo"; line 3: before "Storace, born in England..." insert the following sentence: "Cantelo had studied with J. C. Bach and under his protection had begun a successful career as a concert singer."

p. 252, paragraph 2, line 3 and example 16.4, caption: change title to Sonata No. 62 in E flat Major (Hob. XVI: 52)

Anthology for Music in the Eighteenth Century

p. 12, diagram: key of the B section is vi (G minor)

p. 17, first diagram: B section ends at m. 40, not 44; A' section begins with mm. 40–41, then continues and concludes with mm. 7–32

p. 42, diagram: in the Second Part, repeat scheme is as follows:

|: Development Recapitulation :|

p. 114, bottom of page: change "Givanni" to "Giovanni"

p. 155, second system: stage direction should read "he takes the sword from the table..."

p. 186, paragraph 2, lines 2 and 6: change 70 to 71

p. 200, paragraph 2, line 5: change "dominant" to "subdominant"

p. 216: change title to Piano Sonata No. 62 in E flat Major (Hob. XVI: 52)

p. 223, diagram: insert repeat signs before and after "Exposition"

p. A2, under "Horn in C": omit "Double bass"

Please send further corrections to the author at johnarice6 at gmail dot com