Control Room D is powered by a combined Universal Audio Apollo x6 and Apollo x16 system, delivering elite audio conversion, real-time UAD processing, and extensive I/O to meet the needs of any session—from solo vocals to full band tracking.

Official Product Manual

A simple 2 Channel 'Gate/Expander', 'Compressor' and 'Limiter' which offers the following controls for each channel:

Gate/Expander:

• • • Threshold

    • Release

Compressor:

• • • Threshold

    • Ratio

    • Attack

    • Release

    • Output (Makeup Gain)

Limiter:

• • • Peak Stop

There is also a button in the middle of the hardware to enable 'Stereo Link'.

Behringer Product Page

A simple 4 Channel 'Gate and Expander', which offers the following controls for each channel:

• • • Threshold

    • Hold

    • Release

    • Ratio

    • Function Button (Gate/Expander)

Official Product Manual

A studio veteran Digital Effects Unit. The MX200 offers multiple effects processing such as: Delay and Reverb among others across 2 Processors. Refer to the Effects Cut Sheet offered in the Control Room (or at the end of this web-page) for a complete list of effects and dynamics.

There are currently 2*MX200 installed.

Patch Bay Options for Custom User Routing include:

• • • Console Channel Insert SENDS (1-16)

    • Console Channel Insert RETURNS (1-16)

    • Console AUX Send Outputs (1-6)

    • Console Stereo Inputs/Effects Returns (1-4)

    • Outboard Processors & Effects Units IN & OUT

Left to Right (Upper level on each row = Send FROM, Lower level on each row = Return TO)

INSERT Sends

• • • • • insert SEND Channels 1-16

Patching from here will immediately intercept the channel's audio path (after pre-amp section), so you can alter the audio in a more destructive manner. Typically patched into one of the inputs of the Outboard Processors (Dynamics - Compressor/Gate etc...). 

INSERT Return

• • • • • Insert RETURN Channels 1-16

Taking a feed from an Output of the Outboard Processor unit and plugging it in here will re-insert the audio back into the channel strip (pre EQ) for further tonal sculpting and mixing.

Left to Right

AUX Sends (Upper Level Only)

• • • • • Aux Send Channels 1

        • Aux Send Channels 2

        • Aux Send Channels 3

        • Aux Send Channels 4

        • Aux Send Channels 5

        • Aux Send Channels 6

DO NOT FORGET: Turn up the level of your desired AUX Channel (Green Knob) on your chosen channel strip, and it's corresponding AUX Master (also Green Knob) in the 'Master Section'

ST IN (Stereo Inputs - Upper Level = Left Channel, Lower Level = Right Channel)

• • • • • Stereo Input 1L-1R

        • Stereo Input 2L-2R

        • Stereo Input 3L-3R

        • Stereo Input 4L-4R

This is where you will route your Outboard Effects/FX Unit's 'Outputs' from; back into the desk on either one of these 'Stereo Input Channels' and to mix alongside your other channels.

Note: 'Stereo Inputs' are exactly alike all the other 'MONO Channels' on the Audient ASP4816 Console - however they are much more 'stripped' back and have limited functionality in comparison to other 16 MONO Channels (i.e no Aux Sends, no EQ etc..).

Left to Right

Effects (Reverbs, Delays, Chorus, Flanger etc...)

• • • • • Lexicon MX200 #1  1-2 (L-R) INPUT

        • Lexicon MX200 #1  1-2 (L-R) OUTPUT

        • Lexicon MX200 #2  1-2 (L-R) INPUT

        • Lexicon MX200 #2  1-2 (L-R) OUTPUT

Processors (Dynamics & EQ)

• • • • • DBX 166XS Compressor Channel 1 - IN (Mono)

        • DBX 166XS Compressor Channel 1 - OUT (Mono)

        • DBX 166XS Compressor Channel 1 - SIDE CHAIN IN (Mono)

• • • • • DBX 166XS Compressor Channel 2 - IN (Mono)

        • DBX 166XS Compressor Channel 2 - OUT (Mono)

        • DBX 166XS Compressor Channel 2 - SIDE CHAIN IN (Mono)

• • • • • Behringer XR1400 Channel 1 - Gate IN (Upper Level), Gate OUT (Lower Level)

        • Behringer XR1400 Channel 2 - Gate IN (Upper Level), Gate OUT (Lower Level)

        • Behringer XR1400 Channel 3 - Gate IN (Upper Level), Gate OUT (Lower Level)

        • Behringer XR1400 Channel 4 - Gate IN (Upper Level), Gate OUT (Lower Level)

Typically Processors (Compressors, Gates, etc..) take the INSERT SEND & RETURN method, and Effects (Reverb, Delay etc...) take the AUX SEND & RETURN method.

Inputs/Ties

• • Rec Room 5

    • • Guitar/Instrument INST 1

      • Guitar/Instrument INST 2

  • Rec Room 6

    • • Guitar/Instrument INST 1 

      • Guitar/Instrument INST 2

  • iMac Computer

    • • USB 3.0 Tie 1

      • USB 3.0 Tie 2

Inputs

• HDMI 1 = iMac extended desktop screen