Official Product Manual

Used to control the 5.1 Surround monitoring outputs in the control room. 

Looking at the front there is only one button: 'Mute', this is for safety reasons. 

All monitor control options and assignments are digitally controlled via Midi (configured through the X-Mon desktop app or the Avid S6 Module - Monitoring Page).

The 'Monitoring' page on the Avid S6 Master Section; sends commands over Ethernet (using EuCon commands) to the host computer (MacPro), and then onto the X-Mon module (using Midi commands).

Note: To disable the 'Mute' button - simply right click the 'X-Mon desktop app' and navigate to 'Midi' and click 'USB-Midi'.

Monitor Outputs

• • MAIN

Select this for 5.1 Multi Channel Surround monitoring (up to 7.1 capable, but not setup). 

Desktop Audio

To listen to desktop audio, simply make sure you are using 'AVID HDX' in the Sound Preferences of Mac OSX, and use the Avid S6's Monitor control to adjust your desired listening levels - making sure you have 'MAIN' selected on the Avid S6's 'Monitoring Page'. 

The outputs are internally configured through 'Audio Midi => Speaker Configuration' to work with the Genelec Surround Speakers automatically.

Official Product Manual

Inputs

• • 16 Analog Inputs

• • • • 1*8 Analog Inputs (1-8) - Audient ASP 800 Rack Mic Inputs:

        • • • 1-2 REC ROOM 4 / FOLEY STUDIO

            • 3-4 DRUM BOOTH

            • 5-8 NOT USED

      • 1*8 Digital Inputs (9-16) - not currently connected

Outputs

• • 16 Analog Outputs

• • • • 1*8 Analog Outputs (1-8) - XMON MAIN INPUT = MAIN OUTPUT:

        • • • 1 - LEFT

            • 2 - NA

            • 3 - CENTRE

            • 4 - NA

            • 5 - RIGHT

            • 6 - LEFT SURROUND

            • 7 - RIGHT SURROUND

            • 8 - LFE / SUB WOOFER

      • 1*8 Analog Outputs (9-16) - XMON CUE INPUTS = CUE OUTPUTS:

        • • • 1-2 HDX => Monitor C => CUE 1 => REC ROOM 4 / FOLEY STUDIO  

            • 3-4 HDX => Monitor B => CUE 2 => DRUM BOOTH

            • 5-6 HDX => NA

            • 7-8 HDX => NA

Official Product Manual

• • 54 Hz - 20 kHz Frequency Response

  • 3.0 kHz Crossover Frequency

  • 104 dB Max Peak Output

  • XLR Analog Input Connector

These speakers have various dip switches and controls that allow adjustment for: ISS auto-start function, sensitivity control, tone control, Bass/Treble Tilt.

Official Product Manual

• • 19 Hz - 100 Hz Frequency Response

  • 114 dB Max Peak Output

Inputs

• • XLR Analog Connectors (Channels 1- 7 + LFE + Link) * 9

  • XLR Digital Connector (AES/EBU Digital - Not Used) * 1

  • RJ45 Connector (GLM Network/SAM Calibration - Not Used) * 1

  • TRS Connector (Bypass Switch - Not Used) * 1

Outputs

• • XLR Analog Connectors (Channels 1- 7 + LFE + Link) * 9

  • XLR Digital Connector (AES/EBU Digital - Not Used) * 1

  • RJ45 Connector (GLM Network/SAM Calibration - Not Used) * 1

  • TRS Connector (Bypass Switch - Not Used) * 1

This Sub Woofer has various dip switches and controls that allow adjustment for: ISS auto-start function, Rotary Level Adjustment, Bass Roll Off, Phase, Test Tone.

Official Product Manual

Inputs

• • HDMI * 1

  • Analog Component Y, Pb, Pr *1

  • Analog Composite *1

  • Analog S-Video *1

  • Analog Unbalanced RCA Audio *2

Outputs

• • HDMI * 1

    • • • Control Room C - Samsung TV (Via HDMI Splitter)

        • Rec Room 4 / Foley Studio - Sony TV (Via HDMI Splitter and HDMI over Ethernet Adapter)

  • Analog Component Y, Pb, Pr *1

    • • • Drum Booth - Soniq TV

  • Analog Composite *1

  • Analog S-Video *1

  • Analog Unbalanced RCA Audio *2

This device will NOT let you use an external display as an extra "Desktop Screen". It will be compatible only as a "Direct Video Output Option" for supported Media Related Software such as: Avid Pro Tools, Avid Media Composer, Adobe Premiere Pro, Blackmagic Design's Davinci Resolve etc... 

This is installed and hidden from view (mounted inside of the Thunderbolt 3 Rack Chassis - connected to the MacPro Computer)