The Children of Quarantine

This exhibition revolves around the feelings of isolation during quarantine and how they can develop into a sense of solitude. The hardships endured by the adolescents who lived through COVID are portrayed through my artwork, but I also show the process of healing and personal growth. I didn't want to just show the negative aspects of quarantine, but how you can learn to cope with the situation by taking control of it. Isolation has a negative connotation whereas solitude sounds more positive.

Noah Rotfeld

Isolation

Medium: Graphite pencil on paper

Size: 11 x 8.5 inches

Concept: I adjusted the lighting in the room to capture the emotion I wanted my drawing to portray: the loneliness felt during quarantine with the outside light breaking through the gloomy atmosphere. I manipulated the tones to convey a somber tone throughout the piece. By drawing him alone with an expressionless face, the sunlight on his body shows a desire to connect with the outside world. My intention was to express the separateness and longing for everyday life felt by people during COVID-19.





Slender-Bodied Sorrow

Medium: Aluminum wire sculpture

Size: 6.5 x 8 x 8 inches

Concept: I devised a pose that expressed my experience. I wanted to give him very odd proportions, coinciding with my emotions. I bent him into a pose that showed that despite being a large figure, he felt small, curled up and wallowing in despair on a platform that could barely fit him. My intention was to make a body that is reminiscent of the pandemic: Going in as less mature teenagers, coming out appearing to be grown men, but our emotions and feelings were affected because of the days of isolation.



The Mirror Speaks Volumes

Medium: Fine point pen on paper

Size: 10.5 x 9 inches

Concept: Late one night, I was feeling a feeling that most teens endure: the dissatisfaction with oneself. To deal with this, I tried to connect my inner emotions with the physical world by making art. My intention was to show the negativity I was feeling looking through the mirror with the red hue of the mirror. The veins stretching out of the mirror onto my physical walls show the discontent projecting itself from my mind onto my physical being.



Detached

Medium: Colored pencil, pen, and marker on paper

Size: 11 x 8.5 inches

Concept: After getting COVID and suffering from extreme light-headedness and dissociation, I drew a decapitated man. His head being lifted off of his body shows how disconnected I felt from the physical world. My intentions of making him monochromatic were to separate him from the rest of the piece and to give him a non-emotional indifferent feel. The hands stretching the skin around his eyes describe how I feel my mental health is viewed by many people in my life: a simple wake up or snap out of it.





Change of Mind

Medium: Pen and pencil on paperSize: 8.5 x 5.5 inches each drawingConcept: For this triptych piece, my goal was to show how the cycle of suffering is broken. I incorporated the words, "Suffering, urge, and control," into the human body to highlight the significant effects that depression has on the physical body. The harsh bloody red colors turn into pink in the final drawing. When one is suffering, there are unhealthy urges that continue the cycle of depression, but by controlling your urges, it begins a period of growth.



There Is A Light That Never Goes Out

Medium: Charcoal and colored pencil on paperSize: 9.75 inches by 7.75 inchesConcept: The person portrayed in this piece is being unrealistically pulled into cold darkness, while it is yearning for the light. This represents how tempting it may be to go back to your isolated, unproductive, and unhealthy lifestyle that you have been so accustomed to. The bright sunlight represents the hope you must cling on to in order to become happier whilst alone.

Solitude

Medium: Pencil on paperSize: 16 inches x 16 inchesConcept: As the last piece in my exhibition, my goal was to show how one can turn isolation into solitude. The boy is doing something self-fulfilling and productive, taking control of his situation. The lone red color of the paint represents the important role art plays in his life, and eventually the color will spread to him as he becomes happier. Through this, he can channel his emotions and better understand his inner emotions, while also feeling self-fulfilled.



Curatorial Rational

The theme of my exhibition is to display the suffering of an adolescent during quarantine. The global pandemic affected and still affects everyone heavily due to the quarantine aspect. Being home and not seeing people has made many people’s mental health decline. My exhibition not only shows life during the pandemic but the altered lifestyle that came after the long quarantine. They include very emotional themes and use the human body to show that humans are emotionally suffering because of quarantine. However, my exhibition shows how one can turn isolation into solitude, a process that many people went through during quarantine.

My goal is to advocate for the mental health of teenagers, because I know that I am not the only teenager who’s been mentally affected by quarantine. I want the viewers to truly understand what it has been like for us over the last two years, and how it still lingers to this day. Mental health in adolescents is often overlooked and it deserves to be taken seriously. Not only am I doing this to spread awareness of the importance of mental health in teenagers after the pandemic, but to transcribe my feelings and emotions into a physical piece to organize the jumble of thoughts that go through my head. Putting together this exhibition has brought me peace of mind. When I try to open up and express myself, words usually cannot do the job. By utilizing art to express myself, I can say everything I want to say and get the message across in a visual form.

All of my pieces are based on personal experiences. In order to speak to the viewer more, I want my pieces to be authentic. The authenticity of my artwork is important to me because I can then incorporate emotion into my art. Not only does this aid the viewer in understanding my message, but it is also therapeutic to me. The self-fulfillment I gain from the art-making process is how I have been able to heal from quarantine. Creating a piece of art is almost like mapping out my emotion so I can then understand myself better. Sometimes, in order to fix the issue, you need to know what it is first, and that can be really tough when the issue has to do with your mental health. In The Mirror Speaks Volumes, I was feeling dissatisfied with myself. To take out all this stress, I tried to connect my inner emotions with the physical world by making art. I went into my bathroom and sketched the interior architecture. Back at my desk, I used my mirror to draw my side profile and I freehanded my body. This piece is a release. I channeled the dissatisfaction I saw in the mirror into a drawing, and the self-fulfillment I felt after completion helped me to combat the lack of self love I have.

I chose these specific pieces in their respective order in order to convey growth. While I do want to advocate for mental health, I also want to inspire those who are still struggling. The artmaking process has helped me mentally quite a lot, so by experiencing my exhibition, one could take away inspiration to change themselves. The exhibition revolves around being alone, but changing your situation from isolation to solitude. I started out with very somber and hectic pieces that serve to represent one's mental state during quarantine. In the pieces Isolation and Slender-Bodied Sorrow, I wanted to convey loneliness. In The Mirror Speaks Volumes and Detachment, my goal was to show the cruel thoughts that your mind possesses when you are isolated and how all the build up can lead to a panic attack. I eventually switch to more peaceful and positive pieces that show the breaking of the cycle of depression and onto a period of growth. My piece, Change of Mind, is the turning point of the exhibition and shows how the cycle of depression is broken and the first steps to solitude are achieved. There Is A Light That Never Goes Out portrays being alone in a much more peaceful way, and shows the struggles one can face on their journey to solitude. In my final piece, Solitude, which opposes Isolation, it shows a boy who is beginning to develop a love for art-making, which can ultimately lead him to solitude.