The following speeches from Hamlet will be our recitations as we read through the play Hamlet this quarter! Students may select one to recite. Remember, due to the age of the play, some of the language may be unfamiliar or different. We will work on this together to understand the words and how to say them!
Because these selections are from a play and not a typical poem, think about it like learning lines for a drama class or production. It will sound more like a speech or monologue than a poem.
If you would like to see the words paralleled before we start on it in class, look up the No Fear Shakespeare Hamlet to see a modern day translation next to the original words.
"Remorseless, treacherous, lecherous, kindless villain!
O, vengeance!
Why, what an arse am I! This is most brave,
That I, the son of a dear father murdered,
Prompted to my revenge by heaven and hell,
Must, like a whore, unpack my heart with words,
And fall a-cursing like a very drab,
A scullion! Fie upon't! foh!
About, my brains. Hum--I have heard
That guilty creatures sitting at a play
Have by the very cunning of the scene
Been struck so to the soul that presently
They have proclaimed their malefactions;
For murder, though it have no tongue, will speak
With the most miraculous organ. I'll have these players
Play something like the murder of my father
Before mine uncle. I'll observe his looks;
I'll tent him to the quick. If'a do blench,
I know my course. The spirit that I have seen
May be a devil; and the devil hath power
T'assume a pleasing shape; yea, and perhaps
Out of my weakness and my melancholy,
As he is very potent with such spirits,
Abuses me to condemn me. I'll have grounds
More relative than this. The play's the thing
Wherein I'll catch the conscience of the King."
"To be, or not to be -- that is the question;
Whether 'tis nobler in the mind to suffer
The slings and arrows of outrageous fortune,
Or to take arms against a sea of troubles,
And by opposing end them? To die, to sleep--
No more; and by a sleep to say we end
The heart-ache and the thousand natural shocks
That flesh is heir to. 'Tis a consummation
Devoutly to be wish'd. To die, to sleep;
To sleep, perchance to dream. Ay, there's the rub;
For in that sleep of death what dreams may come,
When we have shuffled off this mortal coil,
Must give us pause. There's the respect
That makes calamity of so long life;
For who would bear the whips and scorns of time
The oppressor's wrong, the proud man's contumely,
The pangs of despised love, the law's delay,
The insolence of office, and the spurns
That patient merit of the unworthy takes,
When he himself might his quietus make
With a bare bodkin? Who would these fardels bear,
To grunt and sweat under a weary life.
But that the dread of something after death--
The undiscovered country, from whose bourn
No traveler ever returns -- puzzles the will,
And makes us rather bear those ills we have
Than to fly to others that we know not of?
Thus conscience does make cowards of us all;
And thus the native hue of resolution
Is sicklied over with the pale cast of thought,
And enterprises of great pitch and moment,
With this regard, their currents turn awry
And lose the name of action."
"How all occasions do inform against me,
And spur my dull revenge! What is a man,
If his chief good and market of his time
Be but to sleep and feed? A beast, no more!
Sure he that made us with such large discourse,
Looking before and after, gave us not
That capability and godlike reason
To fust in us unused. Now, whether it be
Bestial oblivion, or some craven scruple
Of thinking too precisely on the event --
A thought which, quartered, hath but one part wisdom
And ever three parts coward -- I do not know
Why yet I live to say, 'This thing's to do,'
Sith I have cause, and will, and strength, and means,
To do it. Examples gross and as earth exhort me:
Witness this army, of such mass and charge,
Led by a delicate and tender prince,
Whose spirit, with divine ambition puffed,
Makes mouths at the invisible event,
Exposing what is mortal and unsure
To all that fortune, death, and danger, dare,
Even for an egg-shell. Rightly to be great
Is not to stir without great argument,
But greatly to find quarrel in a straw,
When honor's at the stake. How stand I, then,
That have a father killed, a mother stained,
Excitements of my reason and my blood,
And let all sleep, while to my shame I see
The imminent death of twenty thousand men
That, for a fantasy and trick of fame,
Go to their graves like beds, fight for a plot
Which is not tomb enough and continent
To hide the slain? O, from this time forth,
My thoughts be bloody, or be nothing worth!"
Below, are two different performances of option 2, one by Kenneth Branagh and one by Mel Gibson. The last video is Option 3 performed by Kenneth Branagh. Each actor adds their own unique twist to how they perform it, so please don't think there's a "right way" to do this. Be dramatic, have fun!