Vol. 17 / Issue 63 / Summer 2023 

Original Cover Artwork "Take Me To Your Dreams" by Paula Hammond   |    < Back to Home Site

"Take Me to Your Dreams" by Paula Hammond

“Take Me To Your Dreams” is a fantasy piece where we take a peek into someone else’s dreams. I wanted to conjure up that sense of unreality and uncertainty that you often get in dreams. Are we the birds, weaving through the tangled undergrowth to ‘find’ the dreamer? Or are the birds the dreamer, guiding us through their own dreamscape? The figure in the midpoint with the halo was a happy accident, but once they materialised, the rest of the image was built around them. Are they friend or foe? Only the dreamer knows.

On a cusp of history.

My mother was born 110 years ago in central California.  As a child, her family drove by horse and buggy to their neighbor’s ranch for a town picnic. The excitement of the day: watching the first barnstormer to come to the area in his marvelous flying machine.

Half a century later, she sat glued to the “telly” watching Neil Armstrong take the first step on the moon.

So many changes she saw in that one lifetime. And she adapted to them all—except one.

My mother refused to ever use a microwave.

As for me, I grew up collecting newspaper clippings of not only that first step on the moon, but of every Gemini and Apollo mission. And in high school calculus classes, I was one of four students to spend half an hour a day learning to program on the school’s new terminal connected by telephone to one of the first time-share IBM computer bays in Houston Texas. That, kids, was in BASIC, all 1, 0,11’s, and wow, it plotted a red, black, or blue hyperbolic paraboloid diagram.

Twenty some years later, my family brought a personal computer into our home! And while our kids learned readin’ and writin’ and ‘rithmatic taught to the tune of computer click and learned to program their own chess games, I sat up happily all nights long rewriting my novels on my new glorified typewriter. We were living in that Star Trek future I grew up dreaming about.

Or so I thought. Somewhere in the beginning years of the 21st century, I looked around me, and realized the computer age, the information age, whatever historians will end up calling it, had passed me by. I’d become a dinosaur still stuck in the 20th century at the beginning of its cusp. Unlike my kids, who thankfully crested its wave and are still creating the future. 

The world around me can be bewildering at times—unlike my mother, I couldn’t adapt quickly enough to every new invention. PC’s yes, email, yes, my glorified typewriter, yes, iphones, ipads, Dick Tracy watches, tricorder-like beepers, Google glasses my son was programming—wait! What?? To this day, I’ve never tried looking through one of those, nor through any more modern AR/VR headset. Nor is my right thumbnail replaced by the super new computer NailTM phone. (Just kidding on that one—I hope!)

Fast forward to November 2022, and, blink!, the world of writing entered its own new age. It’s happened to storytellers before, the word ‘novel’ was invented to describe a new way to tell a story. Over the centuries, we’ve adapted to that. At the cusp of our new future, can we as readers and writers of NewMyths adapt again?

I’ve been told one thing, AI programmers are waiting and watching for US to shape how we use the new writing programs. What it is we need the new technology to do to become just another tool in our toolbox? We can fear it, turn away from it, close our eyes to it, and become our own dinosaurs left behind. Or we can learn to create the future of writing with it.

I know I’ll be a dinosaur. I’m not even curious to try using it to write a story. Not that I worry that I’ll plagiarize someone else’s idea, the best genre writers are already building off of each other’s stories, their stories are “holding a conversation with each other” as one panel at World Fantasy Con years ago described it. No, while I may someday use a writing program, it won’t be to originate a story idea or to write it, it would be at most to help edit a passage I’ve written. I’m not alonelook at our contributor pages to see how our writers answer the question “Why do you write?” Not to tell a story for fame or fortune, but because of a passion, a need inside to CREATE. Perhaps that’s what we fear we’ll lose by accepting an AI writing program.

It’s up to us. Those of us who can crest the wave to the future and shape the AI writing programs to make them useful to us. While a few of our beloved contributors have withdrawn their stories from our consideration because of our new policy to accept (in a separated category) AI-assisted work, one contributor wrote that he is looking forward to how NewMyths’s embrace of AI will help shape the debate. We're ... cautiously ... looking forward, too.

And the first thing I see ... out of the four hundred submissions I've read so far in the first ten days of our new reading period, only ONE writer used an AI program to help write her poem. Not the flood we were expecting (fearing?) yet.

And dear readers, fellow writers and creators, rest assured. This issue of great and imaginative stories and poems are completely human-writtenall accepted before last winter and the advent of the AI-writing program debate. Enjoy!



Susan Shell Winston, editor



Background Image by captainvector


Table of Contents

FICTION


"The Keen and Cutting Stones" by Claudio Chillemi and Paul Di Fillippo

Biondi peered out at the slopes of Etna. A cloud of electric steam was seen coming out of the  earth's surface, channeling itself along the immense antennas, climbing them  violently, dispersing in the sky with a deafening rumble. The invisible flow of gravitons manifested as atmospheric disturbance.

Biondi, taking advantage of the decrease in vibrations, summoned up the satellite telemetry. He noted with immense relief that the flow of seismic energy released by the antennas bounced from one satellite to another until it reached the free space outside the atmosphere.

Then all the terrestrial activity suddenly stopped.


"A Murmuration of Starlings" by Craig Crawford

I watched the starlings, mesmerized at the synchronicity. 

They swung left, cutting to the edge of the road, then undulated back and away...

They banked into a coil and Cassie sucked in a breath. She ran back to me, grabbing my leg.

“What’s up?” I asked her.

Her eyes followed the swarm. “They talked to me.”


"Druid Days, Dragon Knights"  by Ron Ferguson

“The virgin granddaughter’s eyes are the same color as Joan’s, Amethyst flaked with topaz.”

“Dragon eyes?” Byron cannot clinch his arthritic sword hand. “My God, she has dragon eyes! The Druids want to bring back a dragon.”


"Escort Duty" by Lisa Timpf

Shorter at the shoulder than Pepper by a couple of inches, the creature might have been mistaken for a miniature—very miniature—horse, save for the fact that its legs terminated in three-toed paws in lieu of hooves....Over its ribcage and back, the small horse sported a protective vest, much like the ones Pepper and I wore when facing combat duty. Only, instead of the deep blue of the Galactic Space Service, this vest was jet black with gold piping. In the vest’s bottom right corner, the letters “MP” were embossed in gold letters...

"This is Dancer,” the woman replied. “She’s a Royal Canadian Mounted Police operative."


FLASH FICTION


"Marswalk" by David Gianatasio

"Canary" by Barbara Lock

"Discount Mondays" by Amanda Pampuro


POETRY


"Dark Room" by Davian Aw

"Logical Creatures" by Renee Cronley

"The Gift" by Christine M. Du Bois

"Maternal Memory 7G" by L. P. Melling

"Rumpelstiltskin" by Cislyn Smith

"Phantom Mark" by Liana Tang


NONFICTION

Using AI for Writers, A Computer Scientist's Perspective" by Steven Winston


Maybe you 'll need an AI to create a first draft and then use your expertise to edit only, by which strategy you will craft original stories that the AI couldn't do on its own. Maybe, as I think most likely, you will find help in teaching an AI what your individual voice is by letting it learn on your corpus of work and enabling the AI to cure writer's block in the blink of an eye writing the next sentence in your voice as you might have done yourself. You can then concentrate on living in your fantasy world as you type. 



“The Myth Behind the Kom Settlement” by Nyong Patrick Yuh

The myth behind the Kom settlement in Cameroon has made the Kom people of today "involuntarily"  practice forest conservation .