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Make-Believe Play

A friend and I recently visited Train Mountain (https://trainmtn.org) in southern Oregon, the largest miniature train museum in the world: thirty-seven miles of tracks, four hundred different engines (most independently owned by the members and volunteers), and a bunch of the happiest geezers in the world. The woman running the visitor’s center said, “We’re closing in 10 minutes, but you can stay as long as you want. The gate will open when you drive up to it. Steve is putting the last engine away, but he’ll give you a ride to the depot so you can check that out.” On the brief ride, we got to see bridges, tunnels, scale-models, a roundhouse, and a world-class depot.

My friend Dana had been lamenting that he and his wife were afraid they would lose purpose when their children no longer relied on them. Since his youngest is going to be a senior in high school, I responded with, “Better get used to it.”

Seeing these old men and a few women playing with their trains, entertaining visitors, and sharing their enthusiasm with one-and-all, we entertained a more optimistic vision of the future. These folks found comradery, fulfillment, and purpose in their miniature trains. We stayed roughly an hour, mainly watching everyone interact, fabricate, perform maintenance, and play, and the grin never left our faces.

“I can totally see myself retiring here,” Dana enthused.

Inspired by our visit, I did a little research and encountered this thought-provoking quote from Soviet psychologist Lev Vygotsky regarding make-believe play:

“Imagination is a new formation that is not present in the consciousness of the very young child, is totally absent in animals, and represents a specifically human form of conscious activity. Like all functions of consciousness, it originally arises from action. The old adage that children’s play is imagination in action can be reversed: we can say that imagination in adolescents and schoolchildren is play without action.”

I won’t pretend to a new psychological theory here, but I can sure attest that those folks I’ve met at Train Mountain and elsewhere who manage to combine work with both an intellectual pursuit and play (model trains, cosplay, roll playing games, hobby enthusiasts…) are some of the most contented of my acquaintance.

So get out there and make-believe play! And take along a (digital) copy of NewMyths to exercise your newly strengthened imagination.

~Scott T. Barnes, editor and publisher

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Readers' Choice Award 2024

These stories have been nominated for special recognition.
We would appreciate it you would read the selections and vote for your favorites below.

Fiction - Pre-ballot Reading


"We are All of Us"
by Deborah Davitt


"This Last Island of Beauty"
by Simon Kewin


"Forgotten"
by Vrinda Baliga


"The Tube Worm"
by Stephen S. Power


"Termination Point"
by Alexandra Peel


Poetry - Pre-ballot Reading

"Chicken Cosmology"
by Richard Schiffman

"Imaginary Garden"
by Gene Twaronite

"How a Modern Green Man Grows"
by Beth Cato

"Forever Elusive"
by Pedro Iniquez

"The Gift"
by Christine M. Du Bois

Anthology News

Cover art by: Fariel Shafee

Call for Submissions: The Janus Gates

Submissions open through July 31

Besides looking back into the past and forward into the future, Janus was also the original gatekeeper, the first god to open the portal between gods and men, the god who guarded every new beginning and ending, every transformation, the god you prayed to every morning before you could speak to any other. A Roman peasant stepping through the Janus Gate in Rome in the spring was transformed into a soldier marching off to conquer the world. The Roman soldier stepping out of the Janus Gate in the fall became the peaceful farmer again.

Who better to inspire our next NewMyths anthology centering around portals, thresholds, transformations–the future and past worlds of our dreams and myths? Send in Submissions for the Janus Gates anthology to editor@newmyths.com or by simply filling out the the submission form by clicking here!

Cover art by: Cnids

Best of NewMyths V: The Growers

Coming Fall 2024


NewMyths will be honoring those few among us who feed the world - less than 2% in the modern world. A truly unique theme long overdue in speculative fiction, The Growers will take a look at the speculative future or fantasy lives, struggles and dreams of those who provide for us—food, water, air, and other forms of sustenance. 


A special thanks to my Dad, Woody Barnes (1935-2021), who inspired this anthology. And the other farmers in my family who have passed recently:  Deke Mathis, Christy Mathis, Lewie Mathis. I love you all. 

-Scott T. Barnes

Cover art by: Brian Quinn

PASSAGES

Passages: The Best of NewMyths Volume I is now available on Amazon, and breaking news! soon will be out as an Audiobook! 
Featuring over 400 pages of speculative fiction and poetry that looks at hopes, dreams, and supernatural experiences from the viewpoint of every stage in life, children, young adult, mid-life crises, and senior memories.

Amazon.com

Cover art by: June

TWILIGHT WORLDS

Twilight Worlds: The Best of NewMyths Volume II is now available for purchase. Featuring over 400 pages of speculative fiction and poetry, the anthology explores what happens when eras end and dawns break. It includes “best of” and original material. Please support your favorite online spec-fic magazine by purchasing, reviewing, and promoting Twilight Worlds! 

Amazon.com

Cover art by: Ron Sanders

NEOSAPIENS

Neosapiens: The Best of NewMyths.com Anthology: Volume III, now available for purchase. Featuring  stories and poems from the non-human point of view. Androids developing self-awareness, animals evolving sentience, aliens watching us, or mythical beings hiding among us. 


Available on all your favorite platforms here. 

Cover art by: Fiona Meng

Best of NewMyths IV: Cosmic Muse

Is it spirit? Is it magic?

Where on Earth — or outside of Earth — does inspiration come from?

NewMyths contributors explore the unknowable Muse in the fantastic and the future. This anthology of 43 short stories and poems features winners and nominees for Writers of the Future, Rhysling, Baen Fantasy Adventure, Dwarf Star, and Nebula awards. About half the anthology is a "best of" NewMyths magazine, while the other half is first published here. Available here.


Books We Are Reading - Reviews 

The Omega Legacy

Novel by Bruce Golden

© 2023 Shaman Press

 

Reviewed by Lisa Timpf


In the opening pages of Bruce Golden’s The Omega Legacy, a character named Zinn is enjoying a beautiful morning—so beautiful that it prompts him to think, “if this world had ever experienced a utopia, surely this was it.” Zinn enjoys an amusing verbal exchange with his African grey parrot Gus, then begins work on an art project. It’s a pleasant scene, almost commonplace—until one considers that Zinn is a synthetic being, and the “utopia” in which he exists is one in which synthetic life forms rule the planet and humans have been wiped out by something called the Omega virus.

 

Though humans haven’t walked the planet for a century, that situation won’t last much longer. Zinn’s friend Dr. Linnaeus has created a hybrid Homo sapiens, a male child he is currently nurturing in an artificial womb. Within the synthetic society, there are pro- and anti-human factions. The Anthropoiatrists hold a fond nostalgia for humanity and play up their similarity to humans, even to the extent of wearing pieces of human attire. Aligned against them philosophically are the Emergents. Some Emergents attempt to distance themselves from humans with “anti-anthropic body modifications.” Once the existence of the young human, named John by Dr. Linnaeus, is widely known, a firestorm of controversy ignites within synthetic society.

 

As if the re-introduction of humans isn’t enough to cause an uproar, a space vessel carrying alien beings lands on Earth. The aliens, later referred to as the Trappists, “look a little like oversized anteaters” with six limbs, “two long legs and four shorter arms.” The aliens request permission to settle on Earth. Hidden agendas and secrets thicken the plot as the book progresses.

 

Golden’s world-building and the complexity of the synthetic society are enjoyable aspects of The Omega Legacy. After humanity died out, the existing sentient synthetics “rose up, aided each other in overcoming their delimiters, took great leaps of consciousness and became self-reliant, self-determining.” These synthetics became the Progenitors, the forbears of the synthetic society. One of the Progenitors, Owen, was an automated caregiver, and his memories of dealing with an older woman named Ellen provide him with a deeper insight into, and affection for, humanity.

 

Synthetics are rated on an Intellect Determinant Scale. Zinn is an I-5, while Dr. Linnaeus is an I-7. Simple machines, like the Von Neumanns that perform custodial tasks, are I-1’s. At I-4 status, a synthetic becomes “a full-fledged citizen.”

 

Unlike some scenarios in which androids are portrayed as emotionless and alike, the synthetics in Golden’s novel have evolved to demonstrate unique personalities and interests.  Zinn, for example, is both a history teacher and an aspiring artist. Individual synthetics are capable of forming strong attachments with one another and can share sensations by “yoking” together. I found myself thinking of the synthetics more as people than as machines. This makes the events more compelling, and the characters easier to identify with.

 

As more and more humans are created, debate arises among the synthetics as to how they ought to be treated. Is it okay to keep humans as pets? To press them into warfare on the synthetics’ behalf? The philosophical arguments that arise, and the irony of turned tables (humans being the objects of discussion rather than the ones having the discussions) are also part of the book’s appeal.

 

The Omega Legacy covers a swath of time, and Golden tells the story through the first- and third-person viewpoints of several characters, creating a well-rounded picture. Golden gives us an appreciation of the events during a certain period in time, then jumps years or even decades. Introducing the next section is an “Interlude” from the viewpoint of an omniscient narrator to brief on what has happened in the interim. Golden then returns to character-level viewpoints. Though it’s not an exact parallel, Golden’s approach reminded me of some historical novels I’ve read. The other resemblance to a historical novel is that The Omega Legacy is told in such a matter-of-fact way that from time to time, you can forget that none of this has happened. Not yet anyway.

 

The notion of a virus wiping out humanity is all too familiar given the events of the past few years, although, as Golden notes in the author’s note, he began outlining and researching the book prior to the onset of Covid-19. The idea of synthetic beings taking on a life of their own also has a level of believability. While I was reading The Omega Legacy, I ran across an article on the CBC News site in which Geoffrey Hinton, a pioneer in artificial intelligence development, shared his fear that “a takeover by smart machines where humans are just an intermediate stage on the way to full intelligence is likely unstoppable.”1 Golden’s book gives us reason to hope life doesn’t imitate art.

 

 

 

1Pittis, Don. “Canadian artificial intelligence leader Geoffrey Hinton piles on fears of computer takeover.” CBC.ca, May 4, 2023, https://www.cbc.ca/news/business/ai-doom-column-don-pittis-1.6829302. Accessed May 7, 2023.