By sharing a course with me, students hopefully sense the love I have for my work. With a convivial and compassionate yet firm and forthright teaching style, I hope to reach the most reluctant of students. My lively and commanding presence in the classroom has shown students that bringing energy, focus, and passion to one’s life’s work can be an essential element of living “the good life.” Beyond that, I attempt to model for students a spirited pursuit of expertise in whatever they endeavor professionally. Even so, they must understand that expertise doesn’t mean always having all the answers; instead, it means knowing yourself and your place within a professional field or discipline: knowing what you know, what you don’t know, what questions you need to ask, and how to be humble enough to ask them. There is no shame in not knowing, only shame in being content not to know.
Through assiduous attention paid to skill and knowledge development, I propel learners to take what they acquire in classrooms and become autodidactically driven to evolve into a person they do not even know yet, a person in whom they will most certainly take pride. To become that person; however, students need the support of a community they trust. Collaboration and empathy must be at the center of their moral and intellectual development; indeed, it is through these central values that we build our ability to use language more effectively by connecting with others in respectful, rational, personal, and visceral ways. Ultimately, students should see quite clearly that working together to make greater sense of the world, its interconnectedness, and our ability to discuss its infinite concepts and challenges makes life more exciting and us more appreciative of it.
©ELATED, 2022
I have included some examples of multimodal assignments I designed in my attempt to broaden my repitoire of teaching multimodal writing to ESL and first-year college writers as well as writers in other courses. Traditional and more complex multistep multimodal assignments serve student learning differently, so I have included examples of both. In addition, I have adapted a traditional writing assignment into a multimodal composition assignment and explored how multimodality might inform and/or enhance student learning.
How can our assignment designs give students a better chance to develop meaningful content in multimodal compositions?
How can the process guidelines we provide assist students with making meaning across modes and beyond the classroom?
How can multimodality enhance the quality and effectiveness of student writing?
Click on the white labeled buttons to visit each program's website.
Georgetown's Writing Center explains "The What and Why of Multimodal Projects," provides links to some excellent articles, and offers insights into assessing multimodal projects.
Despite its title, the webpage goes beyond simply assessing multimodal writing. Kent State's Department of English offers information on developing multimodal assignments that hit desired targets for rigor and student time investment. Though linked content is outdated and/or inaccessible, I appreciated the emphasis placed on the language of multimodality and the poetic dance among modes we must stress as we structure and assess multimodal compositions. Here, they also have multimedia design resources:
The sections on "Visual Metalanguage" and "Multilingual Multimodal Texts for EAL/D Students" are my favorites here. By the way, the acronym EAL stands for English as an Additional Language.