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DOCUMENTATION OBLIGATOIRE 

Utiliser le Lexique et le Guide d’analyse du département des Arts visuels, reçus à la première session. 


DOCUMENTATION COMPLÉMENTAIRE 

 

• Barthes, Roland. Camera Lucida: Reflections on Photography. Hill and Wang, 1981.  

• Berger, John. Ways of Seeing. British Broadcasting Corporation and Penguin Books, 1972.  

• Cotton, Charlotte. The Photograph as Contemporary Art. 4th ed., Thames & Hudson, 2020.  

• Foster, Hal. The Return of the Real: The Avant-Garde at the End of the Century. The MIT Press, 1996.  

• Foster, Hal, Rosalind Krauss, et al. Art Since 1900: Modernism, Antimodernism, Postmodernism. 2e éd., Thames & Hudson, 2011. 

• Fried, Michael. "Art and Objecthood." Artforum, vol. 5, no. 10, 1967, pp. 12–23.  

• Heiferman, Marvin. Photography Changes Everything. Aperture, 2012.  

• Judd, Donald. "Specific Objects." Arts Yearbook, vol. 8, 1965, pp. 74–82.  

• Lister, Martin, editor. The Photographic Image in Digital Culture. Routledge, 1995.  

• Lynch, David. Catching the Big Fish: Meditation, Consciousness, and Creativity. TarcherPerigee, 2006. 

• Marks, Laura U. "The Memory of Touch." The Skin of the Film: Intercultural Cinema, Embodiment, and the Senses, Duke University Press, 2000, pp. 129–153.  

• O'Doherty, Brian. Inside the White Cube: The Ideology of the Gallery Space. Expanded ed., University of California Press, 1999.  

• Rilke, Rainer Maria. Lettres à un jeune poète. Traduction de Bernard Grasset, Éditions Grasset, 1929 

• Sontag, Susan. On Photography. Farrar, Straus and Giroux, 1977.  

• Steacy, Will, editor. Photographs Not Taken: A Collection of Photographers' Essays. Daylight Books, 2012. 

• Tanizaki, Jun’ichirō. In Praise of Shadows. Leete’s Island Books, 1977.