Garrett Michaud

Abstract: There is a large body of literature revolving around the topic of masculinity and gender within film studies. The researcher found a gap in the research with respect to the connection between film studies and the portrayal of masculinity which is explored in this study. The researcher used the critically acclaimed and avant-garde third season of the television series Twin Peaks as a basis for a study regarding the portrayal of masculinity in television based on the four forms of masculinity theorized by Raewyn Connell. The sample consisted of 10 episodes from the season and the researcher analytically viewed and made observations on three different male characters' actions, dialogues, and expressions. This data was then analyzed to draw connections between these actions, dialogues, and expressions and their portrayal of masculinity. The main findings of this study were the following: 1) positive characters do not necessarily portray positive masculinities; 2) negative characters portray mainly negative masculinities; 3) not all characters portray one type of masculinity. This study serves as a basis for further research into connections between masculinity and film and television. With more research, greater connections between Hollywood’s perceptions of masculinity could be unveiled.