Citations: The Renaissance Imitation mass
About the Project
Citations: The Renaissance Imitation Mass (CRIM) will extend the idea of the quotable text for music in an innovative, open-source format. The focal point of our inquiry is the so-called “imitation” Mass, a Renaissance musical genre notable for the ways in which its composers derived new, large-scale works from pre-existing ones.
This rich weave of relationships seems particularly suited to the Music Encoding Initiative (MEI) XML standard that serves as the basis of our digital editions, and for the enhanced capabilities of addressing scores with pinpoint accuracy developed during two recent projects supported by the NEH, The Lost Voices Project (2010-2014) and Enhancing Music Addressability (2014-2015).
We will soon extend addressability to various para-texts that give meaning to the musical citations themselves via a participatory multi-author publication system using Linked Open Data technologies such as Open Annotation Collaboration.
Meanwhile visit we invite you to visit the CRIM analysis and discussion site.