Poster and Program

Counterpoints: Renaissance Music and Scholarly Debate in the Digital Age (Conference-Workshop at the CESR in Tours, November 14-16, 2019)

Programme Booklet

Schedule of Sessions, Zoom Links, and Shared Documents

CRIM Main Site: https://crimproject.org/

Conference Schedule and Sessions in Detail (with links to presentation documents)

• • Freedman Keynote Slides || Recording of Presentation

  • Viglianti Keynote Slides || Recording of Presentation

  • Pierazzo Recording of Presentation

  • Fiala Keynote Slides ||

  • Methods and Vocabularies Slides

  • Exploring CRIM Observations and Relationships

  • A Closer Look at Individual Works

  • Creative Counterpoint

    • Presenting the Missa Criminalibus Listen/Watch a Performance || How They Created It

  • CRIM, Machine Learning and Big Data

    • Recording of Presentations by Cuenca, McKay and Russo-Batterham

  • Story of a Soggetto (Also slides)

  • Pedagogies and Next Steps

Shared Google Document for Notes, Questions and Ideas (add your thoughts!)

Evaluating CRIM@ Tours

• • Take a few minutes to evaluate the event!

Getting Ready for CRIM @ Tours

• What to Know and Do Before November

• Conference Schedule and Sessions in Detail (with links to presentation documents)

• Materials to Print List

• Atom MEI Viewer and Editor Instructions

Reference Documents

• Musical Terms in Multiple Languages

• CRIM Vocabularies (Musical Types, Relationship Types, Symbols and Abbreviations, Markup Rules)

• CRIM Help Menus

• All Imitation Masses for 16th-17th centuries (based on Mainz MDB)

Sample Marked Scores and Relationships

• Model 8 (Josquin, Ave maria)

• Mass 5 (Fevin, Missa Ave maria) Gloria

• Mass 5 (Fevin, Missa Ave maria) Agnus dei

• Relationships between Model 8 and Mass 5

• Freedman Marked Models (Rore, Lupi, Josquin, Palestrina, Sandrin, Sermisy)

Demonstration Videos

• How to Make a Relationship

• How to Edit a Relationship

• How to use the Heat Map Tool

• How to Hear the Auralizations

Readings

Notes and Comments on the Readings (feel free to contribute!)

• CRIM NEH Grant Proposal

• Schubert on Modular Analysis: Schubert, Peter and Marcelle Lessoil-Daelman, “What Modular Analysis Can Tell Us About Musical Modeling in the Renaissance,” Music Theory Online 19.1 (2013). This version contains audio, video, and interactive examples. But download PDF's with the following

  • Essay PDF

  • Appendix of Examples PDF

  • Lupi Chanson Marked PDF

  • Lasso Kyire Marked PDF

  • Palestrina Marked PDF

• Crook on Lasso Imitation Magnificats, from Crook, David. Orlando Di Lasso’s Imitation Magnificats for Counter-Reformation Munich. Princeton, N.J: Princeton University Press, 1994.

• Canguilhem on Divitis (in French). Canguilhem, Philippe. “Aux origines des la messe parodie: le cas d’Antoine Divitis.” Revue de musicologie 82 (1996), 307-14.

• Magro_Brumel (in Italian). Magro, Agostino. “Elementi di parafrasi contrappuntistica nella Missa Je n’ay dueul di Brumel.”, Journal of the Alamire Foundation 7 (2015), 72-98.

• Schlagel_Josquin_Paraphrases, from Schlagel, Stephanie P. Masses by Ludwig Daser and Matthaeus Le Maistre: Parody Masses on Josquin’s Motets from the Court of Duke Albrecht V of Bavaria. RRMR, 164. Middleton, WI: A-R Editions, 2016.

• Milsom_T-Music [Review of Schlagel, Stephanie P. Masses by Ludwig Daser and Matthaeus Le Maistre: Parody Masses on Josquin’s Motets from the Court of Duke Albrecht V of Bavaria. RRMR, 164. Middleton, WI: A-R Editions, 2016, Early Music 46 (2018), 319-31.

• Owens on Rore and Lasso. Owens, Jessie Ann. “Lasso’s Ritual Reading of De Rore’s Scarco di doglia.” Journal of the Alamire Foundation 10 (2018), 73-93.

• Crook on Rore and Lasso. Crook, David. “The Sacred and the Secular in Post-Tridentine Church Music: Rore, Lasso, and the Magnificat Da le belle contrade.” Journal of the Alamire Foundation 10 (2018), 45-72.

Code and MEI Examples

• MEI examples (Lupi's Soggetto, Josquin's Ave maria as MEI)

• How to Install Atom and MEI viewer