“The Quotable Musical Text in a Digital Age:

Modeling Complexity in the Renaissance and Today”

David Fiala (CESR/Université de Tours)

Richard Freedman (Haverford College, USA + CESR/Université de Tours)

Emilio Sanfilippo (Le Studium/Université de Tours)

Raffaele Viglianti (MITH, University of Maryland)

Workshop Presentation and Discussion Document

• Workshop Description

• Google Slide Presentation

• Towards a Music Analysis and Criticism Ontology (shared document--please contribute/comment)

Cinepoetics Working Paper (Berlin, from DH Utrecht)

Controlled Vocabularies and Methods (see also MEI Handouts)

• Musical Types

• Relationship Types

• Analysis and Markup Rules

• Abbreviations and Symbols

Scores and Recordings

• Josquin des Prez, Ave Maria Listen

• Antoine de Févin, Missa Ave maria Listen

• Suggested Passages for Analysis

Sample Marked Scores and Relationships

• Model 8 (Josquin, Ave maria)

• Mass 5 (Fevin, Missa Ave Maria) Kyrie

• Mass 5 (Fevin, Missa Ave maria) Gloria

• Mass 5 (Fevin, Missa Ave maria) Agnus dei

• Relationships between Model 8 and Mass 5