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Our Aims, In Brief
To explore the idea of musical borrowing and similarity from two disciplinary perspectives: musicology and data science.
To build communities of scholars, students, and musicians, and to create new kinds of collaborative research, teaching, and publication.
More about CRIM:
Conference Program
Conference Program
Last Updated September 21, 2022
Thursday October 20
Thursday October 20
Location: Lutnick Library, Room 200, except for 5:30 rehearsal, which is Jaharis Recital Hall
9:00 Session 1: Welcome and Orientation
9:00 Session 1: Welcome and Orientation
Richard Freedman. CRIM Past, Present and Future
9:30 Session 2: Lessons from the Classroom
9:30 Session 2: Lessons from the Classroom
Gabriele Taschetti and Marina Toffetti (Padua University), “Learning with CRIM Tools: using the Notebooks to advance Skills with Music Analysis”
Esperanza Rodriguez-Garcia (Universidad Complutense, Madrid), “Iberian Traditions in the Musical Classroom”
10:30 Coffee Break
10:30 Coffee Break
11:00 Session 3: Training the Machine Ear: Workshop with CRIM Tools
11:00 Session 3: Training the Machine Ear: Workshop with CRIM Tools
12:00 Lunch
12:00 Lunch
1:30 Session 4. The Josquin Generation and Beyond
1:30 Session 4. The Josquin Generation and Beyond
Fabrice Fitch (Manchester University), “Senfl’s revision of Josquin’s Ave maria”
Simon Frisch (The Juilliard School), “E pluribus unum: The Challenge of Sermisy’s Missa plurium motettorum”
Ben Ory (Williams College), “Conclusions from a Big Batch of Music: Applying CRIM’s Analysis Tools to Music from The 1520s Project”
Ian Lorenz (McGill University), “Contrapuntal Form and Play in Manchicourt's Quo abiit”
3:30 Coffee Break
3:30 Coffee Break
4:00 Session 5: Thinking about Cadences, Then and Now
4:00 Session 5: Thinking about Cadences, Then and Now
Alexander Morgan (ECO Rate, New York) “The Sense of an Ending: Cadential Voice Functions and Cadences in CRIM Intervals”
Jessie Ann Owens (University of California), “Thinking about Cadences: Vicentino, Tigrini, Morley”
4:30 Session 6:
4:30 Session 6:
5:30 Session 7: Open Rehearsal with Chamber Singers
5:30 Session 7: Open Rehearsal with Chamber Singers
Location: Jaharis Recital Hall
Open rehearsal, sing-in, and discussion of Palestrina Veni sponsa Christi, the Mass, and other works, with the Haverford-Bryn Mawr College Chamber Singers, Dr. Nate Zullinger, Director
6:30 Dinner
6:30 Dinner
Location: Lutnick Library, Room 200
8:00 Return to Hotel
Friday October 21
Friday October 21
Location: Jaharis Recital Hall, except dinner in Lutnick Library, Room 200
9:00 Session 8: Madrigalists and Mass Composers
9:00 Session 8: Madrigalists and Mass Composers
Julie Cumming (McGill University), “The Madrigal and the Mass: What can CRIM teach us?”
Sylvain Margot (McGill University) and Peter Schubert (McGill University), “Ippolito Baccusi, the Madrigal, and the Motivic Impulse”
Alessandra Ignesti (KU Leuven), “Baccusi and Contino: Connections beyond the Model”
10:30 Coffee Break
10:30 Coffee Break
Location: Jaharis/Roberts Atrium Lobby
11:00 Session 9: English Traditions: Counterpoint and Cadences
11:00 Session 9: English Traditions: Counterpoint and Cadences
Michael Winter (Newcastle University), “What CRIM can teach us about the Music of Eton Choirbook (and the reverse)”
Erik Bergwall (Uppsala University), “Cadential tones and intertextual features of the English In Nomine tradition”
12:30 Lunch
12:30 Lunch
Location: Jaharis/Roberts Atrium Lobby
1:30 Session 10: Echoes of Lasso
1:30 Session 10: Echoes of Lasso
Vlad Praskurnin (McGill University), “Lassus Remembers Pierre Sandrin’s Most Famous Chanson: Quotation and Form in Missa Doulce Memoire”
Andrea Puentes-Blanco (Spanish National Research Council (CSIC) and Institución Milá y Fontanals de Investigación en Humanidades, Barcelona), “Echoes of Lasso: Susanne un jour and the Imitation Mass Tradition”
Jonathan Stroh (Augsburg University), “Words and Music: What CRIM Intervals can Teach us about The Connections”
3:00 Coffee Break
3:00 Coffee Break
3:30 Session 11: Institutions and Collaboration
3:30 Session 11: Institutions and Collaboration
Philippe Vendrix (University of Tours), “A Collaborative Initiative for Early Music : EarlyMuse COST Action”
Russo-Batterham (Melbourne University), “Institutional Perspectives on Digital Collaboration: A view from Down Under”
5:00 Session 12: CRIM Tools Hands-on Workshops and Discussion
5:00 Session 12: CRIM Tools Hands-on Workshops and Discussion
6:30 Dinner
6:30 Dinner
Location: Lutnick Library, Room 200
8:00 Return to Hotel
Saturday October 22
Saturday October 22
9:00 Session 13 Machines and the CRIM Corpus
9:00 Session 13 Machines and the CRIM Corpus
Fabian Moss (Würzburg University), “Learning about Machine Learning with CRIM”
Laurie Tupper (Mt Holyoke College) , “Dynamic Time Warp and Melodic Analysis”
10:30 Coffee Break
10:30 Coffee Break
Location: Jaharis/Roberts Atrium Lobby
11:00 Session 14 Iberian Traditions
11:00 Session 14 Iberian Traditions
María Elena Cuenca Rodriguez (Universidad Autónoma, Madrid), “The Imitation Mass in Renaissance Spain: Pedro Buch listens to Francesco Guerrero”
Maura Sugg (Case University), “Victoria’s Second Thoughts”
12:30 Lunch
12:30 Lunch
Location: Jaharis/Roberts Atrium Lobby
1:30 Return to Hotel or Departure
The CRIM Team at Work and Play
The CRIM Team at Work and Play
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