To sign up for the 2026 Marching Knights
The information contained in this section is intended to guide students that wish to further extend their knowledge and understanding of the history and performance standards of their instrument. You will find scales, listening examples, tutorial videos, lists of famous performers etc.
Roger Behrend -
Brian Bowman -
Brian Bowman -
Dave Werden & Roger Behrend
1. Brian Bowman
2. Roger Behrend
See tuba player listening examples as well.
Introduction to the Euphonium - G. Robertson
This section is meant as a resource for students and parents that wish to upgrade their instrument and accessories. Please note that no student will be denied the opportunity to perform with the EYHS band program because of the quality of their instrument. It is important that all students understand that proper care and maintenance of instruments is crucial to their function, not matter what the quality may be.
If you have the opportunity it is suggested that you try out different instruments to get an idea of how well the instrument works for you. What may be a good instrument for one player may not work well for another.
MOUTHPIECES:
BE CAREFUL TO CHECK SHANK SIZING - LARGE (EUROPEAN) or STANDARD
European Euphoniums are usually large shank (Ex. Besson).
Bach 6 1/2 AL - Smaller (Good Choice)
Bach 5GS - Medium (Good Choice)
Bach 4G - Large
For more information concerning the anatomy/terminology of mouthpieces, please see the Vincent Bach Mouthpiece Buying Guide (specifically Page 3) found in the upload section (bottom of the page) of the brass general page.
BEGINNER:
Yamaha 201
ADVANCED:
Yamaha 321
King 2280
Besson BE2051 (European - Large Shank)
HOW MANY VALVE? - For advanced players it is strongly suggested that they purchase a 4 valve instrument. The fourth valve expands the lower range and allows for different fingering combinations. Some euphoniums come with all four pistons grouped together and other have their 4th piston located off to the side. In this arrangement, the right hand plays the 3 main pistons while the left hand controls the side 4th piston.
WHAT IS A "COMPENSATING EUPHONIUM?" - These horns work slightly differently because they are used to compensate for the tendency of a euphonium to be sharp in its lower register.
MUTES:
H.S. Euphonium players rarely need mutes. If you would need a mute the must common is listed below:
Straight Mute
SUGGESTED BRANDS:
METHODS:
New Concert studies of Euphonium - Mead
Warm-Up Exercises - Remington
Melodious Etudes for Trombone - Rochut
Rubank Method Book No. 1, 2 & 3 - Gower/Voxman
40 Progressive Studies - Tyrell
Daily Drill and Technical Studies - Schlossberg
Method for Baritone - Beeler
70 Beginning and Early Studies - Uber
Complete Method for Trombone & Euphonium - Arban/Goldman
Selected Studies - Kopprasch
Trombone Technique - Wick
Arban's Complete Conservatory Method for Trombone - Arban/Randall
50 Concert Studies - Milde
The Brass Gym - Pilafian/Sheridan
Flexibility Studies for Euphonium/Trombone - Ware
Concepts of Euphonium Technique - Askew/Bass
SOLO LITERATURE:
Concerto Rondo - Mozart
Andante and Allegro - Barat
Concertino for Trombone - Jacob
Six Sonatas - Galliard
Piece in E Flat Minor - Ropartz
Trombone Concerto - Rimsky-Korsakov
Melodious Etudes - Rochut
Lyric Suite - White
Morceau Symphonique - Guilmant
Restricted Access: Only accessible while using your Eastern York Google account. Scroll through the guide to find your instrument.