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The marks you make can be your handwriting in a picture - your personal style
They can also combine to make the picture
They can be used to differentiate different parts of the picture
Typically, the marks of the picture will be smaller and busier at the centre of the picture where the focal point is most likely to be
As things move away from this focal point the marks will get bigger and looser
The further away from the centre and the focal point, the less energy the marks will have
Imagine a calm and still pond
Imagine then throwing in a large stone, there is a splash
As the stone sinks the energy is expressed on the surface of the pond with a ring that moves outwards
As the ring goes wider it becomes gentler and loses its strength as it becomes larger
VIDEO: 3 brushes - small, medium and large
Remember to apply a scheme of mark making to the whole picture - use big, medium, and small marks as described on this page
Don't just try to use marks to describe one element, use them as part of the overall texture of the image
Don't apply marks as details to your favourite element - work them through the picture to make sense across the whole image
Like tones and colours, marks have a value in relation to other elements in the picture, not just in themselves