John Donne

HANDOUT: POEMS by DONNE, MARVELL and MILTON

Medieval and Renaissance English Literature

JOHN DONNE (www.luminarium.org retrieved at 7 May 2008)

THE SUN RISING.

by John Donne



BUSY old fool, unruly Sun,

Why dost thou thus,

Through windows, and through curtains, call on us ?

Must to thy motions lovers' seasons run ?

Saucy pedantic wretch, go chide

Late school-boys and sour prentices,

Go tell court-huntsmen that the king will ride,

Call country ants to harvest offices ;

Love, all alike, no season knows nor clime,

Nor hours, days, months, which are the rags of time.


Thy beams so reverend, and strong

Why shouldst thou think ?

I could eclipse and cloud them with a wink,

But that I would not lose her sight so long.

If her eyes have not blinded thine,

Look, and to-morrow late tell me,

Whether both th' Indias of spice and mine

Be where thou left'st them, or lie here with me.

Ask for those kings whom thou saw'st yesterday,

And thou shalt hear, "All here in one bed lay."


She's all states, and all princes I ;

Nothing else is ;

Princes do but play us ; compared to this,

All honour's mimic, all wealth alchemy.

Thou, Sun, art half as happy as we,

In that the world's contracted thus ;

Thine age asks ease, and since thy duties be

To warm the world, that's done in warming us.

Shine here to us, and thou art everywhere ;

This bed thy center is, these walls thy sphere.

THE GOOD-MORROW.

by John Donne



I WONDER by my troth, what thou and I

Did, till we loved ? were we not wean'd till then ?

But suck'd on country pleasures, childishly ?

Or snorted we in the Seven Sleepers' den ?

'Twas so ; but this, all pleasures fancies be ;

If ever any beauty I did see,

Which I desired, and got, 'twas but a dream of thee.


And now good-morrow to our waking souls,

Which watch not one another out of fear ;

For love all love of other sights controls,

And makes one little room an everywhere.

Let sea-discoverers to new worlds have gone ;

Let maps to other, worlds on worlds have shown ;

Let us possess one world ; each hath one, and is one.


My face in thine eye, thine in mine appears,

And true plain hearts do in the faces rest ;

Where can we find two better hemispheres

Without sharp north, without declining west ?

Whatever dies, was not mix'd equally ;

If our two loves be one, or thou and I

Love so alike that none can slacken, none can die.

THE APPARITION.

by John Donne


WHEN by thy scorn, O murd'ress, I am dead,

And that thou thinkst thee free

From all solicitation from me,

Then shall my ghost come to thy bed,

And thee, feign'd vestal, in worse arms shall see :

Then thy sick taper will begin to wink,

And he, whose thou art then, being tired before,

Will, if thou stir, or pinch to wake him, think

Thou call'st for more,

And, in false sleep, will from thee shrink :

And then, poor aspen wretch, neglected thou

Bathed in a cold quicksilver sweat wilt lie,

A verier ghost than I.

What I will say, I will not tell thee now,

Lest that preserve thee ; and since my love is spent,

I'd rather thou shouldst painfully repent,

Than by my threatenings rest still innocent.

SONG.

by John Donne



SOUL'S joy, now I am gone,

And you alone,

—Which cannot be,

Since I must leave myself with thee,

And carry thee with me—

Yet when unto our eyes

Absence denies

Each other's sight,

And makes to us a constant night,

When others change to light ;

O give no way to grief,

But let belief

Of mutual love

This wonder to the vulgar prove,

Our bodies, not we move.


Let not thy wit beweep

Words but sense deep ;

For when we miss

By distance our hope's joining bliss,

Even then our souls shall kiss ;

Fools have no means to meet,

But by their feet ;

Why should our clay

Over our spirits so much sway,

To tie us to that way?

O give no way to grief, &c.


THE ECSTASY

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WHERE, like a pillow on a bed,

A pregnant bank swell'd up, to rest

The violet's reclining head,

Sat we two, one another's best.


Our hands were firmly cemented

By a fast balm, which thence did spring ;

Our eye-beams twisted, and did thread

Our eyes upon one double string.


So to engraft our hands, as yet

Was all the means to make us one ;

And pictures in our eyes to get

Was all our propagation.


As, 'twixt two equal armies, Fate

Suspends uncertain victory,

Our souls—which to advance their state,

Were gone out—hung 'twixt her and me.


And whilst our souls negotiate there,

We like sepulchral statues lay ;

All day, the same our postures were,

And we said nothing, all the day.


If any, so by love refined,

That he soul's language understood,

And by good love were grown all mind,

Within convenient distance stood,


He—though he knew not which soul spake,

Because both meant, both spake the same—

Might thence a new concoction take,

And part far purer than he came.


This ecstasy doth unperplex

(We said) and tell us what we love ;

We see by this, it was not sex ;

We see, we saw not, what did move :


But as all several souls contain

Mixture of things they know not what,

Love these mix'd souls doth mix again,

And makes both one, each this, and that.



A single violet transplant,

The strength, the colour, and the size—

All which before was poor and scant—

Redoubles still, and multiplies.


When love with one another so

Interanimates two souls,

That abler soul, which thence doth flow,

Defects of loneliness controls.


We then, who are this new soul, know,

Of what we are composed, and made,

For th' atomies of which we grow

Are souls, whom no change can invade.


But, O alas ! so long, so far,

Our bodies why do we forbear?

They are ours, though not we ; we are

Th' intelligences, they the spheres.


We owe them thanks, because they thus

Did us, to us, at first convey,

Yielded their senses' force to us,

Nor are dross to us, but allay.


On man heaven's influence works not so,

But that it first imprints the air ;

For soul into the soul may flow,

Though it to body first repair.


As our blood labours to beget

Spirits, as like souls as it can ;

Because such fingers need to knit

That subtle knot, which makes us man ;


So must pure lovers' souls descend

To affections, and to faculties,

Which sense may reach and apprehend,

Else a great prince in prison lies.


To our bodies turn we then, that so

Weak men on love reveal'd may look ;

Love's mysteries in souls do grow,

But yet the body is his book.


And if some lover, such as we,

Have heard this dialogue of one,

Let him still mark us, he shall see

Small change when we're to bodies gone.



ELEGY XX.


TO HIS MISTRESS GOING TO BED.


by John Donne

COME, madam, come, all rest my powers defy ;

Until I labour, I in labour lie.

The foe ofttimes, having the foe in sight,

Is tired with standing, though he never fight.

Off with that girdle, like heaven's zone glittering,

But a far fairer world encompassing.

Unpin that spangled breast-plate, which you wear,

That th' eyes of busy fools may be stopp'd there.

Unlace yourself, for that harmonious chime

Tells me from you that now it is bed-time.

Off with that happy busk, which I envy,

That still can be, and still can stand so nigh.

Your gown going off such beauteous state reveals,

As when from flowery meads th' hill's shadow steals.

Off with your wiry coronet, and show

The hairy diadems which on you do grow.

Off with your hose and shoes ; then softly tread

In this love's hallow'd temple, this soft bed.

In such white robes heaven's angels used to be

Revealed to men ; thou, angel, bring'st with thee

A heaven-like Mahomet's paradise ; and though

Ill spirits walk in white, we easily know

By this these angels from an evil sprite ;

Those set our hairs, but these our flesh upright.

Licence my roving hands, and let them go

Before, behind, between, above, below.

O, my America, my Newfoundland,

My kingdom, safest when with one man mann'd,

My mine of precious stones, my empery ;

How am I blest in thus discovering thee !

To enter in these bonds, is to be free ;

Then, where my hand is set, my soul shall be.

Full nakedness ! All joys are due to thee ;

As souls unbodied, bodies unclothed must be

To taste whole joys. Gems which you women use

Are like Atlanta's ball cast in men's views ;

That, when a fool's eye lighteth on a gem,

His earthly soul might court that, not them.

Like pictures, or like books' gay coverings made

For laymen, are all women thus array'd.

Themselves are only mystic books, which we

—Whom their imputed grace will dignify—

Must see reveal'd. Then, since that I may know,

As liberally as to thy midwife show

Thyself ; cast all, yea, this white linen hence;

There is no penance due to innocence :

To teach thee, I am naked first ; why then,

What needst thou have more covering than a man?

THE FLEA.


MARK but this flea, and mark in this,

How little that which thou deniest me is ;

It suck'd me first, and now sucks thee,

And in this flea our two bloods mingled be.

Thou know'st that this cannot be said

A sin, nor shame, nor loss of maidenhead ;

Yet this enjoys before it woo,

And pamper'd swells with one blood made of two ;

And this, alas ! is more than we would do.


O stay, three lives in one flea spare,

Where we almost, yea, more than married are.

This flea is you and I, and this

Our marriage bed, and marriage temple is.

Though parents grudge, and you, we're met,

And cloister'd in these living walls of jet.

Though use make you apt to kill me,

Let not to that self-murder added be,

And sacrilege, three sins in killing three.


Cruel and sudden, hast thou since

Purpled thy nail in blood of innocence?

Wherein could this flea guilty be,

Except in that drop which it suck'd from thee?

Yet thou triumph'st, and say'st that thou

Find'st not thyself nor me the weaker now.

'Tis true ; then learn how false fears be ;

Just so much honour, when thou yield'st to me,

Will waste, as this flea's death took life from thee.


HOLY SONNETS.

VII.

At the round earth's imagined corners blow

Your trumpets, angels, and arise, arise

From death, you numberless infinities

Of souls, and to your scattered bodies go ;

All whom the flood did, and fire shall o'erthrow,

All whom war, dea[r]th, age, agues, tyrannies,

Despair, law, chance hath slain, and you, whose eyes

Shall behold God, and never taste death's woe.

But let them sleep, Lord, and me mourn a space ;

For, if above all these my sins abound,

'Tis late to ask abundance of Thy grace,

When we are there. Here on this lowly ground,

Teach me how to repent, for that's as good

As if Thou hadst seal'd my pardon with Thy blood.


X.

Death, be not proud, though some have called thee

Mighty and dreadful, for thou art not so ;

For those, whom thou think'st thou dost overthrow,

Die not, poor Death, nor yet canst thou kill me.

From rest and sleep, which but thy picture[s] be,

Much pleasure, then from thee much more must flow,

And soonest our best men with thee do go,

Rest of their bones, and soul's delivery.

Thou'rt slave to Fate, chance, kings, and desperate men,

And dost with poison, war, and sickness dwell,

And poppy, or charms can make us sleep as well,

And better than thy stroke ; why swell'st thou then ?

One short sleep past, we wake eternally,

And Death shall be no more ; Death, thou shalt die.

XIV.

Batter my heart, three-person'd God ; for you

As yet but knock ; breathe, shine, and seek to mend ;

That I may rise, and stand, o'erthrow me, and bend

Your force, to break, blow, burn, and make me new.

I, like an usurp'd town, to another due,

Labour to admit you, but O, to no end.

Reason, your viceroy in me, me should defend,

But is captived, and proves weak or untrue.

Yet dearly I love you, and would be loved fain,

But am betroth'd unto your enemy ;

Divorce me, untie, or break that knot again,

Take me to you, imprison me, for I,

Except you enthrall me, never shall be free,

Nor ever chaste, except you ravish me.

HYMN TO GOD, MY GOD, IN MY SICKNESS.


SINCE I am coming to that Holy room,

Where, with Thy choir of saints for evermore,

I shall be made Thy music ; as I come

I tune the instrument here at the door,

And what I must do then, think here before ;


Whilst my physicians by their love are grown

Cosmographers, and I their map, who lie

Flat on this bed, that by them may be shown

That this is my south-west discovery,

Per fretum febris, by these straits to die ;


I joy, that in these straits I see my west ;

For, though those currents yield return to none,

What shall my west hurt me ? As west and east

In all flat maps—and I am one—are one,

So death doth touch the resurrection.


Is the Pacific sea my home ? Or are

The eastern riches ? Is Jerusalem ?

Anyan, and Magellan, and Gibraltar ?

All straits, and none but straits, are ways to them

Whether where Japhet dwelt, or Cham, or Shem.


We think that Paradise and Calvary,

Christ's cross and Adam's tree, stood in one place ;

Look, Lord, and find both Adams met in me ;

As the first Adam's sweat surrounds my face,

May the last Adam's blood my soul embrace.


So, in His purple wrapp'd, receive me, Lord ;

By these His thorns, give me His other crown ;

And as to others' souls I preach'd Thy word,

Be this my text, my sermon to mine own,

“Therefore that He may raise, the Lord throws down.”

ANDREW MARVELL


To his Coy Mistress

by Andrew Marvell


Had we but world enough, and time,

This coyness, lady, were no crime.

We would sit down and think which way

To walk, and pass our long love's day;

Thou by the Indian Ganges' side

Shouldst rubies find; I by the tide

Of Humber would complain. I would

Love you ten years before the Flood;

And you should, if you please, refuse

Till the conversion of the Jews.

My vegetable love should grow

Vaster than empires, and more slow.

An hundred years should go to praise

Thine eyes, and on thy forehead gaze;

Two hundred to adore each breast,

But thirty thousand to the rest;

An age at least to every part,

And the last age should show your heart.

For, lady, you deserve this state,

Nor would I love at lower rate.


But at my back I always hear

Time's winged chariot hurrying near;

And yonder all before us lie

Deserts of vast eternity.

Thy beauty shall no more be found,

Nor, in thy marble vault, shall sound

My echoing song; then worms shall try

That long preserv'd virginity,

And your quaint honour turn to dust,

And into ashes all my lust.

The grave's a fine and private place,

But none I think do there embrace.


Now therefore, while the youthful hue

Sits on thy skin like morning dew,

And while thy willing soul transpires

At every pore with instant fires,

Now let us sport us while we may;

And now, like am'rous birds of prey,

Rather at once our time devour,

Than languish in his slow-chapp'd power.

Let us roll all our strength, and all

Our sweetness, up into one ball;

And tear our pleasures with rough strife

Thorough the iron gates of life.

Thus, though we cannot make our sun

Stand still, yet we will make him run.



A DIALOGUE BETWEEN THE SOUL

AND BODY

Soul.

O, WHO shall from this dungeon raise

A soul enslaved so many ways ?

With bolts of bones, that fettered stands

In feet, and manacled in hands ;

Here blinded with an eye, and there

Deaf with the drumming of an ear ;

A soul hung up, as 'twere, in chains

Of nerves, and arteries, and veins ;

Tortured, besides each other part,

In a vain head, and double heart ?


Body.


O, who shall me deliver whole,

From bonds of this tyrannic soul ?

Which, stretched upright, impales me so

That mine own precipice I go ;

And warms and moves this needless frame,

(A fever could but do the same),

And, wanting where its spite to try,

Has made me live to let me die

A body that could never rest,

Since this ill spirit it possessed.


Soul.


What magic could me thus confine

Within another's grief to pine ?

Where, whatsoever it complain,

I feel, that cannot feel, the pain ;

And all my care itself employs,

That to preserve which me destroys ;

Constrained not only to endure

Diseases, but, what's worse, the cure ;

And, ready oft the port to gain,

Am shipwrecked into health again.


Body.


But Physic yet could never reach

The maladies thou me dost teach ;

Whom first the cramp of hope does tear,

And then the palsy shakes of fear ;

The pestilence of love does heat,

Or hatred's hidden ulcer eat ;

Joy's cheerful madness does perplex,

Or sorrow's other madness vex ;

Which knowledge forces me to know,

And memory will not forego ;

What but a soul could have the wit

To build me up for sin so fit ?

So architects do square and hew

Green trees that in the forest grew.

The Garden

by Andrew Marvell


How vainly men themselves amaze

To win the palm, the oak, or bays ;

And their uncessant labors see

Crowned from some single herb or tree,

Whose short and narrow-vergèd shade

Does prudently their toils upbraid ;

While all the flowers and trees do close

To weave the garlands of repose.


Fair Quiet, have I found thee here,

And Innocence, thy sister dear!

Mistaken long, I sought you then

In busy companies of men :

Your sacred plants, if here below,

Only among the plants will grow ;

Society is all but rude,

To this delicious solitude.


No white nor red was ever seen

So amorous as this lovely green ;

Fond lovers, cruel as their flame,

Cut in these trees their mistress' name.

Little, alas, they know or heed,

How far these beauties hers exceed!

Fair trees! wheresoe'er your barks I wound

No name shall but your own be found.


When we have run our passion's heat,

Love hither makes his best retreat :

The gods who mortal beauty chase,

Still in a tree did end their race.

Apollo hunted Daphne so,

Only that she might laurel grow,

And Pan did after Syrinx speed,

Not as a nymph, but for a reed.


What wondrous life is this I lead!

Ripe apples drop about my head ;

The luscious clusters of the vine

Upon my mouth do crush their wine ;

The nectarine and curious peach

Into my hands themselves do reach ;

Stumbling on melons as I pass,

Insnared with flowers, I fall on grass.


Meanwhile the mind, from pleasure less,

Withdraws into its happiness :

The mind, that ocean where each kind

Does straight its own resemblance find ;

Yet it creates, transcending these,

Far other worlds, and other seas ;

Annihilating all that's made

To a green thought in a green shade.


Here at the fountain's sliding foot,

Or at some fruit-tree's mossy root,

Casting the body's vest aside,

My soul into the boughs does glide :

There like a bird it sits and sings,

Then whets and combs its silver wings ;

And, till prepared for longer flight,

Waves in its plumes the various light.


Such was that happy garden-state,

While man there walked without a mate :

After a place so pure and sweet,

What other help could yet be meet!

But 'twas beyond a mortal's share

To wander solitary there :

Two paradises 'twere in one

To live in Paradise alone.


How well the skillful gard'ner drew

Of flowers and herbs this dial new ;

Where from above the milder sun

Does through a fragrant zodiac run ;

And, as it works, th' industrious bee

Computes its time as well as we.

How could such sweet and wholesome hours

Be reckoned but with herbs and flowers!


JOHN MILTON

Sonnet XIX.

On his blindness

WHEN I consider how my light is spent,

Ere half my days in this dark world and wide,

And that one talent which is death to hide

Lodged with me useless, though my soul more bent

To serve therewith my Maker, and present

My true account, lest He returning chide,

'Doth God exact day-labour, light denied?'

I fondly ask. But patience, to prevent

That murmur, soon replies, 'God doth not need

Either man's work or his own gifts. Who best

Bear his mild yoke, they serve him best. His state

Is kingly: thousands at his bidding speed,

And post o'er land and ocean without rest;

They also serve who only stand and wait.'

John Milton (1608-1674)

Sonnet XVIII: On the Late Massacre in Piemont

1Avenge, O Lord, thy slaughter'd saints, whose bones

2 Lie scatter'd on the Alpine mountains cold,

3 Ev'n them who kept thy truth so pure of old,

4 When all our fathers worshipp'd stocks and stones;

5Forget not: in thy book record their groans

6 Who were thy sheep and in their ancient fold

7 Slain by the bloody Piemontese that roll'd

8 Mother with infant down the rocks. Their moans

9The vales redoubl'd to the hills, and they

10 To Heav'n. Their martyr'd blood and ashes sow

11 O'er all th' Italian fields where still doth sway

12The triple tyrant; that from these may grow

13 A hundred-fold, who having learnt thy way

14Early may fly the Babylonian woe.

Notes

1] The Waldensians or Vaudois were Protestants who had long lived in the territories of the Roman Catholic rulers of Piedmont, and were thought of by Protestants of Milton's day as having preserved a simple scriptural faith from earlier times. Confined by treaty to certain mountain valleys, they had gradually intruded into the plain of Piedmont. Ordered to retire, they had been pursued into the mountains and there massacred by the Piedmontese soldiery in April 1655. In documents penned by Milton as Latin secretary, Cromwell strongly protested against such treachery and cruelty. Later in the year, possibly after Morland returned with his report (see below, 7-8 note), Milton wrote his sonnet, first published in Poems, 1673.

3-4] This suggests Milton's acceptance of the idea of pure, unidolatrous worship preserved by the Vaudois from primitive times (see above, introductory note).

5] thy book refers to the books to be consulted at the Judgment (Revelation 20:12).

7-8] The incident is narrated, with an accompanying plate, in the History of the Evangelical Churches in the Valleys of Piedmont (1658), by Sir Samuel Morland, Cromwell's emissary, who may well have given Milton the details on his return.

9] redoubled: re-echoed.

10-14] The reader is expected to remember Tertullian's famous phrase, "The blood of the martyrs is the seed of the Church" and the parable of the sower (Matthew 13:3-9) where the seed that fell on good ground brought forth as much as a hundredfold. Such was to be the blood of these martyrs sown where the Pope (triple tyrant in his mitre with its three crowns) still rules: It was to make converts who, having learned God's truth, would renounce the idolatry of Rome (figured, as Protestants believed, by the Babylon of Revelation 16:19, etc.) and thus escape the woe of God's punishment upon it.

John Milton (1608-1674)

Sonnet XVI: To the Lord General Cromwell

On the proposals of certain ministers at the Committee for Propagation of the Gospel

1Cromwell, our chief of men, who through a cloud

2 Not of war only, but detractions rude,

3 Guided by faith and matchless fortitude,

4 To peace and truth thy glorious way hast plough'd,

5And on the neck of crowned Fortune proud

6 Hast rear'd God's trophies, and his work pursu'd,

7 While Darwen stream with blood of Scots imbru'd,

8 And Dunbar field, resounds thy praises loud,

9And Worcester's laureate wreath; yet much remains

10 To conquer still: peace hath her victories

11 No less renown'd than war. New foes arise

12Threat'ning to bind our souls with secular chains:

13 Help us to save free Conscience from the paw

14 Of hireling wolves whose gospel is their maw.

Notes

1] Though not printed till Phillips's Life of Milton (1694), the sonnet was composed in May, 1652, as the Cambridge MS. states, and on the occasion of the proposals of certain ministers at the Committee for Propagation of the Gospel (of which Cromwell was a member). The Committee was set up by the Rump Parliament to bring some order into the Church by licensing preachers and to examine methods of supporting a ministry other than by tithes, which, however, were to be maintained until the Committee reported. The proposals referred to were offered by a group of moderate Congregational ministers and recommended state support for the Church. Milton by this time was an advocate of the complete separation of Church and State, and relied on Cromwell's agreement, since he had long supported religious toleration.

5-6] The allusion to the overthrow of the monarchy and beheading of Charles I is obvious. God's trophies are memorials of victories in God's cause.

7] Darwen stream: referring to the battle of Preston.

8] Dunbar field: The Scots had acknowledged Charles II, on his father's execution. Cromwell invaded their country and defeated them, September 3, 1650.

9] Worcester: Cromwell's last great victory (1651); his "crowning mercy'' he called it; hence laureate wreath.

13-14] Milton had condemned the Roman Catholic priesthood under the image of the wolf (Lycidas 128-29) and the Episcopal clergy as mere hirelings (ibid. 114-22), then the greed of the Presbyterian ministers (New Forcers of Conscience), and now he couples wolf and hireling in a similar condemnation of the ministers of the Committee. (Miltonian text and commentary in www.rpo.library.utoronto.ca)