Italian_neorealism
https://en.wikipedia.org/wiki/Italian_neorealism
רוברטו רוסליני, לוקינו ויסקונטי, ויטוריו דה סיקה
Vittorio De Sica
https://en.wikipedia.org/wiki/Vittorio_De_Sica
Roberto_Rossellini
https://en.wikipedia.org/wiki/Roberto_Rossellini
Luchino_Visconti
https://en.wikipedia.org/wiki/Luchino_Visconti
Franco_Zeffirelli
https://en.wikipedia.org/wiki/Franco_Zeffirelli
Michelangelo_Antonioni
https://en.wikipedia.org/wiki/Michelangelo_Antonioni
Federico_Fellini
https://en.wikipedia.org/wiki/Federico_Fellini
Pier_Paolo_Pasolini
https://en.wikipedia.org/wiki/Pier_Paolo_Pasolini
10 great Italian films of the 1970s
https://www.imdb.com/list/ls006421103/
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Legacy
Rossellini's films after his early Neo-Realist films—particularly his films with Ingrid Bergman—were commercially unsuccessful, though Journey to Italy is well regarded in some quarters. He was an acknowledged master for the critics of Cahiers du Cinema in general and André Bazin, François Truffaut, and Jean-Luc Godard in particular. Truffaut noted in his 1963 essay, Roberto Rossellini Prefers Real Life (available in The Films In My Life) that Rossellini's influence in France particularly among the directors who would become part of the nouvelle vague was so great that he was in every sense, "the father of the French New Wave".
His posthumous ex-son-in-law Martin Scorsese has also acknowledged Rossellini's seminal influence in his documentary, My Voyage to Italy (the title itself a take on Rossellini's Voyage to Italy). An important point to note is that out of Scorsese's selection of Italian films from a select group of directors (Federico Fellini, Luchino Visconti, Vittorio De Sica, Michelangelo Antonioni) Rossellini's films form at least half of the films discussed and analyzed, highlighting Rossellini's monumental role in Italian and world cinema. The films covered include his Neo-Realist films to his films with Ingrid Bergman as well as The Flowers of St. Francis, a film about St. Francis of Assisi. Scorsese notes in his documentary that in contrast to directors who often become more restrained and more conservative stylistically as their careers advance, Rossellini became more and more unconventional and was constantly experimenting with new styles and technical challenges. Scorsese particularly highlights the series of biographies Rossellini made in the 60s of historical figures and, although he does not discuss it in detail, singles out La Prise de pouvoir par Louis XIV for praise. Certain of Rossellini's film related material and personal papers are contained in the Wesleyan University Cinema Archives to which scholars and media experts from around the world may have full access.[12] Rossellini's son Renzo is producing the Audiovisual Encyclopedia of History by Roberto Rossellini, a multi-media support containing all of Rossellini's works, interviews, and other material from the Rossellini archive. The Encyclopedia for now exists in prototype form.[13]