APPLIED ARTS COURSES FOR DESIGN & PRODUCTION PRIMES
Artists hone their foundation by employing the technical skills of a particular art or field of endeavor. These courses are Prime specific, or recommended for your prime and are designed to strengthen your skillset and/or build your portfolio. Students should focus their Applied Arts choices in their prime arts area, but may explore outside of their prime in some cases.
CHOOSING COURSES
Applied Arts courses are offered one day per week on Tuesdays and/or Thursdays. Be mindful of the length of the courses you are interested in. Most courses are scheduled for the full trimester, however, there are some that meet for only half of the trimester. In those cases, it's recommended you sign up for both half-trimester courses. You are welcome to sign up for classes on Tuesdays or Thursdays, but be mindful of the dates courses are offered so you do not choose classes that are offered at the same time.
TUESDAY OFFERINGS
🔷Winter A : November 30 - January 11 (6 sessions/12 hours)
🟦 Winter B: January 18 - February 22 (6 sessions/12 hours)
🔵 Winter AB : November 30 - February 22 (12 sessions/24 hours)
THURSDAY OFFERINGS
Winter A : N/A
Winter B : N/A
⚪Winter AB: December 2 - February 24 (11 sessions/22 hours)
All PVA Design & Production students in Years 1, 2, and 3 are required to be enrolled in the weekly D&P Lab and to accrue a minimum number of hours in mentored instruction by the end of the 2021-2022 school year. This is in conjunction with GCC (grade 9, mandatory), Applied Arts Classes (optional) and Projects (optional). This is for D&P Primes only.
Design & Production student/mentor pairings as well as lab location (Annapolis HS or Studio 39) will be matched by Mrs. Rothschild. Lab is on Thursdays during the Extended Day timeframe. In addition to the lab time, Mrs. Rothschild will also pair students with projects across the year. Hours spend in those projects also go toward the D&P students Extended Day Requirement. Students should be able to meet 90 hours within the D&P Lab program alone, though we do recommend students explore other D&P Applied Arts offerings as well.
The Design & Production Lab Program is managed by Mrs. Lian Rothschild
For more information, click the button below.
TUESDAY OFFERINGS
Molding & Casting
3DMentor: Alexander Rothschild
Contact: arothschild@aacps.orgTuesdays at Studio 39
🔵 Winter AB : November 30 - February 22
(12 sessions/24 hours)
Design & Production and Visual Art primes welcome.
Casting from molds has been used for hundreds of years to create pottery, sculpture, and to replicate objects. Once a mold is made, a piece can simply be re-created many many times. Learn the methods for molding and replicating 3-Dimensional objects out of plaster, rigid plastic, and flexible foam. Beginner and experienced mold makers alike will learn plenty of new concepts, tips, and techniques in this class.
Building Confidence
Mentor: Emily Karol
Contact: ekgerbasi@aacps.orgTuesdays at Studio 39
🟦 Winter B: January 18 - February 22
(6 sessions/12 hours)
All non-acting primes welcome and encouraged.
Does standing in front of your class for a presentation send your stress level through the roof? Does talking about your work and how people may perceive you, make your breath catch. Do you have to attend interviews for internships and colleges but you’re nervous about standing up in front of others or speaking one on one? Do you wonder how actors can stand in front of an audience and look completely calm?
You’ll face your public speaking or interview fears in a non-judgemental and supportive environment. This class is about discovering and using techniques and tactics to help build your confidence!
Winter Writing Collection
Creative Writing CollectionMentors: Maggie Benshaw Heemstra & Lynn Schwartz
Contact: mbenshaw@aacps.org , laschwartz@aacps.orgTuesdays at Studio 39
🔵 Winter AB : November 30 - February 22
(12 sessions/24 hours)
All primes welcome and encouraged. For designers, this course supports script analysis and storytelling.
Beginnings and Endings (3 Sessions) November 30, December 7, and 14
Where should your story open? In the middle? With a bit of dialogue? A character in action? Do your beginning pages introduce conflict? We will explore the components of a strong start, one that is not gimmicky, but an integral part of the narrative — capturing the reader from the first page. Similarly, how will you find an organic end to your story — one that grows out of the beginning and middle? Will you choose a traditional plotted ending or an ambiguous, resonant finish? Learn to combine the inevitable with the surprising, resolve interior and exterior conflicts, understand rounding, climax, dénouement, and more.
The Essence of Creating a Character on the Page and the Stage. (5 Sessions)
December 21, January 4, 11, 18, and 25
We will explore how a character’s yearning drives key elements of story, including narrative, dialogue, conflict, plot, and reader empathy. Understanding a character’s passion is essential to creating a compelling person — someone with whom a reader or audience want to spend time.
Demystifying Dialogue (4 Sessions) February 1, 8, 15, and 22
Good dialogue is a great tool for both fiction and nonfiction writers, yet many writers avoid it. Participants will explore “real talk” versus written conversation, analyze what characters should say and how they should say it, and understand how speech creates action and propels a story forward.
THURSDAY OFFERINGS
See above for information regarding the D&P Lab Program on Thursdays.