Baron Jonathan Blackbow

Skald - Barony of Rivenoak

Living in Sacred Stone, Atlantia


Where the Poem Comes From - An Explanation from the Author

Where the Poem Comes From

People ask on a fairly regular basis, or comment on a regular basis, why I don't write more poetry, or that I should write more poetry. I wrote an explanation back in 2007. Here it is.

Where The Poem Comes From

by

Jonathan Blackbow

Master Olivier asked me to give a list of the Viking poetry I’ve written and where I got the inspiration for them.

“First Drottkvaett” was the result of interaction with people on the Trimarian e-list and an attempt to produce drottkvaett after somebody popped up and said “oh, anybody can write that!” Three months later we hadn’t heard a peep so I gave it a shot.

The theme of the poem was…well, I didn’t have one per se. The only line I had was “sunken ship lies silent” because I had just watched Titanic in the theater and the image of that massive ship lying there on the bottom in the dark all alone got to me. But I couldn’t really figure out where to take that concept so the line got changed to “sinking ship lies silent” and THAT took off like a bat out of hell. The trick in that situation was the same one reporters are taught to ask: Who, What, When, Why, and Where. My train of thought went something like this.

“…ok, there’s a Viking longship floating in the middle of the ocean with nobody at the rudder.

How did it get there?

There was a fight with another ship.

What happened?

They lost. Or they won, but lost a lot of crew doing it. Who knows? Does it matter? No.

So what’s happening now?

They’re sinking. Slowly. There are a few survivors but they’re pretty beat up too.

So what can the survivors see and hear?

The wind has died down, their sails are useless, there aren’t enough men to row the ship, the ship has a pretty severe leak in it, there’s a storm coming, and the survivors have figured out that they’re basically screwed. Oh, and there’s blood everywhere.

Does anybody know about them?

Not directly. Their loved ones are waiting at home but they’re getting that sense of “never going to see them again” around now.

Don’t get the idea that all these questions were answered in this much detail before I started writing…it doesn’t work that way for me. If I wrote from a script somebody handed me it would read like crap. As proof I offer “Slaughter at the Horns of Hattin” which I wrote after reading an account of the battle of Hattin. It isn’t a BAD poem per se but it just doesn’t have that oomph to it that the drottkvaett tends to. The drottkvaett comes out more spontaneously because it’s a hellaciously difficult style to write, so it isn’t just something I can crank out like I can with iambic pentameter.

Moving to the next drottkvaett…

Gulf Wars Drottkvaett is pretty self-explanatory. I was there, it was cold, we lost, and all I did was to attempt to put it to something that sounded vaguely like a drottkvaett rhythym. Rather than tell the story of the entire war, i.e., the Saga of the War like the documentation would have you believe all the Viking poems are written for, or to, or whatever, I wrote specifically about what I saw, with a little verisimilitude thrown in. There’s not much else I can say about this one without a specific question.

Next drottkvaett:

The Hunt was written for HRM Anton’s Coronation because that was the theme that was selected by the people organizing the competition. When I wrote the poem I liked the concept of breaking the poem into sections by repeating the “chorus” of the same four lines between “stanzas” of the poem. This is a perfect example of writing for readability rather than performability (whether that’s a word or not) of a poem. It reads really cool on a page. Out loud, though, it sounds quite silly. I know… I read it out loud that night, and two stanzas in I wanted to crawl under a rock because I realized I was going to have to repeat the “chorus” stanza five or six more times. Subsequent readings of this poem will have the “chorus” stanza at the beginning and end of the poem and that’ll be all.

Next drottkvaett:

First Drottkvaett Revised is obviously “First Drottkvaett” with the corrections made to it that I didn’t realize I had screwed up at the time. There were numerous places where the rules of drottkvaett weren’t followed correctly. I have since discovered (from reading The Elder Edda) that inconsistencies were fairly common in drottkvaett (since even THEY admitted this poetry form was a pain in the butt); however, I wanted my drottkvaett to be as accurate as possible. One thing that I hadn’t attempted up until this point was kenning (metaphorical use of words to describe something) because there were just barely enough words in the English language to write in this style to begin with, let alone the use of kenning. I did some digging on godchecker.com and found that there were enough ways to use the Norse pantheon to describe a few things, and rewrote the poem to reflect that. Additionally I cleaned up the rhyme scheme as closely as I could to the “official” drottkvaett rhyme scheme.

Next drottkvaett:

Coronation Day aka Hiding Deep in Hindscroft:

If I had to pick one drottkvaett to perform or submit or let people analyze this would be it. I was lucky enough to be asked to autocrat TRH Ragnarr III and Anneke I ‘s Coronation and I also wrote the flyer. I’ve never been a fan of boring flyers (I’ve written a few) and this one wasn’t going to be any different. This was also the first time the SCA had been able to use Betsy-Jeff Penn 4-H Center in Reidsville and the site is, quite simply, mind-blowingly nice. Cabins, rec hall, feast hall, air conditioning, etc etc etc. So I threw together the first four lines (Hiding deep in Hindscroft / Mighty sounds the horn-call / Crown a King and Queen here / Call to arms eternal) because I liked the way it sounded; to me it sounded like the opening bars of Superman: The Movie.

Then I left it completely alone because I had what I needed, i.e., the lines for the flyer. Those lines sat there for months until somebody reminded me that there was going to be a Viking poetry competition for Ymir. I had all of two days to write something and I had no inspiration, no motivation; I didn’t really care, basically.

Then I was flipping through the flyer I’d written for that Coronation, looking for the street address of the site since we were using the site again for the Coronation of Valharic II & Arielle III, and those four lines jumped off the page and slapped me in the face.

For the person who’s looking for an explanation of “where I get my inspiration to write this stuff”, here it is. I’ve written a few poems over the years, and of all the stuff I’ve written, there are three poems that will still give me goosebumps. First Drottkvaett, Coronation Day, and Advice to a Prince. The other poems I’ve written range from “mildly blah “ (Slaughter at the Horns of Hattin) to “reasonably entertaining” (He Brought Her Home One Stormy Night). The reason those three give me goosebumps is because I tend to write poems like those while I’m in the mood from music from composers like John Williams and Basil Poledouris. John Williams, of course, wrote the Star Wars music as well as the Indiana Jones trilogy, E.T., Jaws, et cetera ad infinitum. Basil Poledouris’ main claims to fame include Red Dawn, The Hunt for Red October, Quigley Down Under, and Iron Eagle. “Raiders March”, “Star Wars Main Title”, et cetera, all reflect the scientifically proven fact that music can affect one’s mood. Major chords produce positive emotions while minor chords produce negative ones. Thus, reading First Drottkvaett and understanding that the original inspiration was from Titanic (the sad parts) will make this line of thought clear. A really first-class poem should induce the same mood as a major or minor chord in music.

Hopefully this will also serve to explain why a person can’t just sit down and spew out first-class poetry; you can’t maintain the emotional level necessary to constantly turn out good work without becoming a basket case. I could sit here and churn out moderately acceptable poetry at a faster pace; but quite literally, my heart wouldn’t be in it.

Jonathan Blackbow

5/29/2007


6 Questions from the Aethelmearc Gazette - More about the Author

1) Could you tell me a little about you, your persona. Is your entry something your persona would use?

[in the real world my name is David Ritterskamp, I just turned 50 in January, I've been in the SCA since about February of 1987. I write a lot of poetry (English and Viking Drottkvaett basically), I write filks, songs, and stories. I wrote the PR for War of the Wings since the first year, I just published (after about a decade) an unofficial sequel to The Last Starfighter which I'm not allowed to advertise anywhere in the SCA on FB because it's not medieval.

In the SCA my name is Baron Jonathan Blackbow; I have an (unintentionally) ridiculously long OP entry because I fight heavy, do a lot of things for my kingdom (Atlantia), and also because of all the writing. If you want a copy of my OP I can take a picture of it and send it along.

As far as "persona" I'll be brutally honest; I've never developed one. But enough other people have basically called me a warrior-bard that I use it when I play D&D (which is damn rare because I'm usually DMing the game, that being something else I'm good at, ie storytelling, keeping track of stats and stories, and a background in drama, ironically enough since I'm actually a professional desktop support expert.) LOL I have to admit I was glad when the Red Dragon Disciple prestige class came along, because that's what a fighter/bard can turn into. Most of what I've written over the years is webbed up at blackbow | trobaire.org .

2) What inspired you to make your entry? Did you have a specific need? A desire to try a new skill?

[I tend to enter my writing in any contest that makes sense to enter it in that I'm aware of. One of the poems was actually entered in a contest that Sylvan Glen ran several years ago. The Other Side Of The Wall At Pennsic made sense to enter because it's centered around Pennsic with is in Aethelmearc. I could have entered twenty or thirty more poems and stories and such but I tried not to overload it. When I enter contests such as this it's basically to get exposure, but not just for the sake of exposure if that makes sense; it's also because the poems I write tend to elicit significant emotional responses (usually crying like a baby), and people like to see/read things like this because of the catharsis that comes along with it.

In short, people like my writing. If they didn't, I wouldn't put it out there.

3) What is your intention with your entry? Are you looking forward to start putting your entry to good use, and if so, how could we envision this? Or is it intended as a gift, or a general household item?

[pretty much irrelevant question unless you rephrase it. I'm a writer. I show my stuff because people like it.]

4) Did the entry throw up any unexpected issues? If so, what, and how did you problem solve? Or did it go exactly as expected, and what would you contribute to this smooth sailing?

[again irrelevant question unless you rephrase it.]

5) Did you learn something specific, something you would do differently, or would recommend others to do again?

[i've taught courses on "how I write what I write" or "why I write what I write" before.]

6) What motivated you to enter the Virtual Queens Prize Tourney? Are you interested in the exposure? The feedback? Provide inspiration to others? Needed a little me-time to create something beautiful in these unusual times?

[pretty much the same answer as #2.]

Anything else you would like to share?

[when you asked about me and my persona I concentrated on a few specific things, but if you want more, 1) I'm the reason for the zoombang (www.zoombang.com , look for the Maximum Coverage) shirt that has sold several thousand units for, among other people, heavy fighters in the SCA, 2) I built a town (and wrote it into the story) to use at War of the Wings (yes I named it Blackbowton), 3) I've either saved or profited the Kingdom of Atlantia somewhere in the neighborhood of $60k over the years by finding event sites and negotiating lower rates.

If you want more, I have the Zoombang interview from several years ago as an audio record. Anything else feel free to ask.]

Works by the Author

Rivenoak

I am an old man, now.

My eyesight is dim, and my feet falter.

But they have managed to carry my tales throughout the Known World, even unto the Barony of Riven Oak.

I know, mind you, that the Barony of Riven Oak is spelled with one word, as far as the locals are concerned; therefore, Rivenoak.

But the name flows so quickly off the tongue.

The tavern I heard the story of the Shire of Great Oak was known as the Oaken Bucket Tavern. It was built from the wood provided by the Great Oak when ...

Ah, but I'm getting ahead of myself.

Long, long ago, so long ago, in fact, that the Known World was but the Known Kingdom of the West, there lived a tree in that very Kingdom. It shaded acres under its leaves. Seven thousand people could stand together under it (yes, this was back before the Great Plague drove us apart) with room to move. Truly, it was magnificent. It was so large, and stood on its own, in the middle of a massive field, that people simply called it - what else?- the Great Oak.

This tree had been there in its place since before the dawn of recorded time, and everyone assumed that it would stand until the end of time. Visitors to the tree said, in fact, that it seemed to exist merely to drive home the fact that time was a human concept, not a concept of the world humanity lived in. The tree had no goal, no end; it simply *was*.

It drew the attention of the famed Robin Hood, who used it as a base of operations for some time. Nay, I see you shaking your head in disbelief, for surely Robin Hood was based in Sherwood Forest in England, not the Kingdom of the West; but I tell you truly, he was here. Robin Hood, as far as I can tell, is akin to King Arthur, in that he is one of those timeless heroes that shows up when he is needed most, and leaves when he is no longer needed. And such was the case with this incarnation of the famed outlaw.

But of course, heroes always show up to solve problems created by...

Villains.

And our villain of this piece was, of course, the one you would expect.

...the Sheriff.

the town nearest the tree was named...Chico. I know, not a grand name or a name that sticks in the mind, like...Sherwood, or Yorktown, or Nottingham. Just Chico. But there it was.

The Sheriff (we will call him simply The Sheriff, because The Sheriff of Chico just doesn't sound imposing) sought to shut down the lifeblood of Chico, which, frankly, was entertainment. Indeed, it was known as a rock-the-clock, no-holds-barred, party town, and that simply couldn't be borne by The Sheriff. Robin Hood showed up several months after The Sheriff had ground the town under his heel, and promptly began his well-known, anti-establishment, anti-authoritarian tactics. Within weeks, The Sheriff had been reduced to a laughingstock, along with his few remaining followers.

The Sheriff, it seems, didn't give up easily. He took a few hostages and let the public know that he was taking them to, of all places, The Great Oak. Needless to say, Robin couldn't let this pass.

The confrontation was its usual epic self, my eager listeners. Witty verbal interplay mixed with dazzling displays of swordsmanship. I'm told there's even a movie about it. (wink wink)

Robin had defeated The Sheriff; his men had been driven off, and Robin was in the midst of freeing the hostages when The Sheriff played his final card. Unbeknownst to anyone, he had secreted several barrels of gunpowder around the Great Oak, and, upon his defeat, stumbled off into the darkness. Everyone assumed he was running away from his proper denouement, including Robin. But no, he was running to light the fuse.

The explosion was epic. The Great Oak was blasted completely out of the ground and into several pieces. The Sheriff was raving mad when they found him; all he could say was "I won, I won" over and over.

And truly, it seemed he had won. The Great Oak was no more. In sorrow, the Shire of Great Oak changed its name to the Shire of Riven Oak, which was inevitably shortened to Rivenoak, as it is now known by the locals.

And time passed, as time does. The town of Chico dwindled to a hamlet, and the previous party atmosphere just sort of...drifted away. Not with a bang, as you would say, but with a whimper.

Then one day, Robin returned. The populace begged him not to stay, because they knew he would simply bring more strife with him. Robin smiled and begged the people's indulgence for three days. "At the end of three days," he said, "I will leave, rather than bring misery to you once again. But your town will once again know its atmosphere return; for it is my fault that your camaraderie left, and I shall return it."

And he turned to the woods nearest where the shattered remains of the Great Oak lay, and whistled, and from those very woods came a host clad in Lincoln green; and they set to work on the ruins of the Great Oak.

And, true to his word, three days later a tavern rose from the wreckage of the Great Oak, and the sign overhead read Riven Oak Tavern.

And upon the bar inside the tavern sat a squat jug, that poured whatever liquid it was asked to pour, at whatever temperature it was asked. People came from entire countries away just to see the wonderment of The Jug In The Tavern, as it became known.

And Chico's atmosphere, and fun loving attitude, and rock-the-clock party, returned almost overnight.

And you would think that would be enough. But Robin was not done. No one has figured out how he did it; but if you have not heard of Chico, or the Riven Oak Tavern, or The Jug, it is simply because you either do not need it, or are not worthy of it.

I myself have seen The Riven Oak Tavern. I have puzzled over its magic for years, until one day I gave up and asked the proprietor, a gentleman by the name of Jacob. He smiled, and said "go read the sign."

And I said "I HAVE read the sign."

He said "go look at it ...closely."

So I wandered outside and stared at the sign for what seemed like forever. Finally, at the bottom, in the smallest print, I saw the words that explained it all. I don't mind telling you what they are, because even knowing will do you no good. You either find The Riven Oak Tavern, or you don't.

The words were

Jacob Stonebender, Prop.

for

Michael Callahan, Esq.


Believe me or not, as you will.

Salud.

Baron Jonathan Blackbow

12/13/2020

Ghost of Skull Hill

Mercedes Lackey has written a crap ton of books in the Valdemar series as well as a bunch of others. I've read most of them. Tonight I started in on one called Bardic Voices (vol. 1), The Lark and The Wren. The protagonist's name is Rune and early in the book she makes the mistake (?) of getting mad and swearing that she can play fiddle well enough to please the Ghost of Skull Hill. Ironically enough, later in the book somebody suggests that she write a song about it.

I looked around on the internet and it didn't look like anybody had.

So I did.

The Ghost of Skull Hill

(to the tune of “The Devil Went Down to Georgia”, extended version, more or less, you can figure it out fairly easily I think.)

So there’s a girl in this village, see, not much as villages go

Her name is Rune, she plays a few tunes, just not much else, y’know

Her mom and she don’t get along, and half the village knows

They don’t get along, don’t like her songs, nor that she comes and goes

So her mom is single, don’t y’know, and lookin’ for a man

Cause her mom looks out for number one, any which way she can

So Rune spends most days workin’ hard, just tryin’ to stay ahead

Of her mom, and her boss, and the village jerks while they try to take her down a peg

Rune, girl, get outa town, there’s no life for you here

You’ll end up married with a bunch of kids and wrinkled with gray hair

You can play that fiddle, yes it’s true, so get yourself right out

Cause if you don’t, you’re stuck there, there’s no doubt

(interlude)

So Rune, she works the inn that day, an’ a pack of boys come in

They set to buggin’ her right there, cause she oughta be marryin’

They tell her that she ought be nice, cause her fiddle-playin’s bad

An’ she stands up, gets in their face, an’ she’s got plenty mad

She screams “I’LL SHOW YOU BOYS, JUST WAIT!” and they say “really, how?”

She goes and comes back with her fiddle, looks at ‘em and says “now

I know you’ve all heard of the Ghost atop Skull Hill, you see?

I’ll go and play a tune for him, he’ll like it, wait and see!”

Rune, girl, get outa town, there’s no life for you here

You’ll end up married with a bunch of kids and wrinkled with gray hair

You can play that fiddle, yes it’s true, so get yourself right out

Cause if you don’t, you’re stuck there, there’s no doubt

(interlude)

They laugh at her, and tell her she ain’t got the guts to go

She stomps on out, heads up the hill, and they all watch her, so

They shake their heads, and laugh a bit, and call her names some more

And night falls, and she don’t come back, and so they shut the door

She’s on that hill, it’s gettin’ dark, and she’s a good bit scared

Cause this ghost’s got a nasty rep, no one’s come back from there

And plenty’s tried to spend the night, but no one’s ever done

Except a few who’s made it cross the stream ‘fore morning sun

Rune, girl, get outa town, there’s no life for you here

You’ll end up married with a bunch of kids and wrinkled with gray hair

You can play that fiddle, yes it’s true, so get yourself right out

Cause if you don’t, you’re stuck there, there’s no doubt

(interlude)

Come midnight, friend, that hill came alive! This ghost appears on time

He looks at Rune, says “stupid girl, I’ll eat you up alive!

I’m not just some old story that you tell your kids at night-

I’m REAL, girl, so WHAT PRAY TELL brings you into my sight?”

(slower)

Rune looks at him, says “please, good sir, I’ve brought my fiddle, see?

I’ve made a bet I might regret to play a song for thee

I need a judge, and you’re the only one that I do know

With power and wit, enough of it, to tell if I do so.”

Now the Ghost was taken aback, you hear, no idea what to say

And slowed his rant, and stopped complete, looked at this girl, said “Hey,

Now you sound pretty desperate, girl, what’s goin’ on in your world?

For only desperate souls would try this crap, let alone a teenage girl.”

(normal)

And strange as it may sound, he seemed a sympathetic ear

And slow at first, she told him all about her life ‘round here.

That she had learned to play a tune or three while growing up

But the village didn’t want her, nor her mom. And just then he said, “STOP.

Now you might play pretty good fiddle, girl, so here’s what I will do

And if you’d care to take a dare I’ll make a bet with you

You play that fiddle all night long and keep me entertained

And if you don’t, well, you figure it out – you’ll wish you’d never stayed.”

And Rune said “my name’s Rune, sir, and it might be a sin

But I’ll take that bet, you won’t regret, I’ll play the best I’ve ever been.”

Rune, girl, ya shouldn’t have come, there’s an angry Ghost up here

‘cause hell’s broke loose on top of that hill, it’s your life that’s wagered here

You can play that fiddle, yes it’s true, so whip that bow right out

Cause if you don’t, you’ll die there, there’s no doubt

(interlude)

So Rune, she rosined up her bow, and played that fiddle hard

Played every song she’d ever heard like from a deck of cards

And when she’d run through all that started makin’ up her own

Her fingers bleeding, muscles cramped, didn’t stop until the dawn

(slowest)

And as she raised her weary head she saw the Ghost stand still

With tears of fire down both cheeks, up there atop his hill

He finally spoke, said “all these years and no one’s ever cared

About Skull Hill, about its ghost, or why he’s stuck up there.

A simple pleasure, music, true, but one that I’ve not heard

In far too long. I thank you, lass, and now, it is my turn

To pay you fair, my silver there, you’ve earned it all, your fee

I’d pay in gold, but that would earn you naught but trouble, see?”

She curtseyed thanks, and turned to go, but the Ghost, he cried out “wait!

What will you do? Where will you go? Back to that village? Think!

Dear girl, Rune, take my advice, there’s no life for you there

You’ll end up married with a bunch of kids and wrinkled with gray hair

You can play that fiddle, yes it’s true, so get yourself right out

Cause if you don’t, you’ll die there, there’s no doubt

(slow interlude)

So Rune, she ducked out on the spot, and started her own show

In a bigger town, and far away, with room for her to grow

And the Ghost on Skull Hill’s legend grew, as if it needed more

That he and Rune had danced and played till she was at death’s door

(interlude)

(normal)

A lifetime later, she came back, a master minstrel now

She blew through town, she didn’t stop, went up that hill, and how

She played for that Ghost all night long, and as the sun arose

They found her dead, with a grin on her face, but no more Ghost, you know

(slower)

The Lady Rune, she played and sang her way through all her days

And at the end, she paid her debt to the Ghost who paid her way

She’d gotten so damn good at what she did, she paid her fee

Came back and played so well for him that his soul was set free.

[the ending is my own devising.]

Merry Christmas Kal-El

Ken tried one more time to get the car out of the ditch, but the snow was almost up to the hubs, and he didn't have chains on, and it wasn't going to happen.

Great, he thought. Try to do something nice for somebody and get stuck in a snowdrift in a blizzard. The kids wanted to see Santa the nightbefore Christmas, got all the stuff on, got in the car, headed for the hospital, and spun out and stuck.

In the middle of nowhere. And the snow's getting deeper all the time.

No cell service in the middle of nowhere.

So not only are the kids not going to get to see Santa, they're probably going to find him frozen in the car in a day or two. What a way to go.

A couple of hours later, the car's out of gas now, the heater's off, and it's getting really, really cold. The Santa suit doesn't hold quite enough heat. Funny how that is, because every time he'd put it on before, he'd been sweating like a pig under it.

He started to nod off. Bad idea but it's getting comfortable, and dying in your sleep isn't the worst way to-

and a POW from overhead out of the snowstorm slammed him back awake. Funny, he thought, they don't fly jets in this weather, and certainly not that low to the ground at Mach 1-

When beside him through the snow covered windows a shape settled to the ground. A big shape. From his near-comatose state it looked to him like a sleigh. With eight reindeer.

And from behind it walked a human shape up to the window, which leaned over, knocked, and said "Hey, Ken, sorry we're late. You okay?"

And Ken, smiling because clearly he was having a near-death hallucination, rolled down the window and stuck his hand out, saying, "hi, Kris, thanks for rescuing-"

And he stopped and stared.

It wasn't Santa.

Tall guy, dark hair, steel jaw, red...

cape?

Blue outfit?

Yellow and red ....S? on the front???

"It's okay," he said. "You're not dying or hallucinating." He was busily uncapping a five gallon gas can, popping the lid, and pouring the contents in his tank.

"Are you sure?" said Ken. This was just a little confusing. "You're... not...."

He smiled.

"Real?"

And from the sleigh came a loud, bass ho-ho-ho ...

"I'm just as real as he is."

The man in the cape pointed to the sleigh. "How do you think he could possibly get all those gifts delivered otherwise?" And laughing, he said "everybody knows reindeer can't fly."

And then the man stopped and pointed at him and said "well, actually, it's mostly you guys.

All of you.

We're all part of the same team."

And with a smile, a wave, and a "Merry Christmas", the sleigh, the reindeer, and the man in the cape,

were gone. His car had somehow moved itself back onto the road, with four brand new snow tires, and a gas tank that would never, ever read anything but F, ever again.

An hour later he was at the hospital, walking in with a big bag over his shoulder. The kids were already entranced, standing outside in the snow, talking to a...

...man in a blue outfit with a yellow and red S on the chest, in a red cape.

And as he walked up, the man looked up, smiled, said "see? I told you he'd be here."

And waved at Ken, and then at the kids,

And rose into the sky.

Like a bird. Or a plane.

Ken looked at the kids, and with a wink of his eye, put his finger to his lips, and said, "Shhh."


"It's a secret."

Tha Git Wha came in Fourth

Tha Git Wha came in Fourth


Twas a tourney, just a tourney, not a real tourney even

But a practice one for sharpenin' ya skills

Just a tourney, little tourney, only eight people all in it

So the MoLs could figger up their kills.


An tha tourney, that wee tourney, there was swingin' and was hackin'

just a tourney, not even really swingin' blows

But there's always one, ya know it, that has got to win at enna

that he puts his mind to, fer real or for shows.


An the tourney it progresses, as progressin' tourneys do

An it gets on down to quarters of the mob

An in ain corner 'tis a Ruslan, just a-mindin' his own bizzy

An' the aither corner, naw, we's got's a slob.


An I'm shure we'll nevair know for what was goin through his head

An the facts of all the fightin' ain't in doubt (no sir)

But the slob, he starts ta whine at whar he thinks nae one can hear him

how he didn't, really, truly, lose that bout.


"nae, 'twas me thumb that got the livin' smacked out of it

'an after that could hardly hold me sword

an' when i went me pub could barely pop the safety cap off

all the brews i used to drown me sorrows more


Ah, that Ruslan, he's a terror, an' he ain't got nae permission

for to hold that sword he smacked me with atall

'an if I had more chubbies I'd sure race me off ta marshall

an' tell 'im so, and stir up trouble withal.


Now, don't you worrie, dearie, here's yer prize, ya worthless snowflake

For finishin' the tournament, near mort

But just remember, dearie, if yer gonna pitch a whinin'

Might as well, at least, whine higher than finish fourth.

A New Day Dawns in Sacred Stone

a new day dawns in sacred stone

a phoenix as of old

and with it comes the morning sun

a shining sphere of gold.


be strong, be brave, be flaming bright

be fair above us all

Lead us to help push back the night

and knock down these old walls.

Slaughter at the Horns of Hattin

I wrote this before Kingdom of Heaven ever came out, but the "Battle" of Hattin (I called it "Slaughter" because that's what it was) in the movie actually draws from actual events. Here's a video that lays it out fairly well.

https://www.youtube.com/watch?v=ndXuRoJd6hQ

The sun shone brightly on one thousand score foot

And a thousand of England’s grand horse

And they marched to their doom, though in truth they knew not

Towards a Saracen army in wait.

On day one, our advance scouts came galloping back

And reported with unseemly haste

That an enemy force many thousands strong

Could be seen marching o’er the waste.

A royal cartographer in days long gone by

Had probably given the name

To the Horns of Hattin as they rose to the sky

On an otherwise featureless plain.

On day two, we arrived with our baggage in tow

With our horses, and armor, and men

And we gave praise to Allah that he had seen fit

To deliver the English heathen.

And the English, in forced march with little supply

Arrived on site the evening before

To their horror, the Moors led by Saladin encamped

Waiting there, clearly arrayed for war.

On day three, our enemies delivered themselves

To our ready and eager warbands.

Outnumbered they came, with supplies all but gone

To retake their precious Holy Land.

And the English, unready and thirsting, encamped

To a night full of worry and dread.

They’d outrun their supply line, and so had no water

To face the grim odds yet ahead.

On the morn of the fourth day the desperate ones came

To the stream, that they might quench their thirst.

Not a one made it back to his lines; nay, instead

We fell on them, and they came off worst.

And the cunning Saracens, with stratagem wise

Lit the countryside all round on fire

Thereby making the English affairs that much worse

Driving heat and their tempers much higher.

On noon of the fourth day the heathens sallied forth

Having already gambled, and lost

And the only thing left to take stock at day’s end

Was the bloody and horrific cost.

So the English, defeated, were sold off as slaves

Or worse yet, were put to the sword

Save the King of Jerusalem, one Guy by name

Ransomed for the price of a king’s hoard.

Documentation / Explanation (Razo):

“Slaughter at the Horns of Hattin” was written for an event and competition I can’t remember. If I remember correctly the poem had to be about an actual historical event from the Crusades. I found the Battle of Hattin (Editor's note - Jonathan refers to a website that seems to currently be down but whose information is mirrored at http://www.templarhistory.com/hattin.html) and wrote the subsequent poem in a back-and-forth style I came up with on my own, although I wouldn’t be surprised to find documentation for it somewhere.

Tourney at Elchenburg Castle

Tourney at Elchenburg Castle

The Minnesanger Invasion


"Ah, my friends! Spring returns, and with it thoughts of love, and warm weather, and..."

Everybody watched Gerhard as he struggled with the next words.

Finally he looked around, and said the last thing we ever thought he'd say.

"I have hit a creative wall, my friends. I am completely stuck."

We waited for the punchline, but there wasn't one. Then again, it wasn't necessarily his fault; we were in the middle of nowhere on a dusty road from one tiny little town to another tiny little town. There just wasn't much to inspire anybody.

"Where are we, anyway?" he said.

"Well, you're the one that said last night that we should follow the caravan, " said Wat. "But they, unlike us, are motivated, industrious, and they have horses. "

"SO? We have a horse as well!" Gerhard swung round to point at the horse following behind the hand-pulled cart Wat was currently lugging.

"Yes, but he's a warhorse, and we need him. He's going to bring a fine price at Elchenburg." William plodded in the dust at the side of the cart, hand shading his eyes from the sun. "He's no use to us, and he eats like a..." he shut up as he realized he was going for the easy simile.

"If only Sir Ector hadn't died right before he was supposed to joust that final pass! We'd be living in hog heaven about now." Roland was a bit heavier than your normal human, but he'd proven his worth over and over; he was worth the cost of the food he ate, if only because he could be relied on to pull the cart about as well as a mule would have.

"wait...just...a...second..." Gerhard had stopped in the middle of the road. The rest of us looked at him, hoping his inspiration had struck. Finally he said "what do they need at Elchenburg, at the tournament, that they don't have?"

We all waited. When it became obvious that none of us were going to feed him the straight line, he said, in a falsetto voice, "I don't know, Gerhard, what do they need?" Then normally, "Why, thank you for asking. They need....

minnesangers!!"

War of the Wings XIV Part 3

War of the Wings XIV

Part Three

"They live for war, Mistress. And they are unstoppable."

A crossbow hummed a bolt on its way. A soldier screamed and fell.

"Not any more, they aren't."

The battlefield at Crecy once again groaned under the weight of horses, and soldiers, and spears. Crows and vultures circled far above, safely out of crossbow range, waiting for their turn at the wreckage.

"But he said it, Mistress. He practically *sang* it. He wants it all, and he wants it now. Surely killing a few of his soldiers will not slow him in the slightest."

A crossbow loosed again. Another soldier dropped.

"No," she said. "No, it won't. " Her face was sad, just as it had been since the beginning of the conflict.

"But *those* soldiers were standing in the way of *that* squire."

Another crossbow bolt winged across the field. A squire dressed in red and black tried to scream, clutching uselessly at the bolt protruding from his chest, and sank to the ground.

Tears were running down her face. "He used to babysit my children. Taylor, and Brandon, and Erika, and Kaleigh, and my grandchildren Shepard and Lorelei... and I tried to tell him that living only for war was foolish. But he would not listen. And he followed Baron Marc."

More French troops died, crossbow bolts protruding. It was as if one mind was directing the withering fire of the archers.

"And now," she said, "now I must kill my lord. 'Tis the only way to end this, this... slaughter. My loyal citizens die to slow their advance, and I scarcely know which side should win the day. God knows I have no love for the English, but if they back my cause, then I must support them."

"But Mistress, surely the Baron need not die! There must be another-"

A crossbow bolt flew again across the field.

Methinks 'twas naught but Providence that caused the bolt to miss, for certainly she was aiming for the eye. As cruel as it sounded, she sought to spare him pain, and end his fight quickly.

But the bolt missed. Just as it arrived he turned slightly, and the bolt transfixed his arm. Whoever he was engaged in killing at the time did not realize how close they came to death, but the bolt spoiled his aim.

He did not scream in agony. He was too fixated on the battle for the pain to intrude on his consciousness.

His head jerked up and saw her watching him. He grinned, and tried to go back to the fight, but his arm refused to work.

Their eyes met, and in that look was exchanged all that needed to be said. He had lost the battle between them, but his soldiers were winning the day. Gathering his household troops around him, he retired from the field.

The battle continued.

A crossbow hummed.

The Shrine of Saint Martin

The Shrine of Saint Martin

by

Jonathan Blackbow


I am an old man, now.

My hair is white, my steps falter.

Many of my friends of old have passed.

But these eyes have seen what others have not.

And I will tell you a tale of long ago, when the Knowne World heard the name Atlantia, and trembled.

A time when the names of Anton, Michael, Cuan, Logan, Kane, Oldcastle, and others struck fear in the hearts of their enemies.

When Dukes bestrode the earth.

And into all of this plunged a boy named Martin.

He was young and impetuous, but brave and gallant. And he quickly became friends with several of the aforementioned Dukes of Terror. And they took him, and taught him to be a force on the field.

And one day he did start to call them by their first names, instead of their titles, as one ought. And the Dukes did look askance at him, and say to him, and others, Lo, this boy thinks he can call us by our names, all of us. What Power is in him? For surely none would have the temerity otherwise.

And they took counsel of themselves, and of the Church, and realized that Here was a Power, given form on Earth, such as they had never seen. And that Power was given Martin, and that only a Bishop of the Church could command such. And they named him on the spot, His Eminence, Bishop Martin.

And this was long a name to yell at him on the Battlefield, and immediately was shortened to Eminence.

And time passed, as time does. And Eminence Martin became known throughout the Knowne World, both for his Powers, and his skill on the field.

And lo, it came to pass that His Eminence Bishop Martin did choose to move to the kingdom of Trimaris, for reasons still unknown to Mortal Men.

And His Eminence Martin became beloved of that Kingdom, and did join the ranks of the Chivalry of Trimaris, and win Crown twice, and was by rights named a Duke. And his name was changed to His Eminence Duke Sir Martin, to reflect all of this. And Martin was humble, and still fun to be around, and still called the Dukes of Terror by their first names.

And time passed.

And lo, a day came, both wonderful and terrible to behold, for Martin did journey to Gleann Abahn, and fight for Trimaris in the Gulf. And in his camp he did toil, for remember, he was humble, and not above working and sweating for the good of the camp.

And Martin took up a pickaxe, and did begin to hew at the earth, to dig a trench, or a hole for a stake; the story is unclear on this point.

And Martin struck the earth, and lo, did the first miracle occur; the earth gushed forth water, at precisely a spot wherein the people had cried "give us water to drink".

And the populace came, and saw this miracle, and cried out mightily, saying, upon our word, a miracle has occurred.

And a well was built around the spot, and it was called Martin's Well, and the people drank from it, and were glad.

And lo, a second miracle occurred, and the pickaxe turned to Gold in the night, and was found near Martin's Well, and the people were amazed, and were enrichened by the gold, sold off in bits to enlarge their coffers. And the people cried out mightily, saying, a second miracle has occurred.

And lo, in the next night, the third miracle ocurred. Strange bits of material were found around Martin's Well, and they were mighty tasty, and at this point the people began to cry, look, the third miracle has occurred, and Martin shall be Sainted, e'en though he still lives on Earth.

And the Dukes of Terror did come by the spot, and consulted with themselves, and the Church, and lo, it was agreed that His Eminence Duke Sir Martin was assimilated bodily into Heaven, and taking his place was His Eminence Duke Sir Saint Martin of the Well, although there was some discussion of whether Saint should come first ahead of His Eminence. But the name was so familiar and well-loved that "Saint Martin" did become the short form, and only in those rare moments when his entire title was used was "His Eminence Duke Sir Saint Martin of the Well" heard.

I am an old man, now. My hair is white and my feet falter.

But I swear that this entire tale is true, for I have seen Saint Martin's Well with my own eyes. I have seen the Golden Pickaxe. I have drunk from its depths.

And I have met His Eminence Saint Martin, and dared call him by his given name, Martin, for as he began, so has he continued, and calls those around them by their given name, and if you dare approach, you can also walk up to him and call him Saint Martin, the first time, and Martin, after that, and he will smile, and laugh. Rare it is for a Saint to be made while still alive, and Martin is both rare, and still alive.

And thus ends my tale.

Selah.

5 more minutes...

Five more minutes,honey, please

But I've got stuff I have to do.

We've both got stuff we have to do

But I want to spend five minutes with you.


Three more minutes, darling, please

Hand me my coat, we've got to go.

We both have stuff, we've got to go

But just three minutes won't make us slow.


Two more minutes, baby, please

We're in a hurry, we've got no time.

We're always hurrying, we've got no time

But would one more minute be such a crime?


... one more minute, doctor, please.

I'm sorry, ma'am, the machines are off.

Born on a Longboat

Born on a Longboat


One fine day a young Norseman

Took her sword, shield and spear

Went a-viking out with all the other men

Ran around, killed some English, took their stuff, sailed home

When she asked them why, they told her once again


You were born on a longboat, washed ashore by a wave

Go a-Viking, come and go on the tide

Tho some men’s bad luck is to die in their beds

You will sleep with your sword till you die


This young lass grew older, tall and strong, handsome too

Blessed in battle by the gods, so it seemed

But her rivals plotted ‘gainst her, left her on a distant shore

And she shouted as she watched them from the beach


I was born on a longboat, washed ashore by a wave

Went a-viking, came and went on the tide

Tho some men’s bad luck is to die in their beds

Rest assured you’ll see my sword before you die


This Norseman went ashore, to a small local town

Hid her weapons, found a dark-haired English lad

Fell in love, got her married, raised a crop of blond-haired kids

And she found had not a care in the world


(and she sang)


I was born on a longboat, washed ashore by a wave

Went a-Viking, came and went on the tide

Tho some men’s bad luck is to die in their beds

I’ll do that, with my lord at my side


The years passed so swiftly as they do when you’re in love

And her husband learned to be a blacksmith too

But she made sure her children learned the sword and shield and spear

When they asked why she told them what I’m telling you


You weren’t born on a longboat, you were raised on a farm

And you’ve had yourselves a pretty good life

But the Norsemen will come as they always do

That’s the day your sword will save your life


They thanked her quite nicely and went back to their play

And she sighed as she watched and shook her head

“they don’t know what they’re in for,” as she went back to her work

But her lord heard her worry, and he said


They weren’t born on a longboat, washed ashore by a wave

They’re just kids who’ve never taken a life

You know darn good and well they’ll do fine when it counts

I'm just glad I found you for my wife


Then many years later sure enough here they came

Vikings raided deeper than they’d ever been

And our Norseman left her house, took her weapons and she stood

At the end of the town’s only bridge


(and she sang)


I was born on a longboat, washed ashore by a wave

And I told you that you’d see my sword again

Though there’s forty of you and just one left of me

You’ll not harm this town while I can draw breath


The Vikings laughed and charged her, took some losses, forced her back

To the far end of the town’s only bridge

When behind her came a yelling, running, Viking berserk charge

Of a horde of screaming yellow-headed kids


(and they sang)


We weren’t born on a longboat, we were raised on a farm

But you taught us all how to fight

We’ve been playing at war for the last forty years

And we’ve got them outnumbered tonight


They killed some, chased the rest off, brought their great-grandma back home

Had a party for their victory that day

And the story, it went out “leave that damn town alone!”

And our Norseman’s now an English, come what may


She was born on a longboat, washed ashore by a wave

Came and went, to and fro with the tide

Lived a good long life, saved her town from the Norse

Died years later, with her family at her side.

Squire's Paradise

Squire's Paradise

(tune of "Gangsta's Paradise" by Coolio)

As I crawl off the field with my armor in tatters

I take a look at my stuff and wonder why it all matters

‘cause I’ve been hangin’ and bangin’ so long that

Even my knight thinks that my mind is gone

But I ain’t neva hit a fighter that wasn’t a-lookin

‘cause if I did then I’m a cheata and shoulda been sent bookin’ home

If you ain’t been a squire you don’t know what I’m talkin’

But if you ain’t been a squire you ain’t walked what I’m walkin’

I try not to be proud ‘cause that’s one seventh deadly sin

But I’m a memba of a club you gotta work ta get in

I’m the kinda guy the ones who ain’t in wanna gotta get to be, yo

Cause the kinda guy I am is how you start to get to be

On your knees in front the king

As you listen to them singin’

Been tryin’ to be a knight living in the Squire’s Paradise

We all know there’s no such sight but we’re in the Squire’s Paradise

Keep workin’ all our lives tryin’a exit Squire’s Paradise

Got belted red by a knight so I’m livin’ Squire’s Paradise

So here’s the situation they got me facin’

I can’t live a normal life, I was born on the list field

So I gotta be down with the 14th century

Too much fight watchin’ analyzin’ got me chasin’ dreams

I’m an educated fool with winnin’ clean on my mind

Got my sword an’ board in my hand and a gleam in my eye

I’ma Ibuprofen’d out squire, swore an oath to my sire

An’ I’m gonna make it one day, so don’t arouse my ire, y’all

Death ain’t nuthin I can’t recover from y’know

But dishonor that’s another kind a crash landin’ yo

I’m twenty-three now and I know I’ll see twenty-four

But damn I wish my joints weren’t so f****n sore

There are none so blind as those who won’t see

That the ones workin’ hard are you and me

Been tryin’ to be a knight living in the Squire’s Paradise

We all know there’s no such sight but we’re in the Squire’s Paradise

Keep workin’ all our lives tryin’a exit Squire’s Paradise

Got belted red by a knight so I’m livin’ Squire’s Paradise

Power goes with politics, politics with power

Minute after minute, hour after hour

Everybody jockeying, and all of them are lookin’

Fightin’ hard then I’m in kitchen ‘cause a squire’s multitalented

(did you really think I was going to write “’cause a squire’s good at cookin’”??? PLEASE)

They say I gotta learn and I watch at what they doin’

And I gotta say they get it, all the shakin’ and the movin’

I used to say, that wasn’t me

But then I see, their thoughts in me

And the circle is complete, Obi-wan

Been tryin’ to be a knight living in the Squire’s Paradise

We all know there’s no such sight but we’re in the Squire’s Paradise

Keep workin’ all our lives tryin’a exit Squire’s Paradise

Got belted red by a knight so I’m livin’ Squire’s Paradise

There are none so blind as those who won’t see

That the ones workin’ hard are you and me

There are none so blind as those who won’t see

That the ones workin’ hard are you and me

Second Degree, Involuntary Man's Laughter

Spider Robinson: either you know him or you don't. If you don't, as he would say, boy, have you got a lot of great reading ahead of you. Start with Callahan's Crosstime Saloon and go from there.

Several years ago he wrote a story called Involuntary Mans Laughter about a guy who had a very, very bad case of Tourette's. The gang in the book couldn't cure him but they managed to help him find a reason to live.

Several years later, I came along.

Here's the story.

Enjoy.

"Second Degree, Involuntary Man's Laughter"

Now, look. I'm not Jake.

In more ways than one, but let's stick to the one that matters.

I'm not Jake Stonebender. I'm not tall, given to puns, and a god on a guitar.

I'm just tall.

At this point in the story I'm about to tell you, Jake and I had another thing in common; neither of us were all that happy with life. Him, because, well, you know that story. Fixed his own brakes. Saved thirty bucks, easy.

Me, I'm not happy because I have Aspergers Syndrome and society (and Society, but that's another story) consider me a failure because of it. Can't hold a job. Can't get along with society. Don't really want to. Not interested in living because of it. Et cetera, et cetera.

None of that's changed for me. I understand that's changed for Jake over time. Goody for him.

But one thing I DO care about is helping people. So, the Callahan's gang actually lets me in the place. More importantly, they don't try and bullshit me about how it's going to get better. They know that I believe it isn't going to get any better for me, and they also know that their opinion on that is academic. So we get along okay.

I'm not going to fill up your ears with a bunch of backstory about what night it was. Honestly I don't remember. I DO remember that it wasn't in Callahan's. It was in The Place, many years after the Doc's death. I remember that pretty well because...

Well, you'll see.

Jake was tending bar: where else would he be? The rest of the cast was there: the Usual Suspects. Zoey, Mary, Mickey, Slippery Joe, Shorty, Tom, Long-Drink, Fast Eddie, Ralph von Wau Wau; Lady Sally, a bunch of her regulars (cast, crew, and customers; we never did figure out how she managed to put ALL of them in and around The Place but after we tried to figure it out and realized she had some sort of Bag of Holding thing going on, gave it up)... I mean, the place was packed.

Sorry. The Place was packed.

Jake was yarning on about some guy named Billy Walker and how the Gang had managed to find a useful and creative outlet for his Tourette's Syndrome. I'd heard a lot of his bullshit but this one was entertaining, especially the part about how none of them could keep a straight face when listening to the guy try to talk.

I sat back with a Cape Cod (cranberry juice and vodka, because I don't like the taste of alcohol) and thought about it for a bit.

There was something I'd heard awhile back about it, but I couldn't for the life of me remember it. It was medically based. I know I was thinking hard about it; I just didn't realize how hard until the guy sitting next to me turned to me and said, "hey, son, you're going to hurt something trying to remember that. You need medical help?"

Older guy, kind face, smiling. So I started talking to him. And talked. And talked, and talked. He nodded in all the right places.

I talked myself to death. Well, to thirst, anyway. The guy said "hang on, I'll get us something cold." I started to say no thanks but he turned around and a split second later he's holding me out a cold glass of Arizona Fruit Punch.

Damn, that's pretty nifty, especially since they don't sell it by the gallon any more. I didn't even stop to ask him where he got it or how he got it so cold to begin with.

I said, loud enough for Jake to hear me, "Damn, Jake, this guy reminds me of Doc Webster. Where'd you find him?"

Jake turns to look, and I swear his eyes looked like the ones you see in anime shows, about half the size of his face.

He says, "Well, John, I haven't looked for Doc since he died, but, what the hell, you know what they say about The Place; if you sit in it long enough, everybody you know will come by. How ya doin', Doc?"

Doc - yeah, it was Doc, all right - says, "well, John here, I think he's right on the edge of something pretty snazzy. Don't joggle his elbow, son."

A bunch of the regulars moved back to give me air; Isham, Jim, Joe, Susan, Susie, Josie (although Josie didn't need to back up quite so far), Pyotr, Jim and Paul MacDonald; the fact that some of these people had died over the last several years suddenly didn't matter.

Jake said, "sure, Doc. Is there anything you guys need?"

Doc says to Jake, "well, if you could do me a favor and let Mei-Ling know I'm here, but other than that, nope, we're good."

I sat back, this time with a little space around me, and socked some serious effort into thinking.

And eventually said to Doc, "Doc, I can't come up with it. I give up."

"Nonsense, young man," he said. "You just need a little solace."

"But I've had all the time I think I need, and a relatively quiet space to come up with it, and I can't, Doc." I was getting visibly frustrated, not too hard for me to do.

He laughed, and said, "no, son. You Just Need A Little Solace."

This time I caught the capital letters. "But she suicided, didn't she?" Sure, a supercomputer would have helped, but Solace hadn't been heard from in years.

Doc laughed even harder. Fortunately he was dead, but not gross, so nothing fell off him. "Son, I'm dead, too. You'll learn as time goes on that-"

"Death is nothing," chimed a voice. Out of thin air. "Death is nothing, I'm right here, round the corner, all is well."

The patrons that hadn't noticed Doc, well, they noticed that voice. Without being loud, it overpowered every conversation or noise in The Place.

A voice in the back of the bar screamed "SOLACE!!!" and Erin Stonebender-Berkowitz rushed in our direction, tears streaming down her face.

We all waited for about five minutes while they had their tearful reunion, then came back to the main story.

Solace chimed at me, "John, I understand you're trying to remember something about Tourette's."

I nodded. "I remember....something. Years ago. A video of a guy in Germany. Stuttering so bad he couldn't talk."

Solace stopped me. "A moment, John. Searching." Two seconds later she said "is this your video?"

We watched as one wall of The Place became a movie screen. A guy shaking so bad he couldn't talk. Your heart tore just watching it.

And the thing that completely stopped the symptoms of his Tourette's?

Rooba, rooba, rooba, rooba, rooba.

They'd legalized it in Florida a year ago.

I remember, Jake said "we have GOT to find Billy Walker."

Somehow the bar had gotten even more crowded. Noah Gonzalez, Tom Flannery, Arethusa Two,

"Easy," I said. "All you have to do is go find him, on the north end of the Eastern Seaboard, in a densely populated-"

POP.

The air split open, and Mike Callahan stepped out of it. Looking around him innocently, he said "did somebody need a lift?"

"In more ways than one, Mike," I said. "Can you find Billy Walker?"

"Suren I can, son," he said, shifting that cigar masterfully to pronounce the words.

"Second question, can you bring him here?" I knew that was pushing it. Mike couldn't teleport anybody but himself-

POP. (with a slightly different flavor to it.) Nikola Tesla said "I'll get him for you, after Mike finds him."

Thirty seconds later, this guy is standing there in a dirty white outfit. He looks at all of us and tries to say something, but it screws up completely. He already looks miserable.

I said "all right everybody, let me explain. Billy, hi. This is the Callahan's Gang. All two hundred or so of them. You remember them from years ago; they're the ones who helped you figure out a way to be a productive person in spite of your Tourette's."

Billy nodded.

"Well, Billy, now they're going to take the edge off."

He looked confused. I said "give me ten minutes and we'll all explain."

Solace, bless her circuitry, was already producing joints. I didn't ask where she got the stuff, I didn't ask how she did it. They just sparkled into existence as though from a transporter straight out of Star Trek. Hell, maybe that's exactly what it was.

They were handed out and lit up.

And the smoking began.

For a couple of minutes Billy just stood there and looked confused, and shook all over.

Then the shaking started to ease.

Then it stopped.

You've never seen a roomful of people smoking joints, exhaling, saying "holy", inhaling, exhaling, saying "shit" over and over, have you?

I have.

In ten minutes Billy went from being somebody who you would cringe to watch, to standing normally, moving normally, talking normally. Well, except for all the crying. The emotional release of about thirty years, along with all the people who were hurting for him, and helping him get it out of his system.

I looked at Doc and said "so why did all you guys come back? To help?"

He smiled, and said "no, you only really needed Solace to find the answer."

I said "then tell me why the video was out there for so long and none of us put it together?"

He smiled even wider. "Same answer as why we all came back to The Place."

And I got it.

And in stereo, we said,

"Because it's Time."

Many hours later, I came up with a fairly lame pun about how the guy had to be related to Yoda; when everybody looked at me I said "come on, the guy's middle name was Sky, and his last name was Walker, and he had a speech impediment."

Billy's middle name wasn't Sky, but he thought it was so funny he went and had his name legally changed to Luke Sky Walker.

Benevolent Ghost

Benevolent Ghost of what a SCAdian Should Be

I was 18 years old, a freshman in college

had just heard of this thing, SCA

And I made me a tunic, from upholstery fabric with no sides, 'cause I'm new here, OK?

Did the best that I could, fixed it up with more fabric And I went to my very first event

And the laughs and the taunting because of that tunic Made me wish that I never had went.

And I sat in the corner, alone, by myself

wishing that I could just disappear

When from far off, a voice, someone I didn't know speaking words of encouragement and cheer. "did the best that you could...with no one to help ...and you did it in time for this day

here's the fabric I used, here's the pattern I used you'll do fine, we were all there one day..." And I looked and I looked to see who owned that voice but I never found anyone, you see

So I called it a name, the Benevolent Ghost Of what a SCAdian Laurel should be

And not too much time later, got my first suit of armor and it's crap, I mean, pickle barrel, you know

And it's blue and it's piecework with orangeish cords And they called me the Battle Smurf, and so

I went over and sat down, tried to fade in the background 'cause people are cruel, you know it

And a guy walks up to me, says "that armor is awesome, you'd get hit with a log and not know it!"

And he loaned me his legs for the authorization And he signed all my paperwork and cards

And we laughed at the armor, and that made it all better And just then the Ghost sent his regards

"did the best that you could...with no one to help ...and you did it in time for this day

here's the leather I used, here's the pattern I used you'll do fine, we were all there one day..."

And I looked and I looked to see who owned that voice but I never found anyone, you see

So I called it a name, the Benevolent Ghost

Of what a SCAdian White Belt should be

And not too much time later, I'm at an event

And my lady's been helping, you see

'cause that's who she is, she's a helper, you know just some tables to move, then to me

she comes crying, in tears, she'd been told "we don't need you "and you're doing it wrong anyway

Then not five minutes later all these tables are done done exactly and in the same way.

And I hugged her and held her, didn't know what to say When the Ghost gave me all the right words.

"did the best that you could...with no one to help ...and you did it in time for this day

move the tables right here, move the chairs over here you'll do fine, we were all there one day..."

And I looked and I looked to see who owned that voice but I never found anyone, you see

So I called it a name, the Benevolent Ghost

Of what a SCAdian Pelican should be.

And they're out there, you know. They're alive and they're real. And some of them even have names.

Like Duke Ragnarr, Lynette, Ashia, and Christoph, And Daemon, and Emma, and James.

But those are just names that they give to the people Who embody this concept, to me,

This thing that we call the Benevolent Ghost

of what a SCAdian Peerage should be.

A Green Dragon Christmas

A Green Dragon Christmas


The fields are empty, the lands are bare

Green Dragon's alone, and no one cares

She prowls through the silent halls

No one's responded to her calls

Her mom and dad, Marion, Elesar

They can't come down, watch from afar

She knows they care, they miss her so,

Two years it's been without them though.

She cries herself to sleep each night

The doors are closed, this isn't right

She knows they'd come, if they'd but known

But every night, she sleeps alone.


And then, December twenty-fourth

She guards the gates of her Gulf Wars

Against a foe she cannot fight

The country-wide, consuming blight

When overhead she hears a sound

A sleigh, reindeer, far above ground

It blows right past, 'bout mach sixteen

and swings out wide 'round New Orleans

and heads on back, quite slowly now

and settles lightly to the ground

And out hops a red garbed jolly dude

who says "forgive me, if I'm rude

but we were passing by just now

And saw you sad, and wondered how

To cheer you up, for cheer you need,

and so I thought I'd help you see

Your friends across the Known World wide

in Midrealm, East, Trimaris-side,

Atlantia, Gleann Abhann, old friends and new,

Ansteorra, Caid, and Calontir too."


And all the rest both far and near,

So I've made a list, your Christmas to cheer.


Lannon, Katerina, Gilbert, Marcilla, Mateo, Rhianne, Ray Dubose, Ragnarr Blackhammer, Sergio Luis Yanes, Jon the Tall, Kane Redfeather, Bytor, Barony of Rivenoak, Tindal, Alberic, Gordon Tuj, Lucian Fidelis, Kurn, Maisie, Jason Drysdale, Margherita de Mantua, Michael Biondo, Deirdre Biondo...

The list went on for many a page

All knew the Green Dragon, for many an age

But lo, she saw now, that there were more,

A Seahorse's gleam, and a Tiger's roar

Another Dragon, far to the East,

A Calontir Eagle, Outland's Stag beast,

The Known World Wide, she saw all now,

And she gazed at Santa, and wondered how

And he smiled and said, with eyes that shone,

"My dear Dragon Green...

...you were never alone."



Iron Rose Scroll Text

So about two years ago I was asked to write the text for a scroll for an Iron Rose tourney. I did and was thanked but didn't hear back.

or so i thought.

covid strikes again...

I went to talk to Murin Dunn about something covid related and there was the pic from 2017. I just saw it for the first time.

So here's the original text in English, and the picture of the scroll in German.

"The Iron Rose is not grown in a garden, but forged under the harshest of conditions. Yet it is, in the end, still a Rose, with all the beauty and grace the Rose is heir to. Thus, the Iron Rose does not shy from Conflict, but embraces it anew each day. On very special days we acknowledge this struggle, and call it the Tournament of the Iron Rose, and recognize those who distinguish themselves even above the rest. On this special day we recognize ___________ and name her Victor of the Iron Rose."

HIDING DEEP IN HINDSCROFT

Hiding deep in Hindscroft

Mighty sounds the Horn-call

Crown a King and Queen Here!

Call to arms eternal.

Dawns the day in splendor

Drenching rain forgotten

Crown a King and Queen Here!

Called you here! Now Listen!

Now comes Mighty Michael!

Seonaid moves alongside

Reigned they long, remember

Reigned they long, to our pride.

King and Queen with reverence

Call their reign an end there

An end they call, and welcome

Atlantia’s crown heirs

Sun, in glory, shining

Sable hair, crown of gold

Blackhammer’s banner advances!

Ragnar, Mighty and Bold!

Stands a Queen Beside him

Anneke strong and tall

Ragnar’s Inspiration

Graces Atlantia’s halls.

Now a new beginning

Now the thrones are taken

Arise, Atlantia’s subjects!

Applaud the new day breaking!

Hindscroft hides a secret

Sounds the mighty horn-call

New-crowned king and queen here

Call to arms eternal.

Documentation / Explanation (Razo):

If I had to pick one drottkvaett to perform or submit or let people analyze this would be it. I was lucky enough to be asked to autocrat the Coronation of Ragnarr III and Anneke I and I also wrote the flyer. I’ve never been a fan of boring flyers (I’ve written a few) and this one wasn’t going to be any different. This was also the first time the SCA had been able to use Betsy-Jeff Penn 4-H Center in Reidsville and the site is, quite simply, mind-blowingly nice. Cabins, rec hall, feast hall, air conditioning, etc etc etc. So I threw together the first four lines (Hiding deep in Hindscroft / Mighty sounds the horn-call / Crown a King and Queen here / Call to arms eternal) because I liked the way it sounded; to me it sounded like the opening bars of the theme to Superman: The Movie.

Then I left it completely alone because I had what I needed, i.e., the lines for the flyer. Those lines sat there for months until somebody reminded me that there was going to be a Viking poetry competition for Ymir. I had all of two days to write something and I had no inspiration, no motivation; I didn’t really care, basically.

Then I was flipping through the flyer I’d written for that Coronation, looking for the street address of the site since we were using the site again for the Coronation of Valharic II & Arielle III, and those four lines jumped off the page and slapped me in the face.


When it Ceases to be Fun, it Ceases to Be

There's a rhyme and a scheme to the things that I write

some are accurate, some not so much

some are drottkvaett, some English, pentameter iambic

and some are just filks at first blush

and i got me a Pearl for the drottkvaett, you know

that's Atlantia's A&S thing, you see

but man, drottkvaett is hard, i have to inspire

and i've got SO many written forms to be

this one is a chanty, twelve syllables per line

i don't know if it's period, don't care

because these things, i don't write them, they kinda write themselves

and i can only sit back and stare

some of them authentic, and some of them not

it's a thing, and i do it, don't know why

but i write them and show them to people i trust

and they read them, and laugh, or they cry

i was wrong though. I write them 'cause i have to, you know

or else they'd stay stuck in my head

but the writing is fun, and the reading is better

cause appreciation's my meat and my bread.

The Society's a game that we all try to play

Dream for all, you know, and all for one

it's a game. The rules change. Time passes, as time does

but the same goal exists; to have fun

'Cause if it's not fun then why sweat and why bleed

in the heat and the mud and the rain?

When it Ceases to be Fun, it Ceases to Be,

From the Bog to the Serengeti Plain.