Pietro Marchitelli, Michele Mascitti
and the Neapolitan Instrumental School
INTERNATIONAL STUDY CONFERENCE
Under the aegis of the Abruzzo Region
With the patronage of IPSSAR “G. Marchitelli” of Villa Santa Maria
In collaboration with
The University of Texas at Austin, Butler School of Music
Grandezze & Meraviglie, Estense Music Festival
Conservatory “Luisa D'Annunzio”, Pescara
VILLA SANTA MARIA (Chieti), 24 - 26 NOVEMBER 2014
Auditorium San Carlo, Archaeological Museum
Monday, November 24th
IPSSAR, Hall and sales services room
3.30 pm
Greetings from the authorities
4.00 pm
First session - Chair: Carla Ortolani
FROM ABRUZZO TO NAPLES
Guido Olivieri Abruzzo musicians and the Neapolitan instrumental tradition: Pietro Marchitelli and Michele Mascitti
Fernando Miguel Jalôto «Sonatas XV cujos Auctores Se naõ declaraõ». Michele Mascitti solo sonatas at the 18th century music collection from the Monastery of Santa Cruz de Coimbra (Portugal)
Angela Fiore Music and instrument masters in the Neapolitan cloisters between the 17th and 18th centuries
Luigi Sisto The construction of stringed musical instruments in the Naples of the last decades of the Viceroyalty of Spain
Marc Vanscheeuwijck The cello and the Neapolitan cellists of the early eighteenth century
Church of San Nicola di Bari
9.00 pm
Concert: Ensemble Aurora
Enrico Gatti, violin I and concert master
Rossella Croce, violin II
Joanna Huszcza, violin III
Gaetano Nasillo, cello
Guido Morini, harpsichord
«It is played in Naples!». Instrumental music of the Neapolitan school between the seventeenth and eighteenth centuries
Tuesday, November 25th
IPSSAR, Hall and sales services room
10.00 am
Second session - Chair: Agnese Pavanello
REPERTOIRE FOR RECORDER & TRAVERSIERE
Alessandro Lattanzi At the origins of the Neapolitan repertoire of concertos for flute: the twenty-four concerts "By Different Authors" (Naples, 1725)
Tommaso Rossi The seven sonatas for flute and basso continuo by Leonardo Leo and the flutist production in Naples in period of the Austrian Viceroyalty
Renata Cataldi The traversiere in Naples and in Europe: Antonio Caputi Neapolitan noble
Church of San Nicola di Bari
4.00 pm
Concert: Ensemble Hortensia Virtuosa
Giovanni Rota, baroque violin and concert master
Aki Takahashi, baroque violin
Rebeca Ferri, baroque cello
Luigi Loré, harpsichord
The sonatas by “Petrillo” (Pietro Marchitelli), From the manuscripts of Naples and Milan
Museo San Francesco Caracciolo
6.00 pm
Working Group for the planning of a critical edition of instrumental works by the Neapolitan School,
with a focus on the complete edition of the works by Pietro Marchitelli and Michele Mascitti
Participants: Guido Olivieri, Agnese Pavanello, Enrico Gatti, Alessandro Lattanzi, Carla Ortolani, Giovanni Rota, Marc Vanscheeuwijck, Francesco Zimei.
Church of San Nicola di Bari
9.00 pm
Concert: Joanna Huszcza, violin
Ira Givol, cello
Guido Morini, harpsichord
Tribute to Michele Mascitti. “Violin solo Sonatas with Violone o Cembalo”
Wednesday, November 26
IPSSAR, Room and sales services room
9.30 am
Third session: Chair: Francesco Zimei
Models and influences
Christoph Riedo Neapolitan instrumental culture abroad: the case of Nicola Matteis the Elder in England
Andrew Woolley The Eleven 'Sonate' a 4 in Charles Avison's Workbook I and the influence of the Neapolitan sonata/concerto a quattro in Britain
Emma Bolamperti Some considerations on the solo and continuo cantatas by Giuseppe Antonio Avitrano
Ausilia Magaudda - Danilo Costantini The five symphonies for strings of the Prince of Ardore
Niccolò Maccavino Instrumental music in Caltagirone in the 18th century