Agnese Pavanello is a research associate at the Schola Cantorum Basiliensis, University of Early Music, one of the institutes affiliated with the Musik-Akademie Basel and the Fachhochschule Nordwestschweiz. Her research interests focus on Renaissance sacred polyphony and instrumental music of the 17th and 18th centuries. She has published articles on Arcangelo Corelli as well as studies and editions of music by composers of the following generation (Locatelli, Bonporti and Tartini). On Tartini in particular, she has investigated the trio sonatas, the manuscript tradition of the sonata The Devil’s trill and the reception of Tartini's music in France. She is the author of a monograph on the Roman 'concerti grossi'. Her contributions to Renaissance studies focus on the Franco-Flemish composer Gaspar van Weerbeke, whose masses and motets she has published. Her recent publications include the volumes Kontrafakturen im Kontext (Basel, 2020), Reopening Gaffurius's Libroni (Lucca, 2021) and articles on John Ravenscroft and Giuseppe Tartini.