The Art Edition of Wizzle is dedicated to the works of great painters. We drew inspiration from iconic and lesser-known works of significant artists and created the Wizzle Art Edition. 

We start the Art Edition with Kazimir Malevich, one of the most important artists of the Russian Avant-Garde, and the Wizzle editions that are inspired by his suprematist works, such as "Black Square," "Red Square," "Black Cross," and the iconic "Black Square." The "Red Square" and "Black Square" belong to the renowned Kostakis Collection and are housed in our own MOMus - Museum of Modern Art. Our school's Mathematics Club dedicates these editions to Ms. Evi Papavergou and Katerina Paraskeva, Curators of Educational Programs at the Museum, and Ms. Maria Tsantsanoglou, Director of the Museum, for the collaboration between our school and the Museum and for the inspiration.

Piet Mondrian was a Dutch painter, one of the most important representatives of modern art, and a co-founder of the neoplasticism movement (De Stijl). He is considered one of the most influential painters of the 20th century. The Wizzle dedicated to Mondrian is inspired by his work "Composition II in Red, Blue and Yellow," which belongs to the collection of the Kunsthaus Zürich.

The work of Dutch visual artist Maurits Cornelis Escher is deeply inspired by mathematics and has been a significant part of the research and a source of inspiration for the entire effort that led to the creation of Wizzle. The edition of Wizzle dedicated to Escher is inspired by his work "Two Birds," which belongs to the collection of the M.C. Escher Foundation in Baarn.

The Spanish surrealist painter Salvador Dali is one of the most controversial figures in the world of art. The edition of Wizzle dedicated to Dali is inspired by his work "Persistence of Memory," which belongs to the collection of the MoMA Museum of Modern Art in New York. We draw from this artwork the color combinations chosen by the painter to depict the desolate landscape and the eerie atmosphere. "Persistence of Memory" is a piece influenced by the impressive scientific discoveries of its time. The "melting" clocks depicted in the painting are, according to Dali's interpreters, an unconscious symbol of the relativity of space and time, a surrealist reflection on the collapse of our perception of a stable and unchanging cosmic order.

Opy Zouni is a greek artist who created geometric worlds through her optical experiments, with a unique approach to perspective and symmetries, using clean and vibrant colors. The edition of Wizzle dedicated to Opy Zouni draws inspiration from the color combinations of her work "Fantastikos Naos II," created in 1999, just before the dawn of the new millennium.

Victor Vasarely was a Hungarian painter of modern art and a famous artist during the post-war period. He belonged to the traditions of Bauhaus and Constructivism. He was a precursor of Op Art, an abstract, geometric art form that developed in the 1960s. The version of Wizzle dedicated to Vasarely draws inspiration from the cosmological geometry of his iconic work Supernovae, which is why the Wizzle Snowflake was chosen, designed using the Koch Snowflake fractal technique, one of the earliest and most famous fractals.

Wassily Kandinsky was a Russian painter and art theorist. He is considered one of the most important artists of the 20th century and was a pioneer of the so-called abstract art. He participated in some of the most significant movements of modern art, introducing his own innovations and a new conception of painting. He explored a wealth of theories and ideas in his treatises Concerning the Spiritual in Art (1910) and Point and Line to Plane (1926). 

Paul Klee was a German-Swiss painter. Although he did not officially join any school or movement, his work had a significant contribution to shaping most artistic tendencies of modern art. He also served as a teacher at the Bauhaus school. He left a total of over 9,000 works, including watercolors, etchings, and drawings, the majority of which are housed today in the Paul Klee Center in Bern. 

Pablo Picasso was a Spanish painter, printmaker, sculptor, poet, ceramist and scenography. He is one of the foremost Spanish representatives of 20th-century art, co-founder along with Georges Braque of Cubism, and made significant contributions to the shaping and evolution of modern and contemporary art.

Liubov Popova was a Russian artist who engaged in painting, scenography, printmaking, and textile design, among other mediums. She was a significant representative of the artistic movement of Russian Avant-Garde and contributed to the development of the styles of Cubo-Futurism, Suprematism, and Constructivism through her work.

Ivan Kliun was a Russian Avant-Garde painter, sculptor and art theorist, associated with the Suprematist movement. He originally worked in the Symboloist style. Ηe also became fond of Cubo-Futurism and began producing sculpture under the influence of Vladimir Tatlin. He was a professor at the State Art and Technical School. From 1920, he was a member of the Institute of Artistic Culture and a Corresponding Member of the State Academy of Art Sciences. 

Xenia Ender was a leading Russian artist. She became particularly interested in Mikhail Matyushin's workshop on spatial realism, and together with him she developed the theory of ZOR-VED ("See-Know"),  an experiment in expanded vision that changed the course of art in the early Soviet republic. She was a member of staff at the Organic Culture department at GINKhUK (State Institute of Artistic Culture), heading the laboratory for research into the relationship between tactile, acoustic and visual perceptions. Some of the public collections which include her work include the Museo Nacional Thyssen-Bornemisza, Madrid; the Museum Ludwig, Cologne; the Museum of Modern Art, New York; the State Russian Museum, St. Petersburg and the MOMus-Museum of Modern Art-Costakis Collection, Thessaloniki. 

Michael Matyushin was a Russian painter and composer, leading member of the Russian avant-garde. He was a key member of the Union of the Youth, an association of Russian Futurists. Matyushin, a professional musician and amateur painter, studied physiology of human senses and developed his own concept of the fourth dimension connecting visual and musical arts, a theory that he put to practice in his classrooms and summarized in his 1932 Reference of Colour. He conducted experiments at his Visiology Center (Zorved) to demonstrate that expanding visual sensitivity from retinian optical centers would enable the discovery of "new organic substance and rhythm in the apprehension of space." He describes some of his work and ideas in a long essay titled "An Artist's Experience of the New Space."