Selected critical writings, interviews, and talk records on the work of Takehiro Iikawa. Full texts are available as PDFs; talk archives link to video. For complete volumes and catalogues, see Publications →
Ari Morimoto
Musician; Manager, Guggenheim House, Kobe
“A Story About Iikawa”《飯川くんの話》
Printed on the reverse of a poster distributed on the closing day of Gathering Matters and Mediations
Contemporary Art Gallery, Art Tower Mito, Ibaraki, Japan, May 6, 2026
[JP]
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Manabu Miki
Writer, editor, and art critic; Member, AICA Japan
[A Microcosm of Cause and Effect That Touches How the World Is Made: On Takehiro Iikawa]《世界の成り立ちに触れる因果の小宇宙 飯川雄大論》
In Bijutsu Hyōron Plus《美術評論+》, AICA Japan, May 3, 2026
[JP]
Meruro Washida
Director, 21st Century Museum of Contemporary Art, Kanazawa
“Evading Attempts at Capture: Cats by Iikawa Takehiro”
In A Collection of Recent Interviews and Essays, 2018–2024, 2025, pp. 5–16
[EN]
Miki Tachibana
Curator, Takamatsu Art Museum
“The Story of Expecting Spectators”
In A Collection of Recent Interviews and Essays, 2018–2024, 2025, pp. 138–158
[EN]
Miki Tachibana
Curator, Takamatsu Art Museum
“Impulse and Imagination: Exploring the Relationship Between Work and Viewer in Iikawa Takehiro’s Decorator Crab”《衝動と想像──作品と鑑賞者の関係からみる飯川雄大「デコレータークラブ」》
First published in artscape, July 19, 2024
English translation in A Collection of Recent Interviews and Essays, 2018–2024, 2025, pp. 115–137
[JP/EN]
Yukika Takeno
Curator, Tokyo Shibuya Koen-dori Gallery
“Afterword”《あとがき》
In Kids meet 04: Decorator Crab—Expecting Spectators, Tokyo Shibuya Koen-dori Gallery, Tokyo, Japan, 2024, p. 45
[JP]
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Megumu Takashima
Critic of fine and performing arts; Researcher, Art Research Center, Kyoto City University of Arts
Review of Decorator Crab—Measuring the Future, Pulling Time, Kirishima Open-Air Museum
First published in artscape, October 15, 2023
English translation in A Collection of Recent Interviews and Essays, 2018–2024, 2025, pp. 211–224
[JP/EN]
Eriko Kimura
Director, Hirosaki Museum of Contemporary Art
“Can Sculpture Camouflage Itself in Public Spaces?”《公共空間において彫刻はその存在を擬態できるか?》
In IIKAWA TAKEHIRO: DECORATOR CRAB, AKAAKA Art Publishing Inc. and Sendai Mediatheque, 2024
[JP/EN] pp. 114–118 (JP), pp. 119–123 (EN)
Areum Lee
Aesthetics researcher; Co-director, YPC SPACE, Seoul, South Korea
“Rise of the Kawaii Monster—Meeting Mr. Kobayashi the Pink Cat”《「カワイイ」怪獣の出現:《ピンクの猫の小林さん》と対面する》
In IIKAWA TAKEHIRO: DECORATOR CRAB, AKAAKA Art Publishing Inc. and Sendai Mediatheque, 2024
[JP/EN] pp. 124–127 (JP), pp. 128–131 (EN)
Taro Igarashi
Architectural historian and critic
“Transforming Landscape Through the Power of Imagination”《想像力を通じて、風景を変容させる》
In IIKAWA TAKEHIRO: DECORATOR CRAB, AKAAKA Art Publishing Inc. and Sendai Mediatheque, 2024
[JP/EN] pp. 132–135 (JP), pp. 136–139 (EN)
Kenji Kai
Artistic Director, Sendai Mediatheque
“What a ‘Spectral Cat’ Offers a City: At the Intersection of Community Issue Resolution and Artwork Concept”《「化け猫」が街にもたらしえるもの——地域課題解決と作品コンセプトとの交点》
In IIKAWA TAKEHIRO: DECORATOR CRAB, AKAAKA Art Publishing Inc. and Sendai Mediatheque, 2024
[JP/EN] pp. 190–191 (JP), pp. 192–195 (EN)
Kakari Seki
Curator, The Hakone Open-Air Museum
“A New Form of Art Appreciation That Begins Unexpectedly”《送客がもたらす、新しい鑑賞体験》
In Decorator Crab—Occurring Simultaneously or Awareness Being Delayed, The Hakone Open-Air Museum, Kanagawa, Japan, 2023
[JP/EN] pp. 10–11 (JP), pp. 12–17 (EN)
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Eriko Kimura
Director, Hirosaki Museum of Contemporary Art
“Sculpture That Lets You See What Cannot Be Seen and Paintings That Cannot Be Seen Even When Desired”《見えないものが見えてくる彫刻、あるいは、見たくても見られない絵画》
In Decorator Crab—Occurring Simultaneously or Awareness Being Delayed, The Hakone Open-Air Museum, Kanagawa, Japan, 2023
[JP/EN] pp. 46–49 (JP), pp. 50–53 (EN)
Megumu Takashima
Critic of fine and performing arts; Researcher, Art Research Center, Kyoto City University of Arts
Review of Decorator Crab—Make Space, Use Space, Hyogo Prefectural Museum of Art
First published in artscape, April 15, 2022
English translation in A Collection of Recent Interviews and Essays, 2018–2024, 2025, pp. 106–114
[JP/EN]
Hiroyuki Hattori
Curator, Japan Pavilion, 58th Venice Biennale (2019)
“A Project Expanding the Potential of Museums”《美術館の潜在力を拡張するプロジェクト》
In Decorator Crab—Expecting Spectators, Chiba City Museum of Art, Japan, 2022, pp. 2–4
English translation in A Collection of Recent Interviews and Essays, 2018–2024, 2025, pp. 159–163
[JP/EN]
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Megumi Hatai
Curator, Chiba City Museum of Art
“May You Encounter a Crab Someday, Somewhere—When Belief Takes Shape”《いつかどこかであなたがカニに出会えるように──信じ続ける態度が形になるとき》
In Decorator Crab—Expecting Spectators, Chiba City Museum of Art, Japan, 2022, p. 15
English translation in A Collection of Recent Interviews and Essays, 2018–2024, 2025, pp. 206–210
[JP/EN]
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Kozue Hashimoto
Curator, Hyogo Prefectural Museum of Art
[Becoming “A New Spectator”]《「新しい観客」になる》
In ART RAMBLE Vol. 75, Hyogo Prefectural Museum of Art, Japan, July 8, 2022, pp. 4–5
[JP]
Kozue Hashimoto
Curator, Hyogo Prefectural Museum of Art
“Reflections on the Interview”
Printed on Channel 12: Decorator Crab—Make Space, Use Space, Hyogo Prefectural Museum of Art, Hyogo, Japan, 2022
English translation in A Collection of Recent Interviews and Essays, 2018–2024, 2025, pp. 103–104
[JP/EN]
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Miki Tachibana
Curator, Takamatsu Art Museum
Curatorial text on the exhibition
In Decorator Crab—Intercepting Perception, Takamatsu Art Museum, Japan, 2020, p. 20
[JP]
Mayumi Hirano
Curator, Load Na Dito, Manila
“Collaborator, Corroborator and a Crab”《観察、参加、そしてカニ》
In Decorator Crab—Arrangement, Adjustment, Movement, AMAGASAKI A-Lab, Hyogo, Japan, 2019
[JP/EN] pp. 20–21 (JP), pp. 22–23 (EN)
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Mayumi Hirano
Curator, Load Na Dito, Manila
“Waiting for a Ball”《ボールを待ちながら》
On the solo exhibition All for One?, HOTEL ANTEROOM KYOTO, Kyoto, Japan, 2016
In Next Fire, 2016, pp. 22–23
English version in Winning Position, 2018, pp. 75–78
[JP/EN]
Keiko Kamijo and Takehiro Iikawa
Writer
“Change Your Perspective, and Space Appears”《視点を変えれば、スペースは生まれる》
In Kids meet 04: Decorator Crab—Expecting Spectators, Tokyo Shibuya Koen-dori Gallery, Tokyo, Japan, 2024, pp. 36–44
[JP]
Takehiro Iikawa, Kenji Kai, Chiaki Tanaka, and Keizo Tanji
Artist; Artistic Director and curatorial staff, Sendai Mediatheque
“Roundtable Discussion: Toward a Sendai Edition of Mr. Kobayashi the Pink Cat”《ピンクの猫の小林さん 仙台版への道のり》
Moderated by Shinichi Uchida
In IIKAWA TAKEHIRO: DECORATOR CRAB, AKAAKA Art Publishing Inc. and Sendai Mediatheque, 2024
[JP/EN] pp. 160–169 (JP), pp. 170–179 (EN)
Kozue Hashimoto and Takehiro Iikawa
Curator, Hyogo Prefectural Museum of Art
“Iikawa Takehiro Interview”
Conducted at Hyogo Prefectural Museum of Art, January 13, 2022
Printed on Channel 12: Decorator Crab—Make Space, Use Space, Hyogo Prefectural Museum of Art, Hyogo, Japan, 2022
English translation in A Collection of Recent Interviews and Essays, 2018–2024, 2025, pp. 81–100
[JP/EN]
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Megumi Hatai and Takehiro Iikawa
Written and edited by Tamaki Sugihara
“Artist Interview”
In Decorator Crab—Expecting Spectators, Chiba City Museum of Art, Japan, 2022
English translation in A Collection of Recent Interviews and Essays, 2018–2024, 2025, pp. 180–205
[JP/EN]
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Akimi Otsuki
Curator, Ashiya City Museum of Art & History
Talk event with Takehiro Iikawa
Takehiro Iikawa: Decorator Crab—No Two Alike, gallery αM, Tokyo, Japan, April 11, 2026
[JP] 78 min
Watch the talk archive →
Yuri Mitsuda
Art critic; Professor, Tama Art University
“From Photographs of Absence to the Audience”《不在の写真から観客へ》
Artist talk with Takehiro Iikawa, Art Hall, The Hakone Open-Air Museum, Kanagawa, Japan, November 19, 2022
Published by Mijutsu Publishing, Hyogo, Japan, 2023
[JP]
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Nozomu Ogawa
Director, Art Center Ongoing
“Mr. Ogawa! What Are We Going to Do Now!”《小川さん! これからどうしていきましょう!!》
Artist talk with Takehiro Iikawa, AMAGASAKI A-Lab, Hyogo, Japan, February 2, 2019
In Decorator Crab—Arrangement, Adjustment, Movement, 2019
English translation in A Collection of Recent Interviews and Essays, 2018–2024, 2025, pp. 59–79
[JP/EN]
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Reiko Tsubaki
Curator, Mori Art Museum
“Decorator Crab: On the Work of Takehiro Iikawa”《デコレータークラブ:飯川雄大の作品について》
Artist talk with Takehiro Iikawa, AMAGASAKI A-Lab, Hyogo, Japan, January 26, 2019
In Decorator Crab—Arrangement, Adjustment, Movement, 2019
English translation in A Collection of Recent Interviews and Essays, 2018–2024, 2025, pp. 37–58
[JP/EN]
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Osamu Tsukihashi and Sumi Hayashi
Associate Professor, Kobe University / Director, Art Project KOBE 2019: TRANS-
“Arrangement, Adjustment, Movement”《配置・調整・周遊》
Artist talk with Takehiro Iikawa, AMAGASAKI A-Lab, Hyogo, Japan, December 23, 2018
In Decorator Crab—Arrangement, Adjustment, Movement, 2019
English translation in A Collection of Recent Interviews and Essays, 2018–2024, 2025, pp. 17–36
[JP/EN]
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Takehiro Iikawa
“Artist Statement”
Studio Takehiro Iikawa, 2026
[EN]
Read on the About page →
Takehiro Iikawa
“Make Space! Use Space!”《メイクスペース、ユーズスペース》
In Kids meet 04: Decorator Crab—Expecting Spectators, Tokyo Shibuya Koen-dori Gallery, Tokyo, Japan, 2024, p. 5
[JP]
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Takehiro Iikawa
“Expanded Work”《長い仕事》
In IIKAWA TAKEHIRO: DECORATOR CRAB, AKAAKA Art Publishing Inc. and Sendai Mediatheque, 2024
[JP/EN] pp. 180–183 (JP), pp. 184–189 (EN)
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Takehiro Iikawa
“Make Space, Use Space: A New Spectator”《メイクスペース、ユーズスペース—新しい観客》
Printed on Channel 12: Decorator Crab—Make Space, Use Space, Hyogo Prefectural Museum of Art, Hyogo, Japan, 2022
English translation in A Collection of Recent Interviews and Essays, 2018–2024, 2025, pp. 80–81
[JP/EN]
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Takehiro Iikawa
“Make Space! Use Space!”《メイクスペース!ユーズスペース!》
In Museum Newsletter No. 243, The National Museum of Art, Osaka, Japan, December 1, 2021
[JP]
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Takehiro Iikawa
Artist’s text
In Decorator Crab—Intercepting Perception, Takamatsu Art Museum, Japan, 2020, p. 20
[JP]
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Takehiro Iikawa
“Decorator Crab”《デコレータークラブ》
First published in the first edition of DECORATORCRAB GUIDE BOOK, 2012
Reprinted in the third edition, 2017, p. 3
[JP/EN]
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