Talk event view with Akimi Otsuki (Ashiya City Museum of Art & History), Takehiro Iikawa: Decorator Crab—No Two Alike, gallery αM, Tokyo, Japan, 2026
Photo: © gallery αM, courtesy of the gallery
Watch the talk archive → (78 min, in Japanese)
Takehiro Iikawa (b. 1981, Hyogo, Japan) is a contemporary artist based in Kobe. He graduated from Seian University of Art and Design in 2003, where he studied Information Design with a focus on video.
Since 2007, Iikawa has been developing the Decorator Crab series, a body of work spanning drawing, video, sculpture, and installation. His practice engages with public spaces and exhibition formats, incorporating the viewer’s bodily perception. Each work is completed through viewer participation, imagination, and the specific contingencies of its site.
His work has been presented at institutions including Art Tower Mito, the Hakone Open-Air Museum, Chiba City Museum of Art, and the Yokohama Triennale, and is held in the collections of the Hiroshima City Museum of Contemporary Art and Takamatsu City Museum of Art.
From November 2026, he is based in Milan, Italy, supported by the Program of Overseas Study for Upcoming Artists, Agency for Cultural Affairs, Government of Japan.
The Decorator Crab project is inspired by a marine creature that camouflages itself by attaching objects from its surroundings. In its unadorned state, it would likely pass unnoticed—an invisibility that mirrors the artist's interest in the impulse sparked by an unexpected encounter.
To preserve such moments, the project deliberately withholds information. Works may be placed in public or private spaces without revealing their title, size, medium, or location. Partial traces—photographs, printed matter, videos, sculptures—circulate, but the content remains fragmentary. The subject of the photographs is rarely the work itself, but rather its “witnesses”: people, objects, or landscapes suggesting its presence.
Each iteration differs in form and context, making Decorator Crab difficult to detect. The number of viewers may be none, or only a few. Yet for those who happen upon it, the surrounding landscape can suddenly shift into something subtly uncanny.
Since 2007, the project has unfolded in diverse sites worldwide, exploring perception, absence, and the limits of documentation. By scattering elusive presences and controlling what is revealed, it invites rare, unrepeatable encounters where the viewer's awareness becomes the true site of the work.
Decorator Crab—Expecting Spectators《0人もしくは1人以上の観客に向けて》
Transforms spaces and objects to establish new relationships through active viewer engagement.
Decorator Crab—Very Heavy Bag《ベリーヘビーバッグ》
Decorator Crab—Mr. Kobayashi the Pink Cat《ピンクの猫の小林さん》
Deceptively simple objects—an unliftable bag and a large pink cat—that challenge perceptions and physical space.
Decorator Crab—Arrangement, Adjustment, Movement《配置・調整・周遊》
Explores visual fragments and spatial perception.
By incorporating unpredictable events and encounters, his works activate the thoughts and actions of viewers.
2026 Program of Overseas Study for Upcoming Artists, Agency for Cultural Affairs, Government of Japan (Milan, Italy)
2023 Kobe City Cultural Encouragement Prize, Kobe, Japan
2022 Hyogo Prefecture Art Encouragement Prize, Hyogo, Japan
2017 Tadasu Takamine Award, Hiroshima City Museum of Contemporary Art, Hiroshima, Japan
2002 Young Video Artists Initiative, Mori Art Museum Preparatory Office, Tokyo, Japan (as Synait with Akira Nishihara, juried by David Elliott)
2026 Contemporary Art Center, Art Tower Mito, Ibaraki, Japan
2024 Takamatsu Art Museum of Art, Kagawa, Japan
2021 Hiroshima City Museum of Contemporary Art, Hiroshima, Japan
Instagram: @takehiro_bau (飯川雄大 / Studio Takehiro Iikawa)
YouTube: @bauzu (飯川雄大 / Studio Takehiro Iikawa)