Britney Cawkwell
Anatomy of a Production
Anatomy of a Production
Britney Cawkwell (she/they) is an emerging creative with a background in musical theatre, having over 7 years’ experience as a stage manager, assistant stage manager, and freelance graphic designer. Britney has a passion for illustration and design, completing a 'Graphic Design' minor with the ultimate goal to design promotional material for new works.
Prior to her studies with Queensland University of Technology, Britney has worked with a variety of Toowoomba based theatre companies with notable productions including: stage manager for Crescendo Theatre Company’s ‘Be More Chill’ (2021), ‘Urinetown: The Musical’ (2022), and ‘Heathers: The Musical’ (2023) as well as assistant stage manager for Empire Theatre mainstage productions such as ‘Mamma Mia!’ (2020) and ‘We Will Rock You’ (2022). Through her experience within the Technical Production degree, Britney has been honoured to work with passionate professionals while learning more about the technical positions behind live performance.
Anatomy of a Production
Anatomy of a Production is a collection of artworks visually exploring the unseen side of the spotlight, highlighting the people and processes that bring life to live events. This project portrays each member of the QUT Technical Production cohort through a series of independent illustrations, created over weeks of interviews and iterations to incorporate both professional and personal identity. Every emerging creative is depicted in a solo portrait, capturing their industry discipline through real paperwork from theatrical projects and linking ties to the greater Standing By showcase.
The series culminates in a large amalgamated illustration that unites all members of the cohort within a single scene - a fully realised production environment where every role connects. From lighting and sound to stage management and costume, each position is imagined working through a project. The composition reflects the interconnection of roles within a production, illustrating how the absence of any individual creates a visible void.
Rooted in a love for community and volunteer theatre, the work examines the extensive and often invisible labour that is required for every stage production. By visualising those who usually remain unseen, Anatomy of a Production celebrates the artistry, precision, and teamwork that make live performance possible. Britney invites viewers to look beyond the spotlight and into the framework that supports it - the complex anatomy of people, skills, and stories.