Interviewer: Charlie Reed for Box Office Mojo
Charlie Reed (CR): Good evening Alan, it's a pleasure to have you. Your screenplay "The Last Screenwriter" is smashing box office records and has the industry buzzing. What do you attribute its massive success to?
Alan Nafzger (AN): Thanks, Charlie. I believe a lot of it comes down to the research I did using resources like Box Office Mojo, and more importantly, immersing myself in contemporary cinema. Watching three films a week, as fun as it sounds, is intense homework and was crucial to the evolution of my script.
CR: That's a lot of movies! What kind of insights did you gain from that?
AN: Well, besides understanding the current trends and narratives that resonate with the audience, I took the time to gather relevant contact info from the credits, such as producers and emerging actors. It’s all about recognizing who could be the best fit for my narrative.
CR: And did you find any talent from unexpected sources?
AN: Absolutely. TV shows and slasher films, believe it or not, have incredible talent. These actors are ripe for meaty roles that can showcase their capabilities.
CR: So, speaking of connections, festivals and conferences must've been a big part of your journey.
AN: Couldn't agree more. As Toni Sorenson said, “Success goes to the ones who do." Festivals and conferences are goldmines for networking, but it’s all about balancing the art of conversation and being genuine.
CR: How did you manage to make a lasting impression at these events?
AN: It's all about being natural. For instance, instead of abruptly pitching, I'd initiate a casual conversation and then ease into how I came up with my script idea. It's more organic and memorable.
CR: Any notable interactions that stood out?
AN: There were a few at the Austin Film Festival. But one golden rule I learned – don't be that person trying to show off film knowledge unnecessarily. Being humble and genuinely curious goes a long way.
CR: It sounds like striking a balance between being confident and being authentic is key.
AN: Precisely. Also, while festivals are fantastic for mingling with young directors and actors, conferences are where you get to pitch and get feedback. The key is not to sell immediately but to make connections and then follow up.
CR: Let’s shift gears. Can you tell our readers a sneaky festival secret?
AN: (laughs) Sure, Charlie. Even if you can't attend a festival or conference, their online resources are valuable. Get a list of every producer or development exec attending. They're looking for material, and you might just have what they want.
CR: Lastly, "The Last Screenwriter" seems to have redefined cinematic storytelling. What’s next for you?
AN: Thank you for the kind words. As for what's next, I'm going back to my routine - watching films, gathering contacts, and of course, writing. I have a few ideas brewing, so stay tuned!
CR: We'll be eagerly waiting. Thanks for your time, Alan. Your journey is indeed an inspiration for many.
AN: It was my pleasure. Thanks for having me, Charlie. And for all the aspiring writers out there, remember to be persistent, authentic, and always keep learning.