This hat: fashion statement or fashion fiasco? (Source)
We've covered some guidelines for language when you're crafting your speech. But what about putting some flair in there? What about drama? Humor? Gravitas?
Luckily, you don't have to be a master prose stylist to inject a little of any of those things into your speech. There are some quick and easy ways to give your speech the right kind of flair for the subject and occasion. That's what we'll cover in this lesson.
First, a word of warning: you'll learn lots of rhetorical strategies and language devices in this lesson and the next, but we're not suggesting you cram your speech full of all of them. That wouldn't be stylish—that would be a disaster. A language disaster.
Wait—should we have gone more hip and casual there, with "language fail" or "language train wreck?" Or should we have amped up the effect with "language cataclysm?" Or maybe it would have been better to go for the bad-but-still-fun-sounding "language fiasco?" We're going to settle on "language fiasco," because "fiasco" is an excellent word that just doesn't get enough use.
(Yup—part of inserting cleverness into a speech is the simple matter of deciding which words are your personal favorite.)
PREPACKAGED CUNNING
Who else but Jay Heinrichs could be our guide to injecting a speech with what he calls "prepackaged cunning"?
Start by reading Thank You For Arguing Chapter 20: "Get Instant Cleverness" on pages 201-219. Once you've read up, we'll look at one issue a little more closely and see how Sally might apply a few of Heinrichs' strategies to her speech.
Now that you've read the chapter, we'd like to acknowledge an apparent inconsistency. In the last lesson we said you should avoid clichés, but Heinrichs seems to be all for them.
Heinrichs is right that some familiar idioms and even clichés can be used in a smart, effective way. But we still think you should do your best to strike any and all overused, meaningless clichés from your speech. Here's a list of some of our least favorites—but feel free to add your own:
At the end of the day…
Let's address the elephant in the room.
Let's go back to the drawing board.
It is what it is.
You'll get more bang for the buck…
Talk is cheap.
For all intents and purposes…
Every Tom, Dick, and Harry
At this point in time…
Keeping up with the Joneses.
Just remember—if you're not sure about whether a phrase counts as a cliché or not, then just look at what it is, because at the end of the day, it is what it is.
CLEVERNESS INJECTION
Our fictional friend Sally took Jay Heinrichs' advice and injected some cleverness into her speech. She didn't want to go crazy and use every single strategy Heinrichs covered in his chapter…because that would dull the effect. Instead, she chose just a few places to inject some rhetorical flair.
This time, we've bolded the additions Sally made and explained her choices at the end:
[Intro to come]
Installing speakers on Main Street is a bad idea that will cause more problems than it will solve. I'd like to share three problems that are most significant to me as a tax-paying resident of Summerfield.
You'll hear, from those in favor of installing these speakers, that doing the same thing has boosted business in Winterton. That's certainly an issue we should consider here in Summerfield. But we should give equal weight to other issues, too.
First, I think broadcasting music along Winterton's Main Street feels tacky. Actually, no. It's not just me who thinks so. I spoke to fifteen Winterton residents, and nine of them—a majority—felt the same. It makes walking down the street feel like walking through a strip mall—or a dentist's office.The speakers have caused another unexpected problem in Winterton: they're expensive to maintain. Winterton has already spent five thousand dollars to repair speakers that were damaged. I read the police report about the incident. Turns out some teenagers didn't like the song that was playing, and took a baseball bat to three of the speakers. (By the way, the song was Daniel Powter's "Bad Day," which I think we all got sick of hearing ten years ago. Sounds like that really was a bad day, though.) But teenagers aren't the only thing that can cause damage. How much more money will Winterton spend to repair speakers damaged by storms or birds or impaired drivers—or who knows what else?
The speakers have also caused unnecessary problems between Winterton residents. I found twenty letters to the editor in the Gazette that suggest residents are unhappy with the speakers because of the volume of the music and the choice of songs. I'm friends with the woman who owns Winterton's coffee shop, and she told me that two residents got into a shouting match about the music in front of her shop one day. What effect do you think that had on her business? I'll tell you—it was the opposite of a boost.
[Conclusion to come]
Now let's identify the style strategy for each addition we made:
"Actually, no. It's not just me who thinks so."
This is an example of what Heinrichs called editing out loud. By correcting herself, Sally amplifies her argument while making it seem more fair and accurate—less like a personal beef and more like a popular, shared opinion.
"It makes just walking down the street feel like walking through a strip mall—or a dentist's office."
This is a familiar figure (it falls under the "trope" category, according to Heinrichs) that you may recognize as a simile. Just in case not everyone in the audience thinks walking through a strip-mall is all that bad, Sally also compared it to a dentist's office—because who doesn't dislike those?
"(By the way, the song was Daniel Powter's "Bad Day," which I think we all got sick of hearing ten years ago. Sounds like that really was a bad day, though.)"
This doesn't fall under any of the specific style strategies Heinrichs discussed, but when you've got the opportunity to make an easy joke and/or pop culture reference, why not take it? It also repeats the word "bad" several times, which is a key word from Sally's main idea ("speakers = bad idea").
"What effect do you think that had on her business? I'll tell you—it was the opposite of a boost."
This is a combination of two rhetorical strategies: the self-answering rhetorical question and the litotes, or ironic understatement. "The opposite of a boost" is an understatement, because what she really means is the argument was bad for business.
Hopefully, Sally's made her speech sound a little less dry. Maybe some audience members will even leave the council meeting with Daniel Powter's "Bad Day" in their heads.
It's a cruel trick, perhaps, but it gets the point across.