Directed by Sabrina Zhao
Sabrina Zhao is a filmmaker and artist from Sichuan, China.
Her films, driven by process, explore the harmony between nature and being through an abstract, non-narrative style.
She studied Film and Literature at NYU Abu Dhabi and holds an MFA in Film from York University.
Her films have been exhibited internationally at Berlinale, MoMA Doc Fortnight, Sharjah Film Platform.
Tarry not, O cloud is a feature length experimental film inspired by Kalidasa’s Sanskrit poem Meghaduta (The Cloud Messenger, 4th - 5th century CE) and Rick Jarow’s final publication, his study of the poem.
Kālidāsa’s Meghadūta (The Cloud Messenger) is one of the most celebrated works of classical Sanskrit literature, renowned for its lyrical beauty, emotional subtlety, and vivid geographic imagination.
The poem is divided into two sections:
1. Pūrva-megha (First Part):
A lovesick yakṣa, cursed to live in exile for a year, encounters a rain cloud over the Vindhya mountains. He implores the cloud to carry a message to his wife in Alakā (the celestial city of Kubera, in the Himalayas). This section meticulously describes the cloud’s journey across the Indian subcontinent.
2. Uttara-megha (Second Part):
The message itself, addressed to the yakṣa’s wife, expressing longing, fidelity, and hope, culminating in an intimate portrayal of separation (viraha).
Banished far from the one he desires, a delirious lover entrusts a passing cloud to deliver a message.
The lover imagines the cloud’s journey across terrains, bodies, and shifting seasons.
The cloud messenger does not travel directly, but drifts into diversions, where the route widens and feeling expands.
Soundtrack by Roberto Musci & Estelle Schorpp
Klara Debeljak
Museum of Contemporary Art Metelkova | +MSUM Ljubljana, Slovenia
The project brings together works by artists exploring the complexity of Ljubljana’s urban identity.
The video is based on the artist's research into gentrification using the example of Slovenia's changing Internet infrastructure, and attempts to draw parallels between the gentrification of the digital and urban spheres.
It is an illustration of the widespread and entwined phenomenon of the privatization of urban spaces, the Internet infrastructure, and supposedly public digital spaces.
The research suggests ways in which separate nodes of activity can connect with each other within a network of speculative infrastructures, and act generatively and productively against the across-the-board corporatization of our analog and digital living spaces.
The combined analytical and speculative thinking expresses a socially critical stance that encourages new ways of perceiving gentrification and offers possibilities for civic activism and hope, as well as the tactical use of media.
Video director : Klara Debeljak
Sound design : Tine Mulej Vrabič
Color correction : Timon Hozo
Graphic design : Lar Leskovar Nikolaj
Production : MSUM+
Soundtrack : Roberto Musci & Giovanni Venosta
A short dance film about dancing. It's about how you can get in touch with your intuition through dancing, by letting your body resonate . Soundtracks by Roberto Musci
" Sometimes we all desire to be far away from our comfort zone. We think that we don’t need to be necessarily so far off to feel miles away from the daily life. We are used to travel in such fast rhythm that we almost forget to have a closer look at what is surrounding us. It’s possible to travel deeper, slower with an open mind ".
Music by : Black Market Karma ,Desmond Cheese, Baba Sissoko , Doni Doni , Ezra Furman and Roberto Musci.
Alex Pelly is a Canadian filmmaker and video artist. She is currently immersed in video art that blends modular synthesis, analog feedback, and digital animation. Pelly came up through dublab, beginning to develop her analog process during the years of Top Tape, dublab’s monthly night at the Hyperion Tavern, where she mixed VHS tapes to accompany music mixed on cassette tapes. She is resident visualist for music series Perpetual Dawn, and provides live visuals and installation work for various shows, music nights and art happenings around Los Angeles. Soundtracks by Roberto Musci
A record to remember the beauty of the power of encounters ; the dream is still the last hope and the only lucidity .
Soundtracks by Roberto Musci
I created music, using some NKS vocal samples, modified and filtered with granular synthesis presets in reaktor + electric guitar with eventide eclipse + reaktor presets . I tried to give a sense of mystery to the images, changing the feeling of peace and nature they inspire.
" From the traditional gothic architecture of Venice to the contemporary themes of the Biennale. It was also great to have the opportunity to meet some great people around the field of Virtual and Augmented reality and to discuss in great depth about the future of the built environment within the digital world" . Tim Tang
Since 1980 Filmmaker has promoted independent cinematographic culture, supporting research and innovation in audiovisual production.
An exclusive feature of the Festival is the action aimed at encouraging the production of new works. To date, more than eighty films and videos have been made with his support.
Particular attention is paid to young people, new authors and those who choose to make "non-format" cinema.
Music by Roberto Musci & Giovanni Venosta
" Non chiederci la parola " by Italian film director Elisabetta Sgarbi
Locarno Festival 2002
Music composede by Roberto Musci, Giovanni Venosta and Massimo Mariani
" La dolce vita " : Vespa Sounds and images of the life in Italy in the 60' .
Berlin Akademie der Kunste 2003 .
Music by :
Mario Garuti , Massimo Mariani , Matteo Pennese , Walter Prati , Nicola Sani
Music & Video by:
Roberto Musci
Portuguese digital artist , was born in Braga, and lives and works in Lisbon , Portugal .
Author of 3D animation, videos, video installations, prints and music .
He made the 3D video "GT" with soundtrack by Roberto Musci & Giovanni Venosta
Rita incontra un amica (1999) by Italian film director Monica Castiglioni .
First Prize at Video Donna festival, Bologna 2000
Music composed by Giovanni Venosta and Roberto Musci
Pidjin (1997) by Italian film director Andrea Gropplero.
Music composed by Giovanni Venosta & Roberto Musci
Il giallo della palla verde nella stanza rossa (1996 ) by Italian film director Stefano Canzio
Special Award Milano Film Festival 1996
Music composed by Roberto Musci , Claudio Gabbiani and Roberto Zanisi
Intolleranze by Italian film director Riccardo Rovescalli .
Music by Claudio Gabbiani and Roberto Musci
Sounds and images of memory
1993-1996
Remembrance Day is an international observance, celebrated on 27 January each year as a day to commemorate the victims of the Holocaust.
It was so designated by resolution 60/7 of the United Nations General Assembly of 1 November 2005 during its 42nd plenary meeting.
The resolution was preceded by a special session held on 24 January 2005 during which the United Nations General Assembly celebrated the sixtieth anniversary of the liberation of the Nazi concentration camps and the end of the Shoah.
Music by Walter Prati , Claudio Gabbiani , Matteo Pennese and Roberto Musci
Based on Spoon River Anthology by Edgar Lee Masters
3D computer graphics: Alessandro Amaducci, Celestino Gianotti, Marco Fantozzi, Alessandro Canu
Original music: Roberto Musc i, Giovanni Venosta, Massimo Mariani , Ruggero Tajè , Alessandro Amaducci , Sadist , Chinese Roulette .
L'aria serena dell'ovest ( 1990 ) by Italian film director Silvio Soldini .
Music by : Giovanni Venosta , and , in some tracks, Roberto Musci .
Plessi video-going on December1985 Fabrizio Plessi introduces to the Rotunda of the Besana in Milan his great anthological in Italy, that is the first show of environmental multimedia in Italy. Music by Roberto Musci and Walter Prati