Sub_Bar is an immersive sound project dedicated to the physical perception of low frequencies. Conceived as a listening environment rather than a conventional concert, the project explores sound as vibration, pressure, resonance and embodied experience.
Using powerful subwoofer systems, Sub_Bar works with very low frequencies that can be perceived through the body as well as that can be perceived physically as well as aurally. The result is a multisensory performance in which sound is felt in the chest, stomach, spine and skin, creating a meditative, tactile and occasionally trance-like form of listening.
The project creates a shared space for audiences with different hearing abilities, allowing music to be experienced beyond the limits of conventional auditory perception.
Presented by: Eufonia
Year: 2026
Format: Immersive sub-bass performance
Duration: approximately 60–90 minutes
Frequency range: approximately 1–150 Hz
Sub_Bar #2 is a special immersive music event designed around sub-bass frequencies and bodily listening. Rather than relying on conventional full-range loudspeaker systems, the performance uses a dedicated subwoofer setup to generate deep vibrations that travel through the room, the floor and the body.
Audiences may sit or lie down in a dark or minimal environment, surrounded by low-frequency sound waves. The experience is designed to shift listening from the ear alone to the whole body, turning bass frequencies into a tactile and spatial material.
The performance invites the audience to experience sound as a physical field: a vibration that can be felt, inhabited and shared.
Presented by: Eufonia
Year: 2025
Work: “Khayal”
Artist: Roberto Musci
Format: Sub-bass listening installation / live performance
Location: Illuseum Berlin
Eufonia is an interdisciplinary platform exploring the relationship between art, science and culture through sound.
In May 2025, Roberto Musci presented “Khayal” as part of a live performance at Illuseum Berlin, the Museum for the Senses. The work was experienced in a dedicated room equipped with a subwoofer system, allowing the audience to physically perceive frequencies between approximately 20 and 150 Hz.
“Khayal” transforms low-frequency sound into a bodily and spatial experience. Through vibration, resonance and deep bass pressure, the work investigates how music can be perceived not only through hearing, but also through touch, movement and internal sensation.