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Mr Hopkins Lang and Lit
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        • Thesis Statements
      • Conclusions
  • Analyzing Literature
    • Elements of Literature
      • Plot
      • Theme
      • Tone
      • Setting
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      • Point of View
      • Symbolism
    • Literary Devices
      • Metaphors
      • Similes
      • Personification
      • Imagery
      • Lexical Choice/Diction
      • Sound Devices
      • Structural Devices
      • Pathetic Fallacy
      • Visual Metaphors
    • Analyzing Non-Fiction
      • CLAP STONE Analysis
      • GRASP the text
      • Rhetorical Appeals
      • Rhetorical Devices
    • Other Text Types
      • Analyzing Graphic Novels
      • Analyzing Cinema and TV
  • Critical Lenses
    • Marxist Theory
      • Karl Marx
      • Antonio Gramsci
      • Louis Althusser
      • Proletariat
      • Bourgeoisie
      • Ideology
      • False Consciousness
      • Class Consciousness
      • Class Struggle
      • Alientation
      • Cultural Hegemony
      • Ideological State Apparatuses (ISAs)
      • Repressive State Apparatuses (RSAs)
    • Feminist Theory
      • Sex vs. Gender
      • Patriarchy and Patriarchal Ideology
      • Misogyny and Internalized Misogyny
      • Hegemonic Masculinity
      • Toxic Masculinity
      • The Male Gaze
    • Postcolonial Theory
      • Colonial Ideology
      • Colonial vs Postcolonial Literature
      • The Subaltern
      • Ambivalence
      • "Otherness"
      • Mimicry
      • Hybridization
  • Channels of interest to a literature student
    • Wisecrack
    • Crash Course
    • Nerdwriter1
    • The Take
    • Pop Culture Detective
    • Vox
    • Broey Deschanel
    • Genius
    • Storied
    • Every Frame a Painting
Mr Hopkins Lang and Lit
  • Home
  • Writer's Toolbox
    • Paragraph Structure
      • CLaims
      • Evidence
      • Analysis
      • Relate Sentences
      • Paragraph Structure
    • Essay Structure
      • Introductions
        • Hooks
        • Bridges
        • Thesis Statements
      • Conclusions
  • Analyzing Literature
    • Elements of Literature
      • Plot
      • Theme
      • Tone
      • Setting
      • Characterization
      • Point of View
      • Symbolism
    • Literary Devices
      • Metaphors
      • Similes
      • Personification
      • Imagery
      • Lexical Choice/Diction
      • Sound Devices
      • Structural Devices
      • Pathetic Fallacy
      • Visual Metaphors
    • Analyzing Non-Fiction
      • CLAP STONE Analysis
      • GRASP the text
      • Rhetorical Appeals
      • Rhetorical Devices
    • Other Text Types
      • Analyzing Graphic Novels
      • Analyzing Cinema and TV
  • Critical Lenses
    • Marxist Theory
      • Karl Marx
      • Antonio Gramsci
      • Louis Althusser
      • Proletariat
      • Bourgeoisie
      • Ideology
      • False Consciousness
      • Class Consciousness
      • Class Struggle
      • Alientation
      • Cultural Hegemony
      • Ideological State Apparatuses (ISAs)
      • Repressive State Apparatuses (RSAs)
    • Feminist Theory
      • Sex vs. Gender
      • Patriarchy and Patriarchal Ideology
      • Misogyny and Internalized Misogyny
      • Hegemonic Masculinity
      • Toxic Masculinity
      • The Male Gaze
    • Postcolonial Theory
      • Colonial Ideology
      • Colonial vs Postcolonial Literature
      • The Subaltern
      • Ambivalence
      • "Otherness"
      • Mimicry
      • Hybridization
  • Channels of interest to a literature student
    • Wisecrack
    • Crash Course
    • Nerdwriter1
    • The Take
    • Pop Culture Detective
    • Vox
    • Broey Deschanel
    • Genius
    • Storied
    • Every Frame a Painting
  • More
    • Home
    • Writer's Toolbox
      • Paragraph Structure
        • CLaims
        • Evidence
        • Analysis
        • Relate Sentences
        • Paragraph Structure
      • Essay Structure
        • Introductions
          • Hooks
          • Bridges
          • Thesis Statements
        • Conclusions
    • Analyzing Literature
      • Elements of Literature
        • Plot
        • Theme
        • Tone
        • Setting
        • Characterization
        • Point of View
        • Symbolism
      • Literary Devices
        • Metaphors
        • Similes
        • Personification
        • Imagery
        • Lexical Choice/Diction
        • Sound Devices
        • Structural Devices
        • Pathetic Fallacy
        • Visual Metaphors
      • Analyzing Non-Fiction
        • CLAP STONE Analysis
        • GRASP the text
        • Rhetorical Appeals
        • Rhetorical Devices
      • Other Text Types
        • Analyzing Graphic Novels
        • Analyzing Cinema and TV
    • Critical Lenses
      • Marxist Theory
        • Karl Marx
        • Antonio Gramsci
        • Louis Althusser
        • Proletariat
        • Bourgeoisie
        • Ideology
        • False Consciousness
        • Class Consciousness
        • Class Struggle
        • Alientation
        • Cultural Hegemony
        • Ideological State Apparatuses (ISAs)
        • Repressive State Apparatuses (RSAs)
      • Feminist Theory
        • Sex vs. Gender
        • Patriarchy and Patriarchal Ideology
        • Misogyny and Internalized Misogyny
        • Hegemonic Masculinity
        • Toxic Masculinity
        • The Male Gaze
      • Postcolonial Theory
        • Colonial Ideology
        • Colonial vs Postcolonial Literature
        • The Subaltern
        • Ambivalence
        • "Otherness"
        • Mimicry
        • Hybridization
    • Channels of interest to a literature student
      • Wisecrack
      • Crash Course
      • Nerdwriter1
      • The Take
      • Pop Culture Detective
      • Vox
      • Broey Deschanel
      • Genius
      • Storied
      • Every Frame a Painting

Every Frame a Painting

Every Frame a Painting was a series of video essays about film form, made from April 2014 to September 2016, by Taylor Ramos and Tony Zhou.

Example: Edgar Wright - How to Do Visual Comedy

If you love visual comedy, you gotta love Edgar Wright, one of the few filmmakers who is consistently finding humor through framing, camera movement, editing, goofy sound effects and music. This is an analysis and appreciation of one of our finest comedic voices.

Example: The Marvel Symphonic Universe

Off the top of your head, could you sing the theme from Star Wars? How about James Bond? Or Harry Potter? But here’s the kicker: can you sing any theme from a Marvel film? Despite 13 films and 10 billion dollars at the box office, the Marvel Cinematic Universe lacks a distinctive musical identity or approach. So let’s try to answer the question: what is missing from Marvel music?

Example: David Fincher - And the Other Way is Wrong

For sheer directorial craft, there are few people working today who can match David Fincher. And yet he describes his own process as “not what I do, but what I don’t do.” Join me today in answering the question: What does David Fincher not do?

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