Frédéric François Chopin (né sous le nom polonais : Fryderyk Franciszek Chopin, parfois polonisé Szopen ; au xixe siècle, la graphie Szopę a été utilisée en Pologne en concurrence avec la graphie Chopin) est un compositeur et pianiste virtuose d'ascendance franco-polonaise, né en 1810 à Żelazowa Wola, sur le territoire du duché de Varsovie (actuellement en Pologne), et mort en 1849 à Paris.
Issu du côté de son père d'une famille lorraine originaire de Marainville-sur-Madon, après sa formation au Conservatoire de Varsovie et un début de carrière en Pologne et à Vienne, il choisit d'émigrer en France où il développe son inspiration dans l'effervescence du monde pianistique parisien et dans le souvenir de sa patrie meurtrie. Il y rencontre George Sand, qui sera sa compagne pendant neuf ans.
Reconnu comme l'un des plus grands compositeurs de musique de la période romantique, Frédéric Chopin est aussi l'un des plus célèbres pianistes du xixe siècle. Sa musique est encore aujourd'hui l'une des plus jouées et demeure un passage indispensable à la compréhension du répertoire pianistique universel. Avec Franz Liszt, il est le père de la technique moderne de son instrument et influence toute une lignée de compositeurs tels que Gabriel Fauré, Claude Debussy, Maurice Ravel, Alexandre Scriabine, Sergueï Rachmaninov, ou Olivier Messiaen.....Suite
https://fr.wikipedia.org/wiki/Fr%C3%A9d%C3%A9ric_Chopin
BIOGRAPHIE: http://www.musicologie.org/Biographies/chopin.html
Frédéric François Chopin (born under the Polish name: Fryderyk Franciszek Chopin, sometimes Polish Szopen; in the 19th century, the Szopę script was used in Poland in competition with the Chopin script) is a virtuoso composer and pianist of Franco-Polish descent, born in 1810 in Żelazowa Wola, on the territory of the Duchy of Warsaw (currently in Poland), and died in 1849 in Paris.
Coming from his father's side of a Lorraine family from Marainville-sur-Madon, after his training at the Warsaw Conservatory and a start of his career in Poland and Vienna, he chose to emigrate to France where he developed his inspiration in the effervescence of the Parisian piano world and in the memory of his battered homeland. There he meets George Sand, who will be his companion for nine years.
Recognized as one of the greatest composers of music of the Romantic period, Frédéric Chopin is also one of the most famous pianists of the 19th century. His music is still today one of the most played and remains an essential passage to the understanding of the universal pianistic repertoire. With Franz Liszt, he is the father of the modern technique of his instrument and influences a whole line of composers such as Gabriel Fauré, Claude Debussy, Maurice Ravel, Alexandre Scriabin, Sergei Rachmaninov, or Olivier Messiaen ..... Continue
https://fr.wikipedia.org/wiki/Fr%C3%A9d%C3%A9ric_Chopin
BIOGRAPHIE: http://www.musicologie.org/Biographies/chopin.html
BALLADES
no.1 - Op.23: G-minor (1835)
no.2 - Op.38: F-major (1839)
no.3 - Op.47: Ab-major (1841)
no.4 - Op.52: F-minor (1842 - 1843)
ETUDES
no.1 - Op.10 no.1: C-major (1830 - 1832)
no.2 - Op.10 no.2: A-minor (1830 - 1832)
no.3 - Op.10 no.3: E-major (1830 - 1832)
no.4 - Op.10 no.4: C#-minor (1830 - 1832)
no.5 - Op.10 no.5: Gb-major (1830 - 1832)
no.6 - Op.10 no.6: Eb-minor (1830 - 1832)
no.7 - Op.10 no.7: C-major (1830 - 1832)
no.8 - Op.10 no.8: F-major (1830 - 1832)
no.9 - Op.10 no.9: F-minor (1830 - 1832)
no.10 - Op.10 no.10: Ab-major (1830 - 1832)
no.11 - Op.10 no.11: Eb-major (1830 - 1832)
no.12 - Op.10 no.12: C-minor (1830 - 1832)
no.13 - Op.25 no.1: Ab-major (1835 - 1837)
no.14 - Op.25 no.2: F-minor (1835 - 1837)
no.15 - Op.25 no.3: F-major (1835 - 1837)
no.16 - Op.25 no.4: A-minor (1835 - 1837)
no.17 - Op.25 no.5: E-minor (1835 - 1837)
no.18 - Op.25 no.6: G#-minor (1835 - 1837)
no.19 - Op.25 no.7: E-major (1835 - 1837)
no.20 - Op.25 no.8: Db-major (1835 - 1837)
no.21 - Op.25 no.9: Gb-major (1835 - 1837)
no.22 - Op.25 no.10: B-minor (1835 - 1837)
no.23 - Op.25 no.11: A-minor (1835 - 1837)
no.24 - Op.25 no.12: C-minor (1835 - 1837)
no.25 - Op.posth. Nouelles Etüde No.1: F-minor (1839)
no.26 - Op.posth. Nouelles Etüde No.2: Ab-major (1839)
no.27 - Op.posth. Nouelles Etüde No.3: Db-major (1839)
MUSIQUE DE CHAMBRE
no.1 - Op.3: C-major (1829 - 1830)
no.2 - Op.8: G-minor (1828 - 1829)
no.3 - Op.posth: E-major (1831)
IMPROMPTUS
no.1 - Op.29: Ab-major (1839)
no.2 - Op.36: F#-major (1839)
no.3 - Op.51: Gb-major (1842)
no.4 - Op.66: C#-minor (1834)
RONDOS
no.1 - Op.1: C-minor (1825)
no.2 - Op.5: F-major (1826)
no.3 - Op.14: F-major (1827-28)
no.4 - Op.16: C-minor, Eb-minor (1832-1833)
no.5 - Op.73: C-major (1828 - 2 pianos, 1840 - 1 piano)
SCHERZO
no.1 - Op.20: B-minor (1835)
no.2 - Op.31:Bb-minor (1837)
no.3 - Op.39:C#-minor (1839)
no.4 - Op.54: E-major (1842-1843)
TRAVAUX DIVERS
no.1 - Op.13 Fantasy on Polish Air: A-major (1828)
no.2 - Op.19 Bolero: C-major, A-major (1833)
no.3 - Op.43 Tarantelle: Ab-major (1841)
no.4 - Op.46 Allegro de concert: A-major (1834 - 1841)
no.5 - Op.49 Fantasie: F-minor, Ab-major (1841)
no.6 - Op.57 Berceuse: Db-major (1844)
no.7 - Op.60 Barcarolle: F#-major (1845 - 1846)
no.8 - Op.71 Ecossaise no.1: D-major (1828)
no.9 - Op.71 Ecossaise no.2: G-minor (1828)
no.10 - Op.71 Ecossaise no.3: Db-major (1828)
no.11 - Op.posth Funeral March: C-minor (1826)
no.12 - Op.posth. Albumblatt: E-major (1843)
no.13 - Op.posth. Contradance: Gb-major (1827)
no.14 - Op.posth. Galup Marquis: Db-major (
no.15 - Op.posth. Contrabass part to a 3-part Canon: E-major (1832)
no.16 - Op.posth. Cantabile: Bb-major (1834)
no.17 - Op.posth. Canon: F-minor (1839)
no.18 - Op.posth. Fugue: A-minor (1841)
no.19 - Op.posth. Bourree 1: A-major (1846)
no.20 - Op.posth. Bourree 2: G-major (1846)
no.21 - Op.posth. Largo: Eb-major (1847)
SONATES
Sonata no.1 - Op.4: C-minor (1827-1828)
Sonata no.2 - Op.35: Bb-minor (1837, 1839)
Sonata no.3 - Op.58: B-minor (1844)
Sonata no.4 - Op.65: G-minor (1845-1846)
VARIATIONS
no.1 - Op.2: Bb-minor (1827)
no.2 - Op.12: Bb-major (1833)
no.3 - Op.posth: E-major (1824)
no.4 - Op.posth: D-major (1826)
no.5 - Op.posth: A-major (1829)
no.6 - Op.posth: E-major (1832)
no.7 - Op.posth: E-major (1837)
MAZURKAS
no.1 - Op.6 no.1: F#-minor (1830 - 1832)
no.2 - Op.6 no.2: C#-minor (1830 - 1832)
no.3 - Op.6 no.3: E-major (1830 - 1832)
no.4 - Op.6 no.4: Eb-minor (1830 - 1832)
no.5 - Op.7 no.1: Bb-major (1830 - 1832)
no.6 - Op.7 no.2: A-major (1830 - 1832)
no.7 - Op.7 no.3: F-major (1830 - 1832)
no.8 - Op.7 no.4: Ab-major (1830 - 1832, first version 1825)
no.9 - Op.7 no.5: C-major (1830 - 1832)
no.10 - Op.17 no.1: Bb-major (1833)
no.11 - Op.17 no.2: E-minor (1833)
no.12 - Op.17 no.3: Ab-major (1833)
no.13 - Op.17 no.4: A-minor (1833)
no.14 - Op.24 no.1: G-minor (1833)
no.15 - Op.24 no.2: C-major (1833)
no.16 - Op.24 no.3: Ab-major (1833)
no.17 - Op.24 no.4: Bb-minor (1833)
no.18 - Op.30 no.1: C-minor (1837)
no.19 - Op.30 no.2: B-minor (1837)
no.20 - Op.30 no.3: Db-major (1837)
no.21 - Op.30 no.4: C#-minor (1837)
no.22 - Op.33 no.1: G#-minor (1838)
no.23 - Op.33 no.2: D-major (1838)
no.24 - Op.33 no.3: C-major (1838)
no.25 - Op.33 no.4: B-major (1838)
no.26 - Op.41 no.1: E-minor (1838 - 1839)
no.27 - Op.41 no.2: B-major (1838 - 1839)
no.28 - Op.41 no.3: Ab-major (1838 - 1839)
no.29 - Op.41 no.4: C#-minor (1838 - 1839)
no.30 - Op.50 no.1: G-major (1842)
no.31 - Op.50 no.2: Ab-major (1842)
no.32 - Op.50 no.3: C#-minor (1842)
no.33 - Op.56 no.1: B-major (1843 - 1844)
no.34 - Op.56 no.2: C-major (1843 - 1844)
no.35 - Op.56 no.3: C-minor (1843 - 1844)
no.36 - Op.59 no.1: A-minor (1845)
no.37 - Op.59 no.2: Ab-major (1845)
no.38 - Op.59 no.3: F#-minor (1845)
no.39 - Op.63 no.1: B-major (1846)
no.40 - Op.63 no.2: F-minor (1846)
no.41 - Op.63 no.3: C#-minor (1846)
no.42 - Op.67 no.1: G-major (1835)
no.43 - Op.67 no.2: G-minor (1848 - 1849)
no.44 - Op.67 no.3: C-major (1835)
no.45 - Op.67 no.4: A-minor (1846)
no.46 - Op.68 no.1: C-major (1830)
no.47 - Op.68 no.2: A-minor (1827)
no.48 - Op.68 no.3: F-major (1830)
no.49 - Op.68 no.4: F-minor (1849)
no.50 - Op.posth: D-major (1820)
no.51 - Op.posth: Bb-major (1825 - 1826)
no.52 - Op.posth: G-major (1825 - 1826)
no.53 - Op.posth: Bb-major (1832)
no.54 - Op.posth: C-major (1833)
no.55 - Op.posth: Ab-major (1834)
no.56 - Op.posth: A-minor (1839, Notre Temps)
no.57 - Op.posth: A-minor (1840)
no.58- Op.posth: A-minor (1840, Mazurka A Emile Gaillard)
no.59 - Op.posth: Bb-major ( Mazurka Dabrowski)
NOCTURNES
no.1 - Op.9 no.1: Bb-minor (1830)
no.2 - Op.9 no.2: Eb-major (1830)
no.3 - Op.9 no.3: B-major (1830)
no.4 - Op.15 no.1: F-major (1830 - 1832)
no.5 - Op.15 no.2: F#-major (1830 - 1832)
no.6 - Op.15 no.3: G-minor (1830 - 1832)
no.7 - Op.27 no.1: C#-minor (1835)
no.8 - Op.27 no.2: Db-major (1835)
no.9 - Op.32 no.1: B-major (1837)
no.10 - Op.32 no.2: Ab-major (1837)
no.11 - Op.37 no.1: G-minor (1838 - 1839)
no.12 - Op.37 no.2: G-major (1838 - 1839)
no.13 - Op.48 no.1: C-minor (1841)
no.14 - Op.48 no.2: F#-major (1841)
no.15 - Op.55 no.1: F-minor (1842 - 1844)
no.16 - Op.55 no.2: Eb-major (1842 - 1844)
no.17 - Op.62 no.1: B-major (1846)
no.18 - Op.62 no.2: E-major (1846)
no.19 - Op.72: E-minor (1827)
no.20 - Op.posth: C#-minor (1830)
no.21 - Op.posth: C-minor (1837)
CONCERTOS
no.1 - Op.11: E-minor (1830)
no.2 - Op.21: F-minor (1830)
POLONAISES
no.1 - Op.22: G-major, Eb-major (1830-1835)
no.2 - Op.26 no.1: C#-minor (1835)
no.3 - Op.26 no.2: Eb-minor (1835)
no.4 - Op.40 no.1: A-major (1838-1839)
no.5 - Op.40 no.2: C-minor (1838-1839)
no.6 - Op.44: F#-minor (1841)
no.7 - Op.53: Ab-major (1842-1843)
no.8 - Op.61: Ab-major (1846)
no.9 - Op.71 no.1: D-minor (1827-1828)
no.10 - Op.71 no.2: Bb-major (1828)
no.11 - Op.71 no.3: F-minor (1828)
no.12 - Op.posth: Bb-major (1817)
no.13 - Op.posth: G-minor (1817)
no.14 - Op.posth: Ab-major (1821)
no.15 - Op.posth: G#-minor (1824)
no.16 - Op.posth: Bb-minor (1826)
no.17 - Op.posth: Gb-minor (1829)
PRELUDES
no.1 - Op.28 no.1: C-major (1838-1839)
no.2 - Op.28 no.2: A-minor (1838-1839)
no.3 - Op.28 no.3: G-major (1838-1839)
no.4 - Op.28 no.4: E-minor (1838-1839)
no.5 - Op.28 no.5: D-major (1838-1839)
no.6 - Op.28 no.6: B-minor (1838-1839)
no.7 - Op.28 no.7: A-major (1838-1839)
no.8 - Op.28 no.8: F#-minor (1838-1839)
no.9 - Op.28 no.9: E-major (1838-1839)
no.10 - Op.28 no.10: C#-minor (1838-1839)
no.11 - Op.28 no.11: B-major (1838-1839)
no.12 - Op.28 no.12: G#-minor (1838-1839)
no.13 - Op.28 no.13: F#-major (1838-1839)
no.14 - Op.28 no.14: Eb-minor (1838-1839)
no.15 - Op.28 no.15: Db-major (1838-1839)
no.16 - Op.28 no.16: Bb-minor (1838-1839)
no.17 - Op.28 no.17: Ab-major (1838-1839)
no.18 - Op.28 no.18: F-minor (1838-1839)
no.19 - Op.28 no.19: Eb-major (1838-1839)
no.20 - Op.28 no.20: C-minor (1838-1839)
no.21 - Op.28 no.21: Bb-major (1838-1839)
no.22 - Op.28 no.22: G-minor (1838-1839)
no.23 - Op.28 no.23: F-major (1838-1839)
no.24 - Op.28 no.24: D-minor (1838-1839)
no.25 - Op.45: C#-minor (1841)
no.26 - Op.posth: Ab-major (1834)
no.27 - Op.posth: Eb-minor (1839, Devils Trill)
VALSES
no.1 - Op.18: Eb-major (1831-1832)
no.2 - Op.34 no.1: Ab-major (1835)
no.3 - Op.34 no.2: A-minor (1834)
no.4 - Op.34 no.3: F-major (1838)
no.5 - Op.42: Ab-major (1840)
no.6 - Op.64 no.1: Db-major (1847)
no.7 - Op.64 no.2: C#-minor (1847)
no.8 - Op.64 no.3: Ab-major (1847)
no.9 - Op.69 no.1: Ab-major (1835)
no.10 - Op.69 no.2: B-minor (1829)
no.11 - Op.70 no.1: Gb-major (1832)
no.12 - Op.70 no.2: F-minor (1842)
no.13 - Op.70 no.3: Db-major (1829)
no.14 - Op.posth: E-minor (1829)
no.15 - Op.posth: E-major (1830)
no.16 - Op.posth: Ab-major (1830)
no.17 - Op.posth: Eb-major (1830)
no.18 - Op.posth: Eb-major (1840)
no.19 - Op.posth: A-minor (1847)
no.20 - Op.posth: F#-minor (1838?)
COMPOSITIONS A PARTIR DE POEMES
no.1 - Op.74 Song 1 Zyczenie by Witwicki: G-major (1829)
no.2 - Op.74 Song 2 Wiosna by Witwicki: G-minor (1838)
no.3 - Op.74 Song 3 Smutna rzeka by Witwicki: F#-minor (1831)
no.4 - Op.74 Song 4 Hulanka by Witwicki: C-major (1830)
no.5 - Op.74 Song 5 Gdzie lubi by Witwicki: A-major (1829)
no.6 - Op.74 Song 6 Precz z moich oc by Mickiewicz: Ab-major (1827)
no.7 - Op.74 Song 7 Posel by Witwicki: D-major (1831)
no.8 - Op.74 Song 8 Sliczby chlopiec by Zaleski: D-major (1841)
no.9 - Op.74 Song 9 Melodia by Krasinski: E-minor (1847)
no.10 - Op.74 Song 10 Wojak by Witwicki: Ab-major (1831)
no.11 - Op.74 Song 11 Dwojaki koniec by Zalesli: D-minor (1845)
no.12 - Op.74 Song 12 Moja pieszcotka by Mickiewicz: Gb-major (1837)
no.13 - Op.74 Song 13 Nie ma czego trzeba by Zaleski: A-minor (1845)
no.14 - Op.74 Song 14 Pierscien by Witwicki: Eb-major (1836)
no.15 - Op.74 Song 15 Narzeczony by Witwicki: A-minor (1831)
no.16 - Op.74 Song 16 Pionska Litewska by Witwicki: F-major (1831)
no.17 - Op.74 Song 17 Spiew Grobowy by Pol: Eb-minor (1836)
no.18 - Op.74 Song 18 Enchantment : D-minor
no.19 - Op.74 Song 19 Reverie : A-minor
no.20 - Op.posth. Dumka by Chopin: A-minor (1840)