【13】曾秋桂氏「AI技術と協働するクリエイティブな村上春樹文学研究 」　 

　日時：2026年1月24日（土）10時半～12時 

　場所：京都経済センター３階　KOIN　https://open.kyoto/access/ 　　　　

　　　　オンライン中継なし

　参加申し込み：https://forms.gle/FLd1qNAbZsYaK3X89

　懇親会：レクチャー終了後にランチ懇親会をおこないます

　　　　　懇親会の締切は1月19日（月）

　共催：「一般社団法人京都知恵産業創造の森」 

【論文】

• 山根由美恵「『象』から『像』へ ――村上春樹「象の消滅」論――」

• 楊炳菁・関氷氷 「『クローズド・サーキット』をめぐる冒険――『羊をめぐる冒険』におけるもう一つの物語」　

 【自著紹介】

• 仁平千香子『読めない人のための村上春樹入門』

• 藤城孝輔『村上シネマ――村上春樹と映画アダプテーション』

• 落合貞夫『高松が舞台になった村上春樹「海辺のカフカ」』

Call for Submissions: MURAKAMI REVIEW (English-Language Edition, 2025)

MURAKAMI REVIEW—the peer-reviewed, open-access journal published by the Murakami Haruki Research Forum—welcomes submissions for its forthcoming English-language issue. The journal is hosted on the Forum’s official website, archived in Kyoto University’s academic
repository KURENAI, and indexed through CiNii.

The inaugural English-language edition of Murakami Review will focus on the theme “Murakami and Film.” We welcome scholarly essays and reviews that engage with this topic from a wide range of critical perspectives. Scholars interested in contributing a review are asked
to contact the editor in advance.

The submission deadline is June 30. Essays that successfully pass peer review will be published in late 2026.

Inquiries regarding the English editions of Murakami Review should be directed to the Murakami Review Editorial Board via Dr. Jonathan Dil, Department of Foreign Languages and Liberal Arts, Faculty of Science and Technology, Keio University.
Email: dil☆keio.jp

The editorial office of Murakam Review is located in Dr. Motohiro Kojima’s office, Graduate School of Human and Environmental Studies, Kyoto University.

Submission Guidelines for English Essays and Reviews

1. Deadline

Deadlines for English editions will be announced for each issue.

2. Originality

In principle, submissions must be unpublished and not under review elsewhere. English translations of essays originally published in Japanese or other languages will be considered with the proper permissions.

3. Use of AI Translation

One of the goals of the Murakami Forum and Murakami Review is to foster dialogue between Murakami scholars working in different languages. We recognize AI as a powerful tool in this endeavor and welcome the use of AI translation by scholars working in other languages who wish to share their work with English-speaking audiences. While the editorial board cannot provide English translations of essays, we are happy to proofread and edit AI-assisted translations of essays originally written in Japanese or other languages to ensure they meet the publication standards of the Murakami Review. A short acknowledgement should be included in the footnotes when AI translation has been used.

4. Length

• Essays: 5,000–11,000 words (including notes and references)

• Book Reviews: 1,000–3,000 words

5. Formatting and Style

• Use the latest edition of MLA Style for citations and references.

• Use Hepburn romanization for Japanese terms and names.

• Follow Japanese name order (family name first, given name second).

• Use Times New Roman, 12-point font, double-spaced.

• Footnotes are permitted. Note numbers in the text should be indicated as superscripts (e.g., ¹, ²).

• Include a reference list at the end, containing only works cited or discussed in the text.

6. Figures and Images

If you wish to include tables, figures, or photographs, please obtain prior permission from the copyright holder and submit the corresponding digital files separately.

7. Abstract

Include an English abstract of approximately 150 words.

8. File Format and Submission

Save your manuscript as a Word (.doc or .docx) or Rich Text Format (.rtf) file and send it by email to dil☆keio.jp. Please use the subject line “MURAKAMI REVIEW Submission.”

9. Review Process

The editorial board will make the final decision on acceptance after review and discussion. The board may request revisions prior to publication.

10. Proofreading

Authors will have one opportunity to proofread their work. Only typographical or factual corrections are permitted at this stage; substantive changes to content are not allowed.

11. Copyright

By submitting to MURAKAMI REVIEW, authors grant the Murakami Haruki Research Forum permission to exercise the rights of reproduction (including digitization) and public transmission (including online publication) of their work.

弊会の運営メンバーたちが企画した『我々の星のハルキ・ムラカミ文学ー惑星的思考と日本的思考』（彩流社）が本日刊行されました。国内外のさまざまな分野の執筆陣の協力のもとに作成されています。

編著：小島基洋、山﨑真紀子、髙橋龍夫、横道誠

はじめに

ー「日本」の村上と「惑星」のムラカミ

（小島基洋）

◉翻訳◉

第１章 　ヨーロッパに浮かぶ二つの月

ー村上春樹『１Q８４』を翻訳すること

（アンナ・ジェリンスカ＝エリオット、メッテ・ホルム）

第２章 　村上春樹『国境の南、太陽の西』の新旧ドイツ語訳

（横道誠）

第３章　 一九八五年の「相棒」とは誰だったのか

ー短編「パン屋再襲撃」の翻訳をめぐって

（小島基洋）

◉歴史／物語（hi/story）◉

第４章　『海辺のカフカ』における時空

ー『海辺のカフカ』における時空

（髙橋龍夫）

第５章　 村上春樹作品にみる「神話的思考」と物語の構造

（内田康）

◉海外作家◉

第６章　『羊をめぐる冒険』をめぐるゴールド・ラッシュの点と線

ー初期三部作に刻まれたジャック・ロンドンの痕跡

（星野智之）

第７章　 ここは僕の場所でもない

ーフィッツジェラルドからチャンドラー、そして村上へ

（ジョナサン・ディル）

◉紀行◉

第８章　 村上春樹の紀行文と小説における相互影響について

ーなぜ『多崎つくる』は名古屋にもフィンランドにも「行かずに」書かれたか

（林真）

第９章　『ノルウェイの森』誕生の地ローマ・トレコリレジデンス探訪記

ー村上春樹『遠い太鼓』から探るローマで誕生した意味（山﨑真紀子）

第10章　『海辺のカフカ』を歩く

ー舞台としての香川・高松

（髙橋龍夫）

◉村上春樹関係年譜◉（平野芳信）

おわりに

ー加藤典洋「的思考」と村上／ムラカミ批評の未来

（小島基洋）

本書はJSPS科研費JP19K00516（代表・小島基洋）

の助成を受けたものです。