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Thunderbolts* is a 2025 American superhero film based on Marvel Comics featuring the team Thunderbolts. Produced by Marvel Studios and distributed by Walt Disney Studios Motion Pictures, it is the 36th film in the Marvel Cinematic Universe (MCU). The film was directed by Jake Schreier from a screenplay by Eric Pearson and Joanna Calo, and stars an ensemble cast featuring Florence Pugh, Sebastian Stan, Wyatt Russell, Olga Kurylenko, Lewis Pullman, Geraldine Viswanathan, Chris Bauer, Wendell Pierce, David Harbour, Hannah John-Kamen, and Julia Louis-Dreyfus. In the film, a group of antiheroes are caught in a deadly trap and forced to work together on a dangerous mission.
Marvel Studios first teased the formation of a Thunderbolts team within the MCU in 2021. The film was revealed to be in development in June 2022, when Schreier and Pearson were attached. The main cast was revealed in September, with additional casting through early 2023. Lee Sung Jin joined to rewrite the script by March 2023, one of several creatives who returned to work with Schreier from the Netflix series Beef (2023–present). Production was delayed due to the 2023 Hollywood labor disputes, causing some cast changes in early 2024. Calo joined by then for further rewrites. Filming took place from February to June 2024 at Trilith Studios and Atlanta Metro Studios in Atlanta, Georgia, and also on location in Utah and Kuala Lumpur.
Thunderbolts* premiered on April 22, 2025, at the Cineworld Leicester Square in London, England, and was released in the United States on May 2, as the final film of Phase Five of the MCU. The film's ending reveals that the Thunderbolts team is rebranded as the "New Avengers", with the end credits revealing the alternate title, The New Avengers; following the film's opening weekend, Marvel Studios began marketing it with that title. Thunderbolts* received positive reviews from critics, and has grossed $165.5 million, becoming the eighth-highest-grossing film of 2025.
Florence Pugh as Yelena Belova
Violet McGraw reprises her role as a young Yelena from the film Black Widow (2021).
Geraldine Viswanathan as Mel
Chris Bauer as Holt
Wendell Pierce as Gary
Additionally, Gabrielle Byndloss reprises her role as Walker's wife Olivia from The Falcon and the Winter Soldier.
In Malaysia, Yelena Belova destroys a laboratory on behalf of CIA director Valentina Allegra de Fontaine to conceal her involvement with the O.X.E. Group's "Sentry" superhuman project. As de Fontaine faces imminent impeachment for her work with O.X.E. Group, she dispatches Yelena, John Walker, Ava Starr, and Taskmaster to a covert O.X.E. facility under the pretense of a mission. Once there, the operatives are pitted against one another in a deadly confrontation where Ava kills Taskmaster before they unexpectedly discover a mysterious man named Bob. Upon learning that they were sent by de Fontaine to be incinerated along with any evidence of her misconduct, they manage to escape from the trap.
De Fontaine learns that the group has survived, including Bob, who was presumed dead during the Sentry trials. When she arrives at the site, Bob creates a diversion by drawing enemy fire, allowing Yelena, Walker, and Ava to escape, only to sustain no injuries despite being shot. Bob then uncontrollably ascends into the air before passing out and crash-landing back at the compound, where he is captured and transported to the former Avengers Tower in New York City, now renamed the "Watchtower". De Fontaine intends to introduce Bob to the press as a super-powered protector akin to the Avengers, hoping the PR stunt will avert her impeachment. Meanwhile, Alexei Shostakov, who had overheard details of de Fontaine's plot while working as a freelance chauffeur, rescues Yelena, Walker, and Ava. Inspired by Yelena's childhood soccer team, Shostakov refers to the group as the "Thunderbolts".
The Thunderbolts are pursued by de Fontaine's agents before they are ultimately apprehended by Bucky Barnes, who intends to have them testify in the impeachment proceedings. Upon learning that Bob was a subject of one of de Fontaine's top-secret experiments, Barnes joins forces with the group to head to New York to infiltrate the Watchtower. The Thunderbolts discover that de Fontaine has turned Bob into an immensely powerful superhuman known as the Sentry, who easily overpowers the team and forces them to retreat. As the Sentry develops a god-like delusion of superiority, he turns on de Fontaine. However, her assistant, Mel, incapacitates him with a failsafe kill switch. This triggers the emergence of the Sentry's destructive alter ego, the Void, who begins engulfing New York City in supernatural darkness, trapping its citizens in pocket dimensions based on their worst memories.
Realizing the only way to stop the Void is from within, Yelena enters the darkness to reach Bob's consciousness. There, she faces her haunted past as a Black Widow and finds Bob hiding in a recreation of his childhood bedroom, where his father abused him. They are soon joined by the other Thunderbolts, and together they travel back to the memory of Bob's initial experimentation in Malaysia, where he volunteered for the procedure, hoping to improve himself after becoming an aimless drug addict. The Thunderbolts confront the Void, but are swiftly overpowered. As the struggle threatens to fully consume Bob, the team intervenes, affirming their belief in him. Their solidarity empowers Bob to regain control, overcoming the Void as light and normality return to the city.
With the threat neutralized, the Thunderbolts prepare to apprehend de Fontaine. However, she manipulates public perception by staging a press conference in which she rebrands them as the New Avengers. The Thunderbolts reluctantly agree, but Yelena threatens de Fontaine if she betrays them again. In a post-credits scene, the New Avengers and Bob discuss an ongoing problem in outer space[b] when they receive a distress signal from an interdimensional spacecraft with a large "4" emblem.
When this film was first announced, I was HIGHLY skeptical at the idea of the formation of this team in the Marvel Cinematic Universe as there was absolutely NO way that comic book fans would be able to keep the swerve/plot twist from the source material about this team, where this newfound team of heroes are secretly villains masquerading as heroes. They were led by Baron Zemo under the guise of Citizen V, but reluctantly all dedicated to become heroes for real after going against him. This film does a clever head-flip on that idea, but we'll get back to that later.
On paper, this film looks like Marvel Studios' (weak) attempt to capitalize on what little success that DC Comics/Warner Bros. had with their two Suicide Squad films with the focus on anti-heroes and "leftover" villains. Given the early reviews and reactions, it's looking to be a successful gamble, much like the original Guardians of the Galaxy film turned out to be.
Yelena Belova, John Walker, Ghost, Taskmaster, and to a lesser extent, Alexei Shostakov and Bucky Barnes are all characters that deserve either more screen time, a second chance, or just more character development in general. John Walker deserved to come back for Captain America: Brave New World after where he left story-wise following the events of Falcon and the Winter Soldier, much like Bucky Barnes who didn't get any other MCU appearances outside of a brief cameo in Brave New World. Bucky's brief appearance in that film was just to set up his role as a Senator that would be a topic of conversation in this film. I think it would be safe to assume that Bucky's abrupt and brief appearance in that film was a zero hour addition on the cutting room floor when they realized that he needed a bridge/explanation into this film. Ghost was a character I wanted to see more of after her appearance in Ant-Man & The Wasp and absolutely NO mention of her fate following that film and in Ant-Man & The Wasp: Quantumania since the Pym family were treating her condition. We honestly don't get answers here but it seems like she has much more control of her intangibility powers and the Pym family were able to fix her stability problem.
(Whistles) It's no secret that I didn't care for the MCU iteration of Taskmaster, who was one of the many brainwashed Black Widows as part of the Red Room in the Black Widow solo film. At the same time, I felt that there was room to redeem this character by establishing her as her own thing instead of mute puppet in the same bland vein as Deadpool's first live-action appearance in X-Men Origins: Wolverine.
Last but not least, I have been dying to see more of Yelena Belova since her last MCU appearance in the Hawkeye Disney+ series. Her and Kate Bishop had such great on-screen chemistry that I was begging to see more of that duo, especially after Kamala Khan/Ms. Marvel teased working with Kate (and possibly Cassie Lang) in one of the teasers in The Marvels for some sort of a team, which is more likely going to end up being the Young Avengers over anything else at this point.
My favorite thing about the Thunderbolts* above all else is that this film's biggest villain isn't a physical threat of a super-powered villain/antagonist. No, it's not even the Void nor Valentina Allegra de Fontaine herself. The titular villain of this film is the very real threat of mental health. It's a simple concept that anyone watching this film can relate to and something that I have been preaching and pointing out that has been an overarching theme in almost every Marvel Studios project following the events of Avengers: Endgame (2019). Instead, I have been butting heads with people about this since that film's inception.
We have seen the emotional turmoil that these people have been coping with in The Falcon and the Winter Soldier, WandaVision, Doctor Strange and the Multiverse of Madness, Loki (both seasons), Thor: Love and Thunder, Black Panther: Wakanda Forever, Black Widow (2021), Shang-Chi and the Legend of the Ten Rings, Moon Knight, Hawkeye, She-Hulk: Attorney at Law, The Marvels, and to a lesser extent in the rest of the remaining projects in Phase Four, Phase Five, and Phase Six.
A widespread amount of fans have confused this focus on mental health as "wokeness" when it is the same "real" issues that comics have been depicting for several decades. It's not a modern/new concept.
Yelena Belova
I can't call Yelena the "leader" of this team as she said it herself in the opening monologue of this film - her life is an empty void or rather devoid of any significance or purpose. This is the common theme that ties her to the other Thunderbolts*, especially to Bob who is questioning his purpose in the world and where does he fit in. Yelena is still lost following the death of her sister, Natasha Romanoff. This is the same sister that she reunited with during the events of Black Widow (2021) that was set between the events of Captain America: Civil War and Avengers: Infinity War. They worked together to free not just themselves but the other brainwashed femme fatales from the Red Room to have their own individuality and live independently from the desires and commands of Dreykov. Yelena being the last Widow standing (out of the ones that viewers of aware of anyway) is bittersweet in a sense. They reclaimed their freedom but at what cost?
The Widows, much like Yelena, know no other life other than this one of assassination, espionage, and mercenary work. It was only natural for them to fall back into that line of work when any sense of a "normal" life feels foreign and unfamiliar to them. For Yelena, it hits home harder knowing that the one "real" thing in her life - her family with Melina, Alexei, and Natasha - was a farce and another lie that fed to them by the Red Room, despite finding the means to bond as a family regardless.
Losing Natasha hurts Yelena even more, especially after finding out the truth from Clint Barton. There's no one to hunt down for revenge. No one to beat up unleash your vengeance upon. Yelena has to live with the fact that Natasha choose this end of her story for herself - all to save her and so many like her that were lost during the Snap. I can definitely relate knowing that a loved one/family member has moved on from this world and you are left wondering what should you be doing and whatever you are doing is worth them not being here anymore as you don't want to let that person down. It's a crippling self-inflicting burden to place onto one's shoulders, but that is one of many things the mind will do us.
The greatest gift that this film gives viewers is seeing her continue her journey through navigating her trauma, addressing and acknowledging her own mental health, while applying that knowledge to aid others.
Alexei Shostakov / Red Guardian
Before he was even announced to appear in this film, I think we were up to several consecutive appearances of Red Guardian appearing in the Marvel's What If...? animated series. I never hated the character, even in his debut back in Black Widow (2021), but I wanted to see more of his proper MCU counterpart before these multiverse variants become his default depiction of this character. It proved to be true in this film as he continues being a bumbling, yet lovable goof as the embarassing father to Yelena Belova. Much like John Walker, he pines for his glory years and wants to make a name for himself. Unlike Walker, his country never publicly acknowledged his heroic deeds and actions, so he was left to the wayside by his country and the Red Room. Once he, Melina, Natasha, and Yelena worked together to bring down the Red Room, he was left without a purpose once again and left to hang onto his memories of grandeur.
Real or not, Alexei is still there for his daughter just like he was there for his family as a whole in Black Widow (2021). He is still beaming with pride over his daughters achievements - for the Natasha's achievements as a member of the Avengers, leading to her ultimate sacrifice and Yelena's contributions to national security while working for Valentina to her change of heart that led her to aid Bucky Barnes in taking her down. He isn't without his faults, but he immediately raced to her aid after eavesdropping on Valentina's plans to betray Yelena and her unlikely allies. Alexei has a heart of gold and definitely shines in the scenes that he shares with Yelena. He takes pride in raising two very capable, strong women.
John Walker / U.S. Agent
At the end of The Falcon and the Winter Soldier, Valentina presented Walker with a new costume and moniker (U.S. Agent) after he was dishonorably discharged and stripped of the title/mantle of Captain America for his violent methods - i.e. the public execution of a surrendering adversary for revenge. Bucky Barnes and Sam Wilson reclaimed Steve Rogers' shield by force after beating John Walker in a fist fight. All of these blows were shots to Walker's ego and pride and rightfully so, especially for such a highly decorated soldier. Walker had the pedigree and skills required to be Captain America on paper but he didn't have Steve Rogers' moral code and mental integrity to live up to the legacy of being Captain America.
I think we need to stop "glazing" John Walker as a better Captain America than Sam Wilson. A lot of people either haven't watched Falcon and the Winter Soldier or missed the point completely. Walker was the perfect soldier, but he was the worst PERSON for the job mentally. We have seen Walker's psyche snap/break on multiple occasions under pressure. He killed a surrendering, unarmed man in cold blood after the death of Battlestar. He neglected his wife and newborn son in favor of reflecting and pining for his glory days of his military career. To Walker's credit, he was the best option on paper and had a lot of pressure on his shoulders in terms of having to deliver to live up to Steve Rogers' reputation/legacy, especially as a government-appointed choice to act as his successor.
In this film, I thought it was a nice touch to show the mental trauma/angst that Walker is living with. There was that brief moment where he contemplated with suicide (this is heavily implied in that scene where he's looking down the empty elevator shaft) after his flashback due to exposure to Bob's powers early into the film. It's not hard to see that he considered just ending it all by jumping down that elevator shaft. Walker's mental illnesses are magnified after taking the super soldier serum, making his inadequacies even more apparent. That's what makes that explosion of his stress that included but wasn't limited to the world's eyes being on him at all times, the fear of not being strong enough (mentally and physically) for the role, his anger that no one was willing to give him a chance to live up to Steve's name, the feeling of being suspended in a space of inadequacy which led to him breaking underneath the weigh of a name so strong that he had no choice but to break under the pressure - much like anyone would.
Serum or not, Walker struggles with the same burden that Sam Wilson is coping with on a regular basis - an above average man trying to live up to the greatest man to ever live in the Marvel Universe - something nobody can do. Much like his comic book counterpart, John Walker is a good soldier, but he'll never be a good Captain America. 'Nuff said.
This film does a great job of showing that Walker is still struggling with finding an identity for himself since the title/mantle of Captain America doesn't suit him at all. Fortunately for him, he finds himself surrounded by other former soldiers, assassins, and mercenaries who are all looking for the same purpose for their lives. The biggest takeaway for this character in this film is that he's continuing to try to do better than he did previously and that's all we could really ask for from this character.
Ava Starr / Ghost
Ava Starr was a villain/anti-hero that just begged that we should get to see more of in the MCU following her debut in Ant-Man & The Wasp. The only reason she went down the path of villainy was to attempt to find the means to stabilize her condition of "molecule disequilibrium". Janet van Dyne willingly uses a portion of the energy that she absorbed while in the Quantum Realm to partially stabilize Ghost's condition, but would require more energy for further treatments. Allow me to remind viewers that that film was set during the events of Avengers: Infinity War, hence why the mid-credits scene saw Scott Lang being trapped within the Quantum Realm when Hank Pym, Hope van Dyne, and Janet van Dyne were all reduced to dust following The Snap. This film failed to fill viewers into what Ghost had been up to in years since her last appearance. What did she have to do to survive in the years before the Blip without the Pym family's help? Is Bill Foster AKA Goliath still alive? We've seen him pop up in several episodes of Marvel's What If...? but not in another live-action appearance. It wouldn't have hurt to even have a throwaway line saying what he was up to post-Blip. She is sporting a clearly more advanced costume/containment suit and displaying a much greater degree of control over her powers in this film as well. In terms of personality, it seems like the years have mellowed her out away from her psychotic episodes in her last appearance. Out of all of the Thunderbolts*, I think it's a cruel twist of irony to say that she is no stranger to struggling to find an identity or place in the world for herself when she's literally "invisible" in more ways than one for most of her entire life.
In terms of costumes, I feel like Ghost and Taskmaster got the two biggest "glow-ups" in terms of improvements over their costume designs from their original/previous MCU appearances. The geek in me is dying to see those looks captured in future/upcoming Marvel Legends figures down the road. I love the effects that they used for portraying Ghost's powers more than I did for her instability in Ant-Man & The Wasp. On top of that, they gave her explicit weaknesses and limitations to said powers too, so it never felt like a get-out-jail free card whenever they got into trouble.
Killing Taskmaster added to Ghost's aura, which definitely needed a shot of adrenaline in the arm following her last MCU appearance. Even I can admit that the Ant-Man trilogy hasn't done any of those characters any favors in the long haul but this upgrade on this character in this film needs to be studied. You can even tell that Hannah John-Kamen's body language is more confident, intense, and with more purpose in this film than the irratic and unstable nature (and rightfully so, given her mental and physical state in that film) in comparison to her initial MCU appearance. She has no wasted motions. She is incredible to watch, especially during the film's many hand-to-hand traditional fight sequences. Her confidence shows a change in her personality for the better that she intends to leave a mark in the world instead of allowing herself to disappear without a trace. In terms of mere presence alone, she's easily my favorite member of this team.
Bucky Barnes
When it comes to ex-murderers/soldier(s) looking for redemption, Bucky Barnes, formerly the Winter Soldier, is the poster child for that role in the Marvel Cinematic Universe. He could easily see himself in every single one of these former mercenaries, assassins, and soldiers in terms of those looking for a higher calling/purpose.
This clip started going around online following the success of Thunderbolts* and I'm shocked at the amount of people (from the reactions and comments on social media) that haven't seen this scene in context.
It's amazing to me that people call themselves fan of the MCU but never took the time to watch The Falcon and the Winter Soldier on Disney+ but at the same time, it explains the gap in awareness and familiarity with Sam Wilson's transition into becoming Captain America in Brave New World and why that film was frowned upon by so many people. Those individuals didn't want to do the "homework" to understand that film better.
This was the defining moment for Bucky and Sam's friendship and highlights the trauma that both of these characters are dealing with. A lot of people give Sam shit for his reaction to Bucky pouring out his soul about why he feels so passionate about Sam giving away the shield at the time, but they fail to see his stance as a man of color, especially without the accompanying context from the rest of this series. Bucky feels the responsibilities of what ideals his best friend lived by and what that shield represents. In comparison, Bucky (and even Steve Rogers himself) failed to realize the massive burden that they put on Sam Wilson's shoulders being a man of color being entrusted with the shield. America, whether it be in fiction or reality, isn't ready to accept a Captain America of color. We are seeing that playing out in 2025 if you need any more proof.
In Bucky's case, he fears that if Steve made the wrong choice about Sam, then he fears that Steve made the wrong choice(s) about putting his life and his reputation on the line to save him - a formerly brain-washed H.Y.D.R.A. assassin. In that same vein, this film sees Bucky seeing a lot of himself in the members of the Thunderbolts since they all share a similar past as hired guns/mercenaries and assassins. These are all people who haven't known any other life but the horrors of the battlefield. At the same time, he can identify with them all being manipulated and used like puppets by Valentina and offer the means for payback.
My only knock with Bucky's arc in this film is that it feels like we're missing some context in terms of what happened from the events of The Falcon and the Winter Soldier and this film. How did Bucky end up being a Congressman? How did his friendship/relationship with Sam Wilson become strained? Does this explain why he wasn't more hands on to aid Sam in Brave New World? There's far too many questions than answers here and it's a shame that we don't have another season of The Falcon and the Winter Soldier to look forward to that would/could possibly fill in the gaps.
Antonia Dreykov/Taskmaster
Olga Kurylenko's Antonia Dreykov/Taskmaster is a character like previously mentioned, who deserved a second chance at redemption or a fresh start. I adored her revamped costume in this film, but I will admit that I busted out laughing at how quickly and how unceremoniously she was killed off within the first 10-15 minutes of this film's runtime. I can't even say that I was surprised that she was going to be on the chopping block, especially when she was painfully and apparently missing in a lot of the trailers and promotional material/commercials for this film. So it was safe for me (much like a lot of people) to assume that she was going to be killed off. That notion proved to be true as she ended up being killed off as fast as Slipknot/Christopher Weiss in Suicide Squad (2016). I would be lying if I said anything other than being elated that this character is off the table, thus leaving room for a more comic-accurate version to be properly introduced. To her credit, she was part of that amazing fight scene that saw her demise despite her uttering merely a single line in this entire film.
I think it is pretty foolish to completely dismiss this character from contributing to the importance of this film's theme and impact. Let's not forget that Antonia Dreykov was a Black Widow just like Yelena who was brainwashed and used like a puppet. She knew no other life than this one where she was merely a tool or better yet, a weapon, to be used to eliminate the enemies of others. She was a blank slate, who would be easily and quickly forgotten if she didn't find a purpose. Seeing Antonia again was constant reminder for Yelena to find her calling and not end up in the sad state of affairs where Antonia ended up in this film's opening act. Ghost gunned her down without remorse and in the next scene, Ghost and Walker were looting her corpse for weapons and ammunition as if she was a common goon in your typical shooter video game. If it couldn't be any sadder in terms of Antonia's fate, I guess viewers and her fellow former Widows could take solace in the fact that Antonia was able to die after choosing her own profession instead of being trapped to serve her father as a mindless slave. At least we were able to get one bad ass fight scene from her before she bit the dust.
Mel
At first glance upon my first viewing of the film, I thought Geraldine Viswanathan's Mel was Iman Vellani's Kamala Khan/Ms. Marvel undercover or something. I quickly realized that this was a false assumption and figured that she had to be a tongue-in-cheek reference to Melissa Gold AKA Songbird (formerly known as the supervillain called Screaming Mimi found in Marvel Comics). Songbird was one of the founding members of the Thunderbirds in Marvel Comics, who were a team of former D-list villains posing as heroes before having a genuine change of heart to do good much to the behest of their former leader Baron Zemo/Citizen V.
This iteration of Mel is no hero nor villain by any margin. She is merely Valentina's secretary who has a change of heart by the end of the film to aid Bucky Barnes in providing intel on Valentina's unsavory actions to help bring her to justice. She was allegedly a teenager when the Avengers saved New York City and was inspired to find a line of work that would serve/protect the people, hence why she went along with working for Valentina. If she ends up being Songbird down the road, I guess they did enough of a good job to leave her as a blank slate to do something with her later. Otherwise, her character was unforgetable as Shira Haas' Sabra in Brave New World.
Robert "Bob" Reynolds / Sentry / Void
Robert "Bob" Reynolds makes his MCU debut as the lone survivor of the O.X.E. Group's "Sentry" superhuman project. Out of all of the titular heroes and anti-heroes featured in this film, he is the most psychologically damaged one out of the bunch by far. Bob is simultaneously the film's most powerful hero AND villain due to his fractured psyche. The acceptance of his superior powers and abilities gives him a god complex when he takes on the superhero identity of Sentry as per the suggestion of de Fontaine, but the emergence of his darker half, dubbed the Void, is a representation of Bob's depression and psychological turmoil that seeks out to consume everything in darkness. As someone who deals with balancing my mental health on a daily basis, this is such a powerful metaphor in terms of how the Void uses his powers.
The Void behaves just like a physical manifestation of depression - a pool of darkness that one is swallowed and consumed by, thanks to the endless mental torment of negative emotions, traumatic memories, and insecurities. Defeat at the hands of these methods are via the result of being consumed figuratively and literally by darkness - literally by the darkness that the Void imposes onto anything and everything in his vicinity and figuratively by forcing his victims to relive and confront their inner darkness, shortcomings/weaknesses, and most painful memories on a loop within their minds. Defeating the Void doesn't require a slugfest; it's a psychological battle, requiring a strength of will that many people cannot overcome on their own.
When the Sentry/Void were first rumored to appear in this film, I was amused by reading comments and complaints online about how absurd it was for this group of assassins and soldiers were essentially bringing knives and pistols to a fight against Marvel Comics' literal equivalent to Superman. Let's not forget that Norman Osborn had this dude eating out of his hand off the promise of food from Five Guys of all places.
All jokes aside, I found it compelling that Bob would connect to Yelena the most. Some might see it as cheesy while others could see it as poetic, but from the start of the film, Yelena described her life was void of purpose and meaning, leaving her searching for a higher calling. Anyone who has lost loved ones can identify with that void and pain of loss. You want to drown yourself into your work, hoping that it will fill that void and it will eventually go away, but it doesn't leaving you searching for something else to make you feel complete. Yelena found that purpose by connecting with Bob and helping him realize that he doesn't have to suffer alone - he has friends, he has the rest of the Thunderbolts* to lean onto to help him ward off the Void whenever he rears his ugly head, no matter how many times it takes.
Valentina Allegra de Fontaine
Ever since Valentina Allerga de Fontaine was first introduced in Falcon and the Winter Soldier, I was in love with this character. In the wake of Nick Fury falling to the wayside and background due to his role being lessened following the events of the Infinity Saga coming to a close (despite appearing in Secret Invasion), I felt that Marvel Studios needed another figure in that type of role to act as a master manipulator to these superhero types. Val comes across as a much more "charming" version of DC Comics' Amanda Waller, despite being just as cunning as Nick Fury himself. She is a character that Marvel Comics can get a lot of mileage out of given her comic book history and the talented actress they have playing her with Julia Louis-Dreyfus in the drivers' seat. It is pretty telling that even Marvel Comics has a lifemodel decoy version of Val and the Winter Soldier/Bucky Barnes working together to form a new version of the Thunderbolts currently while the real Val is acting as Citizen V to hunt them down. I doubt the Marvel Cinematic Universe is going to go that route, but I am eager to see where they go with this character.
Valentina is one of those authorative characters that remind me of Cecil Stedman in Invincible where the ends justify the means to get there. She is passionate about keeping the world safe, even if it means throwing as many bodies at a problem until it is resolved - including if those pawns are former villains and mercenaries. Valentina's presence in this continuity reminds me that the MCU missed the boat in terms of introducing Abigail Brand to be in charge of S.W.O.R.D., but I guess they want to save her introduction for down the line. We already saw this continuity waste Victoria Hand in Agents of S.H.I.E.L.D., which is ironic in the sense that Victoria Hand had a role to play on Steve Rogers' version of the New Avengers in Marvel Comics - a decision that I could see Bucky Barnes taking with Val in this continuity. By the end of this film, Barnes and the rest of the Thunderbolts have enough dirt on Valentina's shady dealings to expose her, but her position and insight could prove fruitful in the long-term, especially when it comes to her political and business connections.
Due to the Void's powers, viewers were able to get an insight into her backstory, specifically the instance where she witnessed her father's death as a child. She unwillingly led her father's murderer to kill him right in front of her, causing her to develop an obsession with maintaining control and avoiding any loss of power. This explains the drastic actions she takes to assert and maintain her position as the director of the C.I.A. and protect the United States by any cost. We saw how far she was willing to go to ensure the success of this objective by recruiting the Thunderbolts for her black ops missions (including the assassination contract from Eleanor Bishop to kill Clint Barton) under the front of the O.X.E. company and even exposing her ex-husband, Everett Ross, as a traitor for aiding the Wakandans during the events of Black Panther: Wakanda Forever.
Thunderbolts* = The New Avengers!!??
The plot twist/major reveal at the end of the film was the revelation that the asterisk at the end of the title was to set up Val's last ace in the hole as an attempt to save face when the Thunderbolts had her cornered at the end of the film. Val presents this team to the public as the "new" Avengers that she has put together to defend the world from any future global threats to safety and security. It just happens to work out after they had worked together to save New York City from the threat of the Void after Sentry's powers spiraled out of his control.
I was caught off guard by this announcement as it was completely out of left field when I watched the film opening night in the theater. In the weeks that followed as I'm reflecting on this film for the sake of this review, I have to admit that Marvel Studios set this up as far back as She-Hulk: Attorney at Law if we go back and think about it. In that series, Jennifer Walters goes through a legal battle with rival Titania over the marketing and licensing over the "She-Hulk" name/moniker. Jennifer ultimately wins it back, but shortly after this, the marketing of the Avengers following the events of Avengers: Endgame (after the team is mostly disbanded and retired) is shown to be a bit of a joke whereas there is counterfeit and knock-off merchandise ("Avongers") being sold to the public with there being little to no legal reprecussions around this.
Captain America: Brave New World ends with Sam Wilson confessing to Joaquin Torres that he intends to take up Ross' idea to reform the Avengers, but not under the government but as his own team. Fast forward to the end of this film and it seems like Val beat him to the punch. That is to be expected unfortunately as Sam has a knack for being the last horse to cross the finish line. He was reluctant to take up the shield and carry on the mantle of Captain America in the first place back in Falcon and the Winter Soldier and now he had to warm up the idea of leading a new team of Avengers. That being said, it's not out of the question to see there being a legal battle of sorts over the ownership of who owns the marketing, branding, etc. over the Avengers title. I wouldn't be surprised if Tony Stark/Ironman never bothered to patent it either. Let's not forget that this is the same man who was so arrogant about his Ironman and arc reactor technology that he didn't bother to patent it in the whole Armor Wars storyline in Marvel Comics (this was LOOSELY adapted in Ironman 2 and the topic for the titular film/miniseries being developed under the same name, starring Don Cheadle's James Rhodes/War Machine) that resulted in several super-villains, organizations, and other heroes all acquiring and implimenting his technology in various means.
It's not hard to see where Sam Wilson is coming from in terms of wanting to start his own Avengers team under his own terms, especially after how things panned out with the world governments' overseeing them at every turn during the Infinity Saga. I think it wouldn't be a stretch for Sam to recruit Jennifer Walters/She-Hulk as a legal consultant, especially to aid in the dispute over the Avengers marketing and branding. She would be an no-brainer in that regard. Shang-Chi would be another obvious choice following the tease at the end of his own film. I suppose Captain Marvel and Ms. Marvel would be other obvious picks if they aren't preoccupied with their own intergalactic ordeals. Same goes for Shuri/Black Panther II. Those are just my personal picks/predictions from spitballing for a moment there.
As for the other detail that the post-credits teaser ended on, I would like to agree with a few of the theories that are going around the 'net over the past few weeks. I don't think that's the Fantastic Four arriving into the 616 (main) continuity of the MCU. I think we're going to find out in Fantastic Four in another month or so that Doctor Doom has escaped that universe/reality by stealing one of their spaceshuttles. By the time the Fantastic Four arrives to warn them about the threat of Doom, it's going to be too late as the people of this universe are going to think that Tony Stark came back to life somehow (due to him having Robert Downey Jr.'s face) and kickstart the chain of events that will play out in Avengers: Doomsday.
I've sat on this review for the better part of two weeks, feeling as if I was forgetting something as I have reread this review over and over. Thunderbolts*, or rather "The New Avengers" as it is being marketed as under its current title after the first week in theaters, is garnering a lot of praise and good will - and rightfully so. This is a film - among many in the Marvel Cinematic Universe to date that stops a seemingly unstoppable force without a huge climatic fist fight to resolve its major conflict, but with a resolution that systematically targets and pinpoints the monster that we find in these antagonists - but the monster that exists in ourselves that we battle every day in our ordinary lives. If that's not a story that anyone can relate to, then I don't know what you are looking for in these stories. It's not "wokeness" or any sort of "weak" writing. Superhero narratives have always juggled with the concept of these beings with unfathomable power at their fingertips coping with the ramifications of using these powers responsibly or irresponsibly while constantly reminding readers and viewers alike that at the end of the day, these individuals are still human, who are bound to make mistakes, get lost and consumed by their emotions, and ultimately have to find the means to balance all of this chaos or be destroyed by it.
Simply put, I love this film for bringing uncomfortable conversations like mental health to the forefront. In that regard, this is an easy recommendation to check out.