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The Batman is a 2022 American superhero film based on the DC Comics character Batman. Produced by Warner Bros. Pictures, DC Films, 6th & Idaho, and Dylan Clark Productions, and distributed by Warner Bros. Pictures, it is a reboot of the Batman film franchise. The film was directed by Matt Reeves, who wrote the screenplay with Peter Craig. It stars Robert Pattinson as Bruce Wayne / Batman alongside Zoë Kravitz, Paul Dano, Jeffrey Wright, John Turturro, Peter Sarsgaard, Andy Serkis, and Colin Farrell. The film sees Batman, who has been fighting crime in Gotham City for two years, uncover corruption while pursuing the Riddler (Dano), a serial killer who targets Gotham's elite.
Development began after Ben Affleck was cast as Batman in the DC Extended Universe (DCEU) in 2013. Affleck signed on to direct, produce, co-write, and star in The Batman, but had reservations about the project and dropped out. Reeves took over and reworked the story, removing the DCEU connections. He sought to explore Batman's detective side more than previous films, drawing inspiration from the films of Alfred Hitchcock and the New Hollywood era, and comics such as Year One (1987), The Long Halloween (1996–97), and Ego (2000). Pattinson was cast in May 2019, with further casting in late 2019. Principal photography took place in the UK and Chicago between January 2020 and March 2021.
The Batman premiered at Lincoln Center, New York, on March 1, 2022, and was theatrically released worldwide on March 4. It was delayed twice from an initial June 2021 release date due to the COVID-19 pandemic. The film has grossed over $770 million against a $185–200 million budget, making it the second-highest-grossing film of 2022, and received positive reviews from critics for the performances of the cast, musical score, cinematography, Reeves' direction, action sequences, and story, although the runtime received some criticism. It is intended to launch a Batman shared universe, with two sequels planned and two spin-off television series in development for HBO Max.
Robert Pattinson as Bruce Wayne / Batman
Oscar Novak portrays a young Bruce, while Rick English was Pattinson's stunt double.
Paul Dano as Edward Nashton / Riddler
Joseph Walker portrays a young Nashton.
Peter Sarsgaard as Gil Colson
Additionally, Jayme Lawson portrays Bella Reál, a mayoral candidate for Gotham City who Reeves said represents hope; Gil Perez-Abraham portrays Martinez, a GCPD officer; Peter McDonald portrays William Kenzie, a corrupt GCPD officer; Alex Ferns portrays Pete Savage, the GCPD commissioner; Con O'Neill portrays Mackenzie Bock, the GCPD chief; and Rupert Penry-Jones portrays Don Mitchell Jr., Gotham's mayor. Barry Keoghan makes a cameo appearance as the Joker (credited as "Unseen Arkham Prisoner"), while other cast members include twins Charlie and Max Carver as Iceberg Lounge bouncers (credited as "The Twins"); Hana Hrzic as Annika Koslov, Selina's roommate; Jay Lycurgo as a young gang member; Akie Kotabe as a train passenger; Sandra Dickinson as Dory, Bruce's caretaker and housekeeper; and Luke Roberts and Stella Stocker as Bruce's parents, Thomas and Martha Wayne.
On Halloween, Gotham City mayor Don Mitchell Jr. is murdered by Riddler, a masked psychopath determined to expose political corruption. Reclusive billionaire Bruce Wayne, who has operated for two years as the vigilante Batman, investigates the murder with the Gotham City Police Department (GCPD). Lieutenant James Gordon discovers a message that Riddler left for Batman. The Riddler later kills commissioner Pete Savage and leaves another message for Batman.
Batman and Gordon discover that the Riddler left a thumb drive in Mitchell's car containing images of Mitchell with a woman, Annika Koslov, at the Iceberg Lounge—a nightclub operated by the Penguin, mobster Carmine Falcone's lieutenant. While the Penguin pleads ignorance, Batman notices that Selina Kyle, Annika's roommate and friend, works at the club as a waitress. When she disappears, Batman sends Selina back to the Iceberg Lounge to find her, and discovers that Savage was on Falcone's payroll, as is district attorney Gil Colson.
The Riddler abducts Colson, straps a timed collar bomb to his neck, and sends him to interrupt Mitchell's funeral. When Batman arrives, Riddler calls him on Colson's phone and threatens to detonate the bomb if Colson cannot answer three riddles. Colson refuses to answer the third—the name of the informant who gave the GCPD information that led to a historic drug bust ending mobster Salvatore Maroni's operation—and dies. Batman and Gordon assume that Penguin is the informant. They track him in a drug deal, and learn that Falcone absorbed Maroni's operation, with many corrupt GCPD officers involved. Selina inadvertently exposes them when she arrives to steal money, and discovers Annika's corpse in a car trunk. After a car chase, Batman captures the Penguin, but learns he is not the informant.
Batman and Gordon follow Riddler's trail to the ruins of an orphanage funded by Bruce's murdered parents, Thomas and Martha Wayne, where they learn that the Riddler holds a grudge against the Wayne family. Bruce's butler and caretaker, Alfred Pennyworth, is hospitalized after opening a letter bomb intended for Bruce. The Riddler leaks evidence that Thomas, who was running for mayor prior to his murder, hired Falcone to kill a journalist for threatening to reveal details about Martha's family's history of mental illness. Bruce, who believed his father was a good man, confronts Alfred, who asserts that Thomas only asked Falcone to threaten the journalist into silence; Thomas planned to turn himself and Falcone over to the police once he found out the journalist was killed. Alfred believes Falcone had Thomas and Martha killed to prevent this, though he is not sure.
Selina reveals to Batman that Falcone is her neglectful father, and decides to kill him after learning that he strangled Annika because Mitchell told her Falcone was the informant. Batman and Gordon arrive in time to stop her, but the Riddler kills Falcone as he is being arrested. The Riddler is revealed to be forensic accountant Edward Nashton, and is incarcerated in Arkham State Hospital, where he tells Batman that he was inspired by him. Eventually, Batman learns that Nashton has stationed car bombs around Gotham and cultivated an online following that plans to assassinate mayor-elect Bella Reál.
The bombs destroy the seawall around Gotham and flood the city, while Batman and Selina thwart the assassination attempt against Reál. In the aftermath, Nashton befriends another inmate,[a] while Selina deems Gotham beyond saving and leaves. Batman aids recovery efforts and vows to inspire hope in Gotham.
I thought that Robert Pattinson delivered above and well beyond my expectations in this role as Bruce Wayne/The Batman, especially after many people like myself panned this decision and made fun of the former Twilight actor landing this role after Ben Affleck's departure. That being said, I can't say that I'm too thrilled about this Bruce Wayne being rather disheveled and looking rather "emo" when he's not in the costume. By the end of the film though, it played into the portrayal of this younger Bruce Wayne. He clearly doesn't have his shit figured out and still has a few things to sort out mentally before he can call himself the World's Greatest Detective.
This film did a great job of establishing that fact that both Bruce Wayne AND Batman are flawed people, unlike a lot of fans are conditioned to think. For example, he had a lot of the answers to Riddler's crimes/murders, but he failed to see the bigger picture of his master plan(s) in time before it was too late. At the first signs of any unsavory information about Thomas Wayne, he began to falter, questioning everything about his family legacy and his current mission to be a one-man army against crime in Gotham. He was shaken by that revelation along with Alfred being hospitalized by Riddler's assassination attempt on his life to remind himself (and the audience) that he's still human and can make mistakes. Bruce Wayne/Batman goes through this great emotional journey throughout this film that proves that Gotham needs more than merely a vigilante (read: martyr) to clean up the streets. Instead, Bruce discovers that he doesn't need to wall off his emotions and be heartless to everything surrounding him as he seeks out vengeance for his parents' murder to all of those criminals like the one that committed that crime. No, he needs to become a beckon of hope.
Much like Pattinson's Batman, Zoë Kravitz performed above and beyond as this version of Catwoman/Selina Kyle. I liked that they never referred to her as that name as she never properly donned a disguise like the Dark Knight in this film. It allowed Selina as a person to shine more than the theatrics of a costumed persona, unlike a lot of her live-action depictions that weren't Michelle Pfeiffer's in Batman Returns.
Every scene that she shares with Pattinson's Batman is incredible with their amazing amount of on-screen chemistry and ability to play off one another. It would be a crime to not include her in the inevitable sequel(s) in some capacity.
Whereas Bruce Wayne/Batman is struggling to find out what he is meant to do and who he is, Kravitz' Selina is doing the same thing on the other side of the coin. She's trying to figure out who she is, beyond just someone trying to survive. This connection through their unlikely partnership of sorts plays out throughout this film as they lean onto each other for support in their own quests to fight for those who can't fight for themselves.
I thought it was a great narrative choice to have Selina challenging that he doesn't have the universal perspective of growing up as an orphan, especially since he grew up rich with money. Everything that she has, she had to scratch and claw for, sometimes even stealing what she needed to get by. Seeing the helpless being unable to help themselves left her with a soft spot to help those in need, given the fact that not everyone in her situation were able to use that upbringing to make them stronger.
I personally found it very interesting that Selina is the illegitimate daughter of Carmine Falcone in this continuity. It would make for some very interesting turnaround down the road since his crime family will need a heir since Riddler gunned him down. I have no doubts that The Penguin will rise up to power to fill in that gap in the power structure in Gotham's criminal underworld, but it would be a great topic of conversation to return to in a few more films.
I thought Jeffrey Wright made for a good Gordon, even though audiences were left to fill in the gaps of how his partnership with the Batman had gotten to this point. He was Batman's only confidant on the Gotham City Police Department while Gordon allowed him to accompany him to many crime scenes to analyze evidence and murder scenes, despite the rest of the force being uneasy about the vigilante's presence. I guess this film didn't want to recycle the same waters we already treaded in Christopher Nolan's Dark Knight trilogy, so I can give them a break in that regard. That being said, Gordon and Batman's relationship isn't really perfect here either. Batman trusts him enough to share information on his cases, but at the same time, Gordon can't let on publicly that he's that close of an ally to the Batman before his own comrades turn on him. This makes for some interesting moments throughout the film where Batman has to play into the role of a rogue vigilante and not give into the assumption that him and Gordon are like the best of friends. This keeps Gordon outside the line of fire to be targeted by any potential foes of the Batman while simultaneously keeping Gordon's co-workers who were paid off by Falcone (and whoever else) to do whatever shady dealings under the table.
For the most part, I saw this iteration of Gordon as Batman's unofficial sidekick in terms of their good cop, bad cop dynamic. I'm looking forward to seeing Wright's Gordon ascend into the role of commission in the sequel(s).
Nothing against Andy Serkis, but seeing him playing Alfred Pennyworth felt like a bit of a miscast for him. There were points of this film where there was some promise in the relationship between Alfred and Bruce Wayne where it seemed to mirror a lot of what we've seen in the Beware The Batman cartoon that is set during a similar period in the Dark Knight's early years of his crime-fighting career. In that series, Alfred had a military background in MI6 before winding up as the Wayne Family's butler/bodyguard. He had a hand in training not only Bruce Wayne, but his former protégé, Wade Wilson, who would become the mercenary known as Deathstroke in that continuity.
I'm not saying that Alfred isn't helpful to Bruce here, but it just comes across that Bruce is brushing Alfred off for majority of this film in favor of his crime-fighting career, seeing that nothing else is as important. On the other hand, Alfred constantly urges him to keep up appearances as being Bruce Wayne is just as important as being Batman.
I thought it was an interesting choice to make The Riddler into a Jigsaw-like killer of sorts here. Director Matt Reeves said that he was mirroring the Zodiac killer in terms of references, but in either case, it's not that very original when the Batman: Arkham video games have done something similar with their portrayals of Nashton in that medium. Reeves does get some kudos for providing Riddler with "followers" who will continue his fight thanks to following his exploits and private streams on social media. That aspect was very believable, especially given the modern day landscape of the Internet and how people are so easily manipulated by the influx of information in this digital age.
The Riddler sees himself as not a villain in this depiction, but as a twisted anti-hero much like the Batman that is exposing Gotham's dirty secrets out into the open - namely the fact that Carmine Falcone has been blackmailing and manipulating the entire city and its info-structure (politics, law enforcement, etc.) to his favor while he sits conformably hidden away within the Iceberg Lounge.
The Riddler exposes all of the dirty laundry in Gotham City surrounding Carmine Falcone, but the Wayne Family wasn't spared from having their skeletons in their closet being brought into the open. Thomas Wayne had dealings with Falcone, showing that his hands weren't clean either. He wanted to scare off a journalist (Edward Elliot) who was threatening to expose Martha Wayne's family history of being in and out of mental institutions as a weapon to be used against him as he ran for mayor.
It would be interesting if they used this to introduce Hush (Thomas Elliot, Edward's great-great grandson in the comics) into a future sequel, given his ties and room for resentment for the Wayne Family name. He could also potentially target Selina Kyle too given her ties to Carmine Falcone, who killed his great-great grandfather. It would make for an interesting follow-up villain, especially given that character's history to having ties to The Riddler in previous iterations/depictions.
From the moment that I saw Falcone and Selina encounter each other in the Iceberg Lounge, it got the gears churning in my head about whether or not her ties to his family would be brought up in this continuity. It didn't take long to get that answer either as Selina was revealed to be his illegitimate daughter - adding to a laundry list of dirty secrets that Falcone had his hand in all over Gotham City. Say what you will about the Riddler, but Falcone was the "real" villain of this first film if you want to look at how he has had a hand in ruining the lives of just about every major character in this film. He's indirectly responsible for the creation of the Batman, the Riddler, and Selina's vigilante activities and their own individual pursuits for justice.
(Laughs) It took me a few minutes to take John Turturro seriously in this role as I was still thinking of him as that goofball in the Michael Bay Transformers films for so long. He won me over as Falcone by the time it was all said and done though.
Much like the Batman, this is a version of Oswald Cobblepot who hasn't risen to the top ranks of Gotham City's criminal underworld. He's still a lackey following orders to Carmine Falcone, but still ambitious enough to want his own stab at power. Collin Farrell is completely unrecognizable in that costume and it's a great look for this character in this continuity. I'm glad they didn't go with another basic fat suit like they did with Danny DeVito in Batman Returns. This look is more natural and fits to the mobster motif that the Penguin has evolved into in modern depictions instead of being compared completely to his namesake.
I understood that this was the Riddler's movie to shine, but I was hoping that we would have gotten a little more of Farrell's Penguin than we did here. I don't know whether to take this as good news or not, but it's already been announced and confirmed that Farrell's Penguin will get a spin-off TV series on HBO Max to chronicle his rise to power in the wake of Falcone's demise following the events of this film and leading up to its sequel. It's being pitched/described as being similar to Scarface.
I didn't notice this until my second viewing as I honestly couldn't make out much of the details during my first watch. During my second viewing, I had a better sense of what to look for in terms of looking at and visually analyzing this particular Batsuit design. At first glance, I wasn't crazy about it, but the more I got a look at it, I warmed up to it.
I grew to appreciate that they were going for several nods and influences from the Batsuit in the Batman Arkham video games, especially how his body armor is layered and how they combine his gadgets and weaponry into his gauntlets.
Can't say that I'm fond of the raccoon make-up that Robert Pattinson was wearing underneath the cowl, but it works for his version of the Dark Knight.
While we're on the topic of the Batsuit in this film, I should bring up that I was pleased with the fact that it didn't make Batman look stiff or rigid in his fight scenes. That was one of my biggest issues with the fight choreography in Nolan's trilogy was that it always looked like Batman was restricted in his movements from how the costume was designed. They definitely get two thumbs up from me in terms of thinking in terms of practicality and movement for the design.
My biggest issue with it in this film was the sore lack of it. That's crazy coming from me when I flat out hated how much exposure the Batmobile had in the Batman: Arkham Knight video game and how much that game's gameplay revolved around it from start to finish, but this was a simple, yet cool design that I wish we got to see more of. This is a Batman still in his early years of crime-fighting, so I wasn't expecting him to have a really suped up car at this point. This design was bare bones and straight to the point.
We saw him use it once throughout the entire film - namely in that car chase sequence with Penguin that's shown in a ton of the commercials and trailers for this film. If you have seen that, then you have seen essentially the entirety of that Batmobile's full appearance(s) in this film.
For the rest of the film, we see Batman traveling throughout Gotham on pretty bare bones motorcycle. I can't knock that either as he's trying to be as discrete as possible when navigating throughout the city and tailing criminals and/or suspects so that's a pretty reasonable choice of transportation. It's just the comic book nerd in me wishes that we got to see more of the cool car in action, especially when this film's runtime clocks in a bit over three hours. Like c'mon, now.
I think most people will love Nirvana's "Something in the Way" the most, but I thought the entire soundtrack was very well done and definitely set the tone of this film. The entire soundtrack is available for streaming free on Spotify too, by the way.
This is a film that challenges viewers to think about the class conflict involving the three varying perspectives brought to the table by Batman/Bruce Wayne, Selina Kyle/Catwoman, and The Riddler's own upbringing as orphans. The Batman/Bruce Wayne was an orphan who grew up with (white) privilege. Selina Kyle was an orphan that endured hardship. The Riddler was an orphan that suffered through torment that molded him into lashing out against the wealthy. That same torment convinced him that criminal behavior is spawned from desperation that their social situation won't get any better unless they resort to those means to get by.
These same three traits have caused the three of them to have differing worldviews as well. The Batman/Bruce Wayne's view of the world is narrow and binary, in which he takes his vast wealth for granted when he could be using it to help Gotham City as much as his crime-fighting endeavors. Selina, on the other hand, acknowledges the corrupting power of wealth but she is only prone to violence when her friends are harmed. Then last but not least, the Riddler becomes like SAW's Jigsaw (bitter and cruel) to fight corruption that harms the innocent.
Both Selina and the Ridder force Batman to realize that poverty and inequality in Gotham City's social structure are the roots of Gotham's problems. By the end of the film, they inspire him to not only be an agent of hope for Gotham City but to use his wealth (as Bruce Wayne) to prevent social inequality. There's so much more Bruce Wayne AND the Batman can do to improve Gotham for the better and it looks like that he's on the path to accomplish just that since he didn't just decide to run away with Selina in the film's end.
The class conflict between the Riddler, Selina Kyle, and the Batman drives this film.
Bella Reál is a vital character that is easily to overlook in this film's narrative.
The first look/tease at The Joker in this continuity.
I found it amusing that mayoral candidate Bella Real is one of the only characters in the entire film (outside of Alfred) that points out that Bruce Wayne should be doing more with his family's wealth. It's more significant that she is the only person of color (POC if you will) that explicitly points this out, making a point to bring this up at Don Mitchell's funeral they happened to run into each other at. She is a character (outside of the main circle that interacts with Batman between Selina and the Riddler) that is dedicated to cleaning up Gotham's corruption and isn't afraid to call out others for their faults - case in point with her criticism of Bruce Wayne's lackluster attitude. She's a character that we don't see too much of in this film, but when we do, she definitely stands out in terms of making it clear that she's all for making Gotham for the better, even if it means putting herself in the line of fire, such as when she got shot during the film's climax by the Riddler's cultists. I'm anxious to see what they are going to do with her character in the sequel(s). Would she continue the course for her goals or will she be a martyr/sacrificial lamb to encourage more people to step up and assist in cleaning up Gotham City of its corruption. Only time will tell.
Unlike most people, I groaned with disgust at the tease for The Joker appearing in the sequel(s). He was the unseen inmate who was in the neighboring cell next to Nashton's that was speaking to him as the film came to a close. I just feel that we could use a break from that character when the Dark Knight has a laundry list of great villains that deserve to be shown on the limelight instead of going to the tired and true formula. Joker just had his own solo film without Batman. How about we put that villain to rest for a while? It just comes off as desperate when he's brought up in almost every piece of Batman media (outside of a few) as if the creators have absolutely no faith in these projects unless he's attached to it in some capacity.
Jay Lycurgo as a nameless young gang member that encounters Batman at the start of the film.
Jay Lycurgo as Tim Drake in DC's Titans.
I'm surprised that there's not much talk about Jay Lycurgo appearing in this film as one of the young gang members that Batman encounters at the start of the film. During my initial viewing in the theater, I had to do a double take as I thought I was confusing him with someone else but confirmed his identity in the credits. In the HBO Max series, Titans, he plays Tim Drake who had been following Batman and Robin's activities for quite some time before trying to lend a hand with the Titans' efforts to stop Scarecrow/Jonathan Crane in Season Three. Maybe it was just sheer coincidence but are they trying to tell us that both of those shows take place in the same continuity? It would an odd choice to confirm that when they didn't even try to de-age Lycurgo digitally in post-work since he looks the same age that he does in Titans here that he does in this show.
Fortunately for Matt Reeves, they filmed The Batman in it's entirety prior to Lycurgo even landing the role on Titans, so for now it seems like his casting was a massive coincidence that just happened to be completely overlooked by DC/Warner Bros. executives. Lycurgo even confirms as such in an interview.
Definitely give this a watch. Even though "superhero fatigue" is a real thing as more films, television shows, and other media are showing no signs of slowing down, I think The Batman is a fresh new take on the Dark Knight that deserves to be seen. It differs enough from Christopher Nolan's The Dark Knight trilogy and everything before it to breathe new life into this character, especially with director Matt Reeves' creative visual and narrative vision. Zoe Kravitz and Robert Pattinson's onscreen chemistry as Selina Kyle and Batman is something that shouldn't be missed either, especially when they are only two of many great actors contributing their talents to this film.
Just keep in mind that this is a rather lengthy affair, clocking in at roughly three hours in its total run time. It's currently free for streaming on HBO Max, so at least you can enjoy that in the leisure of your own home instead of sticking out in a crowded movie theater like I did when this released opening night.