2010 - 2000 Theatrical Production History

Playwright/Screenwriter Richard Wesley Interview 

Richard Wesley, a 1967 graduate of the Drama Department as it was called then, is an iconic writer crossing over seamlessly between stage and screen. Former recipient of a Drama Desk Award for Outstanding New Playwright, Mr. Wesley is well known for his plays The Mighty Gents, Sirens and The Talented Tenth and classic movies like Uptown Saturday Night and Let's Do It Again.

In this brief clip I share with Richard comments department chair, Owen Dodson wrote about Richard in the 1963 department annual report. This is the first time Richard will hear what Mr. Dodson wrote. Richard remains a very proud Howard Player! 

Richard also shares the moment he received his first playwriting award as a young Howard student. Enjoy! 

Scroll down to review the 2010 - 2000 repository of the Howard Players theatrical production 

2009/2010 - Joe W. Selmon, Chair, Department of Theatre Arts

Dean: Dr. James Donaldson, College of Arts & Sciences

Associate Dean: Dr. Tritobia Benjamin, Division of Fine Arts

Major: B.F.A. Theatre Arts

Areas of Concentration: Acting, Dance, Musical Theatre, Theatre Administration, Theatre Technology

Minor Areas of Concentration: Dance, Playwriting, Theatre Arts, Theatre Administration, Theatre Technology

Staff: Greg Jackson, Janet L. Johnson, Luqman Salim, T. W. Starnes, Michael Stepowany

Faculty: 

Howard Players President:  Nijeul Porter

Oral History Interview by Denise J. Hart with Dr. Carole W. Singleton (July 17, 2016) Former faculty 1976-2005, Department Chair 1985-1992

"You can go home again in Black Theatre." ~ Carole Singleton 

I arrived in the Department of Drama in 1976. In the early part of my career there weren't that many Black playwrights with their work out there. There was friction between the Department of Drama and the Howard Players even in 1976. Each seemed to be a separate entity and it continued for quite a while including when Geoffrey (Newman) took Raisin to Switzerland there was not a clear cut division between the Department and the Howard Players. 

There was an issue of identity. My belief is the Howard Players is a student run organization that should remain subordinate to the department.

A scintillating performance was done (by the Howard Players) in the the late 70's. It caused an uproar in the faculty. Afterwards, the Howard Players became dormant or on hiatus from the early 1980's through 1994. Beyond the Cook and Butcher years and into the 1990's the history as two separate producing entities (Department of Drama and the Howard Players) is unclear. When I became department chair I started making noise about producing more Black playwrights in the department. The Howard Players has been an adjunct organization under the tutelage of this Department. They were almost like co-producers.  The Howard Players mission should be to perpetuate the theatre the best way they can within the framework and philosophy of the Department. 

Howard Players celebrate the 60th anniversary of the Department of Theatre Arts fall 2009. Howard Players president Nijeul Porter. Photo credit unknown

Fall Semester 2009 Season Theme: 60 Years of Excellence

Directed by Denise J. Hart

Date: Oct. 9-15, 2009

Produced in Environmental Theatre Space



Directed by Tamera Izlar

Date: Nov. 11-15, 2009

Produced in Ira Aldridge Theatre


Book, Music & Lyrics by Professor Darius Smith

Date: Nov. 15, 2009

Produced at Atlas Performing Arts Center


The protagonist of UGLY is a female identifying middle schooler that defies gender norms by joining and excelling on the wrestling team. Her best friend grapples throughout the narrative with his same gender attraction for another classmate. 


The play thematically covers the isolation/ othering/ and bias’ that challenge Black children discovering self while coming of age in the narrow definitions of Southern Black communities. 


Zooman and the Sign rehearsal photos credit Denise J. Hart
Director Walter Dallas visits rehearsal for Zooman and the Sign Photo credit Denise J. Hart
Zooman and the Sign rehearsal photos credit Denise J. Hart

Director's' Notes - Zooman and the Sign

In 1965, a gang member comes into a neighborhood in West Philadelphia intent upon shooting a rival gang member and as the shots ring out, a little girl sitting on her front steps is shot and killed. This incident served as the impetus for Pulitzer Prize winning Playwright Charles Fuller to begin writing Zooman & the Sign.  Fuller did not complete the play until 1979, the time period in which the play is set.  Long before gansta rap’s inciting lyrics begin to influence the consciousness of many of our youth; Fuller is noted for saying that after King’s death in 1968 there were Zooman’s everywhere; in every urban city all over America.  Zooman was running rampant. 

 

Fast forward to 2008, when one of my 16-year-old twin nephews is arrested for allegedly shooting into a crowd at an October-fest in my hometown of Omaha Nebraska. Thankfully, no one was hurt.  The police told my brother that both of my nephews were known gang members.  


My entire family was in shock. We of middle class upbringing, college educated people with good jobs... how could this be happening?  We were in denial until I called a family meeting and asked my nephews to tell us the truth.  Eventually they affirmed what the police had said. They said that college wasn’t for them; that they wanted the glamorous life of the gangster.  I remember watching them sitting across from me and thinking that if we didn’t do something, they could become the Zooman of 2008 and onward. 

My nephews along with all of the other black males who feel that their only choice is to become a predator amongst their own are the impetus for my decision to tell this story.  A friend of mine said to me that the storyline of Zooman is so intense and its rather disturbing.  I responded that the play is only as intense and disturbing as our real lives can be.  Let’s not look away from that truth.

 

Despite a multitude of advancements in our country, on the play’s 30 year anniversary, unfortunately the consciousness of Zooman continues to permeate our communities and society at large.  With the advent of the internet this consciousness has only become more visible as seen with the recent YouTube video showing the beating death of Derrion Albert in Chicago.  


Similar to the community in Zooman the onlookers of Derrion’s death initially would not come forward to identify the perpetrators.  They said they feared retaliation.  As well, the perpetuation of the ‘No Snitch’ campaign has created even more confusion in the hearts and minds of those who would be inclined to do the right thing (even anonymously), but don’t want to seem un-cool.  


The solutions to eradicate the consciousness that creates a Zooman and a morally conflicted community are complex.  The play does offer a resolution, but not a solution.  Yet, the play does provoke us to think and to feel and hopefully to confront the unspoken questions reverberating throughout: What would you do if this were to happen to you? What would you do if you or your loved ones become the Tates?  What would you do if a Zooman is in your family or your community?  What can/should/will you do?

Zooman and the Sign rehearsal photos credit Denise J. Hart

Spring Semester 2010 Season Theme: 60 Years of Excellence


Directed by Victoria Joy Murray

Date: Jan 29-31, 2020

Produced in Environmental Theatre Space


11th annual memorial production BEVERLY GAIL BARNES KELCH April 22, 1937 - December 13, 1997 (Bingo Long Traveling All-Stars)

Directed and choreographed by Padro Harris. Musical Director Darius Smith

Date: March 4-6, 10-13, 2010

Produced in Ira Aldridge Theatre



Artistic Director Dr. Sherrill Berryman-Johnson

9/7/2010 Darius Smith, professor at Howard University, brought his "uncomfortable" musical, U.G.L.Y. to the Kennedy Center for the university's first performance in the Millennium Stage: Page to Stage series over the Labor Day weekend.

4. MELANCHOLY OF BARBARIANS written by Koffi Kwahule (Staged Reading)

Directed by Denise J. Hart. Translated by Chantal Bilodea

Produced by Playwrights in Process Visiting Playwrights Series in conjunction with the Department of Theatre Arts in partnership with the Lark Play Development Center 

Date: Feb. 10, 2010

Produced in Environmental Theatre Space


Koffi Kwahule, Playwright

2008/2009 - Joe W. Selmon, Chair, Department of Theatre Arts

Dean: Dr. James Donaldson, College of Arts & Sciences

Associate Dean: Dr. Tritobia Benjamin, Division of Fine Arts

Major: B.F.A. Theatre Arts

Areas of Concentration: Acting, Dance, Musical Theatre, Theatre Administration, Theatre Technology

Minor Areas of Concentration: Dance, Playwriting, Theatre Arts, Theatre Administration, Theatre Technology

Staff: Janet L. Johnson, T. W. Starnes, Michael Stepowany

Faculty: 

Howard Players President:  Nickolas A. Vaughan 

Fall Semester 2008 (no season theme mentioned)

 

2. HAMLET written by William Shakespeare

Guest director Kenyatta Roger

Date: Nov. 13-15, 20-22, 2008

Produced in Ira Aldridge Theatre



3. REPAIRING A NATION written by Nikkole Salter (Reading)

Directed by Tamera N. Izlar

Produced by Playwrights in Process Visiting Playwrights Series in conjunction with the Department of Theatre Arts

Date: Nov. 8, 2008

Produced in Environmental Theatre Space



4. FINDING YOUR SONG: The Musicality of August Wilson

Produced by August Wilson Society in cooperation with professors Sais Kamalidiin, Sandra Shannon, Joe Selmon, Denise J. Hart & Kim Bey

Date: Nov. 13, 2008



5. EASY LAWD: DEATH VISITS THE QUARTIER Compiled and written by Eleanor W. Traylor (Staged reading)

Directed by Joe Selmon

Date: Fall 2008



The Blues Eye travels to Dominican Republic


Directed by Tamera Izlar

Produced in Environmental Theatre Space

Produced in Dominican Republic March 2009

Spring Semester 2009 (no season theme mentioned)

Howard Players Newsletter November 2008. Nickolas A. Vaughan, President

Book, music & lyrics by Darius Smith

Date: Jan. 28-30, 2009

Produced in Environmental Theatre Space


The protagonist of UGLY is a female identifying middle schooler that defies gender norms by joining and excelling on the wrestling team. Her best friend grapples throughout the narrative with his same gender attraction for another classmate. 


The play thematically covers the isolation/ othering/ and bias’ that challenge Black children discovering self while coming of age in the narrow definitions of Southern Black communities. 

10th annual memorial production BEVERLY GAIL BARNES KELCH April 22, 1937 - December 13, 1997 (Company)

Music and lyrics by Stephen Sondheim. Book by George Furth. 

Directed by Mark Jolin. Choreographed by Toni Lombre. Musical Director Darius Smith

Date: March 5-7, 11-14, 2009

Produced in Ira Aldridge Theatre



Directed by Tamera Izlar

Date: March 2009

Produced in Dominican Republic


Date: April 17-18, 2009

Produced in Ira Aldridge Theatre

2007/2008 - Joe W. Selmon, Chair, Department of Theatre Arts

Dean: Dr. James Donaldson, College of Arts & Sciences

Associate Dean: Dr. Tritobia Benjamin, Division of Fine Arts

Major: B.F.A. Theatre Arts

Areas of Concentration: Acting, Dance, Musical Theatre, Theatre Administration, Theatre Technology

Minor Areas of Concentration: Dance, Playwriting, Theatre Arts, Theatre Administration, Theatre Technology

Staff: Janet L. Johnson, Luqman Salim, T. W. Starnes, Michael Stepowany

Faculty: 

Howard Players President:  Jalila Bowie

Fall Semester 2007 (no season theme mentioned)

 

Participated in the American Theatre Festival with Day of Absence. The last time Howard participated in the festival was 1986.

 

Directed by Denise J. Hart. 

 Date: Oct. 3-5, 10-13, 2007

Produced in Environmental Theatre Space 

Dramaturgy: Denise J. Hart, Lecture Series: The Historical and Social Contextualization of Day of Absence



7th annual Anne Cooke Reid Memorial Production (Gum)

Directed by Kim Bey

Date: Nov. 7-10, 2007

Produced in Environmental Theatre Space



Date: Dec 1-3, 2007

Produced in Environmental Theatre Space

Director's Notes - Day of Absence


A Dialogical Discourse on

White Privilege and Protection of White Identity

 

Written in 1965, Douglas Turner Ward’s racial satire is a provocative critique on white privilege (conceived as a reverse minstrel show).  Depicting an imaginary Southern town where all the black people have suddenly disappeared, the play reflects a time when the oppression of black people was politically mandated. 

 

As I undertook the task of preparing to direct the play, I was queried by both colleagues and students regarding the play’s “datedness”.  Admittedly, I was perplexed by these comments since I felt that the play’s themes were quite current.  However, I researched previous reviews of the play and found that primarily reviewers commented on the theme of racially distinguished labor practices.  Several of the reviewers also felt the play was dated (after all, blacks are no longer relegated to those jobs…another group is).  


As I reflected on the comments and read the reviews I saw two positions emerge.  First, a position stemming from race and social privilege, a kind of distancing oneself from “that kind of treatment”, and second, a reluctance to acknowledge the larger themes in the play, those of white privilege and protection of white identity. 

 Themes which were either lost on my colleagues, students, and reviewers or possibly these themes were too contentious to be acknowledged.  


Thus, part of my task as director became centered on making those themes relevant for a 2007 audience.  However, as the case of the Jena Six heightened the countries social consciousness, the reality of white privilege and the injustice which is its frequent bed mate became magnified ten-fold.  


On the one hand, the details surrounding the Jena Six caused the play’s “un-datedness” to become apparent.  On the other hand, the play didn’t really need the Jena Six to become relevant; yet, judging from the queries I received and the response of some reviewers, there are those who needed the Jena Six to make them see with “eyes wide open” that as we embark upon the fortieth anniversary of the civil rights movement, this country remains mired in racial stratification and the struggle, on the part of some, to retain white privilege.  


To borrow a line from the Mayor in the play – “You see, the South has always been glued together by the uninterrupted presence of its darkies.”   

 

No, blacks are no longer relegated to “servile” jobs, however with situations like the Jena Six coming to the social forefront, it would seem that the legacy of oppression in this country possesses a determination to transcend 1965 and rear its ugly head well into the future if we don’t tackle it head on.  - Directed by Denise J. Hart

Day of Absence production photos. Photo credit Jarvis Grant

Spring Semester 2008 (no season theme mentioned)


Day of Absence travels to Pittsburgh for the American College Theatre Festival

Directed by Denise J. Hart. 

Date: January 2008 performed at Kennedy Center American College Theatre Festival at Carnegie Mellon University, Pittsburgh PA


9th annual memorial production BEVERLY GAIL BARNES KELCH April 22, 1937 - December 13, 1997 (Working)

Directed and choreographed by Michael Bobbitt

Date: March 5-8, 12-15, 2008

Produced in Ira Aldridge Theatre



3. UGLY GEENA (Musical) 

Staged reading written by Darius Smith 

Date: April 14, 2007

Produced in Environmental Theatre Space


"The protagonist of UGLY is a female identifying middle schooler that defies gender norms by joining and excelling on the wrestling team. Her best friend grapples throughout the narrative with his same gender attraction for another classmate. 


The play thematically covers the isolation/ othering/ and bias’ that challenge Black children discovering self while coming of age in the narrow definitions of Southern Black communities." - professor Eric Ruffin (Oct. 2024) 



4. CLEAR WATER SWEETNESS (Dance concert)

April 18-20, 2008. Produced in Ira Aldridge Theatre

Photos credit Denise J. Hart

2006/2007 - Joe W. Selmon, Chair, Department of Theatre Arts

Information in these two sections is from the 2006/2007 annual report:

Dean: Dr. James Donaldson, College of Arts & Sciences

Associate Dean: Dr. Tritobia Benjamin, Division of Fine Arts

Major: B.F.A. Theatre Arts

Areas of Concentration: Acting, Dance, Musical Theatre, Theatre Administration, Theatre Technology

Minor Areas of Concentration: Dance, Playwriting, Theatre Arts, Theatre Administration, Theatre Technology

Staff: Greg Jackson, Janet L. Johnson, Luqman Salim, T. W. Starnes, Michael Stepowany

Faculty: 

Howard Players President:  ?

Fall Semester 2006 Season Theme: The Life I Sing About

 

Directed by Yildiz Yilmaz

Date: Oct. 18-21, 2006

Produced in Environmental Theatre Space



6th annual Anne Cooke Reid Memorial Production (Joe Turner's Come and Gone)

Directed by Denise J. Hart

Date: Nov 8-11, 15-18, 2006

Produced in Ira Aldridge Theatre

Dramaturgy: Study Guide contributors & Symposium Speakers: Greg Carr, Patrick Goodin, Denise J. Hart, Sais Kamalidiin, Sandra Shannon 



Directed by Eric Ruffin

Date: Dec. 1-3, 2006

Produced in Environmental Theatre Space


Director's Notes - Joe Turner's Come and Gone 

The year is 1911; post emancipation and African Americans are leaving the south in droves.  They head north seeking their dreams of a better life.  In the Holly boarding house we see a mixed group of individuals, all in search of a fresh start and a new way to make their own mark in the world.  Some walk, some take the train, some ride a wagon and horse, but no matter the transportation the Negroes keep comin’ north.  So goes the paraphrase of part of Seth Holly’s speech in the play.  He ends that same speech by saying: “They got a rude awakenin’!”  Since the post emancipation south was primarily left to itself to create a code of conduct regarding treatment of blacks, there were obviously those who sought ways to keep the system of slavery intact. Thus, for some Blacks, that rude awakenin’ that Seth refers to was confronted long before their arrival in the north.  


Herald Loomis, a former deacon in the church, was in Memphis Tennessee minding his own business, when he stopped to do a little preaching to a group of young men.  A white man (Joe Turney) accused him of a crime he didn’t commit and he was imprisoned and forced to work on a chain gang for seven years. (many falsely accused black men worked from 7-25 years of forced labor).  

During this time he lost his wife as she gave her life to aiding in prospering the church in the north.  His daughter was left with relatives in the South while her mother traveled north.  The trauma Loomis experiences push him over the edge.  


A time filled with forced labor and false imprisonment, and uncertainty regarding his family, cause Loomis, to lose his connection with – his soul, his mind, his song.  That reason we have for living.  However, the ancestral memory map (of those who survived the middle passage) that resides in our genes is called forth as an assistive guide and deliverance tool by the conjure man Bynum who hopes that Loomis will be the Shiny Man he hopes he can lay eyes on one more time so he can die a happy man.  


Thus, the wheels of deliverance are set in motion.  Loomis sets out to find his wife but by plays end he succeeds in finding that missing piece, his song, and remakes himself into a man that can breathe whole and pure and finally stand on his own two feet. - Directed by Denise J. Hart

Production photos, Joe Turner's Come and Gone. Photo credit Jarvis Grant

Spring Semester 2007 Season Theme: The Life I Sing About

8th annual memorial production BEVERLY GAIL BARNES KELCH April 22, 1937 - December 13, 1997 (A Chorus Line)

Book by James Kirkwood & Nicholas Donte. Lyrics by Edward Kleban 

Directed by Mark Jolin. Choreographed by Princess Mhoon-Cooper & Toni Lombre. Musical Director Darius Smith

Date: March 7-10, 14-17, 2007

Produced in Ira Aldridge Theatre


Associate Director by Sherrill Berryman-Johnson

Date: April 17, 2007

Produced in Ira Aldridge Theatre

2005/2006 - Joe W. Selmon, Chair, Department of Theatre Arts

Dean: Dr. James Donaldson, College of Arts & Sciences

Associate Dean: Dr. Tritobia Benjamin, Division of Fine Arts

Major: B.F.A. Theatre Arts

Areas of Concentration: Acting, Dance, Musical Theatre, Theatre Administration, Theatre Technology

Minor Areas of Concentration: Dance, Playwriting, Theatre Arts, Theatre Administration, Theatre Technology

Staff: Greg Jackson, Janet L. Johnson, Luqman Salim, T. W. Starnes, Michael Stepowany

Faculty: 

Howard Players President:  ?

Fall Semester 2005 (no season theme mentioned)

 

Directed by Raquis Da’Juan Petree. Choreographed by Tuluv Price

Date: Fall 2005

Produced in Ira Aldridge Theatre


Student cast below
Photo credit Raquis Da'Juan Petree

Spring Semester 2006 (no season theme mentioned)


co-curated by Princess Mhoon Cooper and Bridget L. Moore

Date: Feb. 3 & 4, 2006

Produced in Ira Aldridge Theatre


Spring Semester 2006 (no season theme mentioned)

7th annual memorial production BEVERLY GAIL BARNES KELCH April 22, 1937 - December 13, 1997 (Eyes)

Directed by Mike Malone. Choreographed by Mike Malone & Sandra L. Holloway. Musical Arrangements & Orchestrations by Darius Smith

Date: March 1-4, 8-11, 2006

Produced in Ira Aldridge Theatre


Spring Semester 2006 (no season theme mentioned)


Artistic Director Dr. Sherrill Berryman-Johnson

Date: April 9, 2006

Produced in Ira Aldridge Theatre


2004/2005 - Joe W. Selmon, Chair, Department of Theatre Arts

Dean: Dr. James A. Donaldson, College of Arts & Sciences

Associate Dean: Dr. Tritobia Benjamin, Division of Fine Arts

Major: B.F.A. Theatre Arts

Areas of Concentration: Acting, Dance, Musical Theatre, Theatre Administration, Theatre Education, Theatre Technology

Minor Areas of Concentration: Dance, Playwriting, Theatre Arts, Theatre Administration, Theatre Technology

Staff: Janet L. Johnson, Claudia Neal, Michael C. Stepowany

Faculty: 

Howard Players President:  Goldie Patrick

Fall Semester 2004 (no season theme mentioned)

 

Directed by Brandon B. White

Date: Nov. 10-13, 2004

Produced in Ira Aldridge Theatre


Directed by Mark Jolin

Date: Oct. 6-9, 13-16 2004

Produced in Ira Aldridge Theatre



Directed by Carla Pearson

Date: Dec. 3-4, 2004

Produced in Environmental Theatre Space


Spring Semester 2005 (no season theme mentioned)

6th annual memorial production BEVERLY GAIL BARNES KELCH April 22, 1937 - December 13, 1997 (Into the Woods)

Directed and choreographed by Raquis Da’Juan Petree

Date: March 3-5, 9-12, 2005

Produced in Ira Aldridge Theatre



Coordinated by Sybil Roberts-Williams

Date: April 15, 18-19, 2005

Produced in Environmental Theatre Space


Artistic Director Dr. Sherrill Berryman-Johnson

Date: April 15-16, 2005

Produced in Ira Aldridge Theatre


2003/2004 - Joe W. Selmon, Interim Chair, Department of Theatre Arts

Dean: Dr. James Donaldson, College of Arts & Sciences

Associate Dean: Dr. Tritobia Benjamin, Division of Fine Arts

Major: B.F.A. Theatre Arts

Areas of Concentration: Acting, Dance, Musical Theatre, Theatre Administration, Theatre Education, Theatre Technology

Minor Areas of Concentration: Dance, Playwriting, Theatre Arts, Theatre Administration, Theatre Technology

Staff: Janet L. Johnson, Claudia Neal, Michael C. Stepowany, T. W. Starnes

Faculty: 

Howard Players President: ?

Fall Semester 2003 Season Theme: We Are a Family

 

Directed by Kim Bey. 

Date: Oct. 15-18, 21-25, 2003

Produced in Environmental Theatre Space



Directed by Eric Ruffin

Date: Nov. 12-15, 19-22, 2003

Produced in Ira Aldridge Theatre


Spring Semester 2004 Season Theme: We Are a Family

5th annual memorial production BEVERLY GAIL BARNES KELCH April 22, 1937 - December 13, 1997 (Abyssinia)

Directed and choreographed by Mike Malone

Date: March 10-13, 2004

Produced in Ira Aldridge Theatre



Artistic Director Dr. Sherrill Berryman-Johnson

Date: April 5, 2004

Produced in Ira Aldridge Theatre


Company Director Denise J. Hart


Available for bookings:

2002/2003 - Henriette Edmonds, Chair, Department of Theatre Arts

Dean: Dr. James Donaldson, College of Arts & Sciences

Associate Dean: Dr. Tritobia Benjamin, Division of Fine Arts

Major: B.F.A. Theatre Arts

Areas of Concentration: Acting, Dance, Musical Theatre, Theatre Administration, Theatre Education, Theatre Technology

Minor Areas of Concentration: Dance, Playwriting, Theatre Arts, Theatre Administration, Theatre Technology

Staff: Janet L. Johnson, Claudia Neal, Michael C. Stepowany, T.W. Starnes

Faculty: 

Howard Players President: ?

Fall Semester 2002 (no season theme mentioned)

 

Directed by Carole W. Singleton

Date: Oct. 2-5, 9-11 2002

Produced in Ira Aldridge Theatre


Company Director Denise J. Hart


Available for bookings:

Spring Semester 2003 (no season theme mentioned)

 

Directed by Mark Jolin

Date: Jan. 29-Feb. 1, 5-8, 2003

Produced in Ira Aldridge Theatre


4th annual memorial production BEVERLY GAIL BARNES KELCH April 22, 1937 - December 13, 1997 (God's Trombones)

Directed and choreographed by Mike Malone. Music by Raymond Reeder & William Hubbard 

Date: March 7-8, 12-15,  2003

Produced in Ira Aldridge Theatre


Spring Semester 2003 (no season theme mentioned)


Directed by Michael C. Stepowany

Date: April 4, 2003

Produced in Environmental Theatre Space.

Four short works by Beckett: Rockabye, Come and Go, Footfalls, Catastrophe



Artistic Director Dr. Sherrill Berryman-Johnson

Date: April 19-20, 2003

Produced in Ira Aldridge Theatre

2001/2002 - Henriette Edmonds, Chair, Department of Theatre Arts

Dean: Dr. James Donaldson, College of Arts & Sciences

Associate Dean: Dr. Tritobia Benjamin, Division of Fine Arts

Major: B.F.A. Theatre Arts

Areas of Concentration: Acting, Dance, Directing, Musical Theatre, Theatre Administration, Theatre Education, Theatre Technology

Minor Areas of Concentration: Dance, Playwriting, Theatre Arts, Theatre Administration, Theatre Technology

Staff:  Janet L. Johnson, Claudia Neal, Michael C. Stepowany, T. W. Starnes

Faculty: 

Howard Players President: Kibibi Dillon

Fall Semester 2001 (no season theme mentioned)

 

Directed by Mark Jolin

Date: Sept. 25-29. Oct 2-6, 2001

Produced in Environmental Theatre Space


2nd annual Anne Cooke Reid memorial production (The Piano Lesson)

Directed by Dr.  Carole W. Singleton

Date: Nov. 7-10, 14-17,2001

Produced in Ira Aldridge Theatre


Fall Semester 2001 (no season theme mentioned)


Date: Dec. 5-6, 2001

Produced in Environmental Theatre Space


Company Director Clinton L. Carbon

Available for bookings:

Spring Semester 2002 (no season theme mentioned)

3rd annual memorial production BEVERLY GAIL BARNES KELCH April 22, 1937 - December 13, 1997 (Once on This Island)

Directed and choreographed by Mike Malone

Date: March 6-9, 13-16, 2002

Produced in Ira Aldridge Theatre


Directed by Denise D. Saunders

Date: Jan. 31, Feb. 2, 5-9, 2002

Produced in Environmental Theatre Space



Artistic Director Dr. Sherrill Berryman-Johnson

Date: April 19-21, 2002

Produced in Ira Aldridge Theatre

2000/2001 - Henriette Edmonds, chair, Department of Theatre Arts

Dean: Dr. James A. Donaldson, College of Arts & Sciences

Associate Dean: Dr. Tritobia H. Benjamin, Division of Fine Arts

Major: B.F.A. Theatre Arts

Areas of Concentration: Acting, Dance, Directing, Musical Theatre, Theatre Administration, Theatre Education, Theatre Technology

Minor Areas of Concentration: Dance, Playwriting, Theatre Arts, Theatre Administration, Theatre Technology

Staff: Janet L. Johnson, Claudia Neal, Michael C. Stepowany, T. W. Starnes

Faculty: 

Howard Players President: Glen Gordon

Fall Semester 2000 Season Theme: Sifting Through the Sands of Time

Directed by Mark Jolin   

Date: At Catholic University Nov. 1-4. At Howard University Nov. 8-12, 2000


(lists are incomplete. No program available)


Date: Fall 2000

Vera J. Katz, Producer. 

Spring Semester 2001 Season Theme: Sifting Through the Sands of Time

 

Directed by Vera J. Katz

Date: Jan. 24-27, 31 Feb. 1-3, 2001

Produced in Ira Aldridge Theatre


2nd annual memorial production BEVERLY GAIL BARNES KELCH April 22, 1937 - December 13, 1997 (Timbuktu)

Directed and choreographed by Mike Malone. Musial Director Anthony Booker

Date: March 9-10, 13-17, 2001

Produced in Ira Aldridge Theatre


Spring Semester 2001 Season Theme: Sifting Through the Sands of Time

 

3. MIMES AND YARNS written by Kelsey E. Collie 

Roxie Roker Touring Company

Directed by Clinton L. Carbon

Date: March 28, 30. April 6, 13, 2001

Produced in Ira Aldridge Theatre



4. SPEAKING THE VOICES OF OUR PEOPLE (Dance concert)

Artistic Director, Sherrill Berryman-Johnson

Date: April 20-22, 2001

Produced in Ira Aldridge Theatre


Click HERE to Review 2000-1990 Theatrical Production History

Please note, this research site is not a comprehensive report on all Department of Theatre Arts performance/workshop/symposia/masterclass presentations. Nor is it comprehensive for all Howard Players performance presentations. Nor is this a comprehensive report on the Dance area performance/workshop/masterclass presentations. The research continues.