2000 - 1990 Theatrical Production History

1912 College Dramatic Club

Before there was a Department of Drama (1950) or a Department of Theatre Arts (after the name change in 1992), and before the Howard Players (1919) there was the Howard College Dramatic Club which started in 1909 when a group of students sought to formalize theatrical presentation on Howard's campus. To learn more about dramatic arts on Howard's campus prior to 1907 Click here to read my article "The Journey Begins."

In the 10 second video clip to the right, check out an original 1912 poster of the College Dramatic Club producing a play to benefit the Gymnasium. Wow!  


1912 Howard University College Dramatic Club Poster, I.G. Bailey and Thurman family papers, Stuart A. Rose Manuscript, Archives, and Rare Book Library, Emory University. https://archives.libraries.emory.edu/repositories/7/resources/2331 Accessed April 27, 2022

 Scroll down to review the 2000 - 1990 repository of the Howard Players theatrical production 

1999/2000 - Henriette Edmonds, Chair, Department of Theatre Arts

Dean: Dr. James A. Donaldson, College of Arts & Sciences (Nov. 1, 1999)

Associate Dean: Dr. Tritobia Benjamin, Division of Fine Arts

Major: B.F.A. Theatre Arts

Areas of Concentration: Acting, Dance, Directing, Musical Theatre, Theatre Administration, Theatre Education, Theatre Technology

Minor Areas of Concentration: Dance, Playwriting, Theatre Arts, Theatre Administration, Theatre Technology

Staff: Janet L. Johnson, Claudia Neal,  Luqman Salim, T. W. Starnes, Michael Stepowany

Faculty: 

Howard Players President:  Ashley C. Turner

Oral History Interview by Denise J. Hart with Kelsey E. Collie (July 15, 2018) former faculty member 1973-1995 & 1997-2000


What were the strengths of the department during the years you were there?

The quality of the productions on a whole. The faculty strove to do good theatre.


What were the weaknesses of the department during your years?

Leadership was a weakness. There were a lot of politics. Al Freeman refused to advertise the Children’s theatre area as a major. Lots of fighting with the Dean’s. Huge politics of being in the College. Veda (Butcher/Dean) was white gloves and old school. She didn’t want us doing anything that would make us look bad. She carried the respectability politics. She felt that she had a bit to say about what DOTA did. She hired Ted (Cooper) as a puppet. He was beholding to her and he did her bidding for a while but faculty members he hired didn’t want to go along with the program and it mixed things up.

 

Jeff Donaldson was into politics with Al Freeman. Al Freeman wanted it to be more of a focus on the black movement but in his own words. "Freeman was “the” professional and so he had all the answers."

 

For a while Carole (Singleton) got caught up in the respectability politics of Veda Butcher. Then when she realized that her faculty wasn’t with her she loosened up but that put her in conflict with Butcher and Donaldson who wanted certain kinds of plays produced.

 

Cooper for all intents and purposes was not the best person to be the Chair. He wasn’t seasoned enough. He didn’t know how to manage all the personalities and he liked to stir up things and when he and Joseph Walker got together. Joe could dominate Ted and tell him what to do. Joe tried to run the department from the shadows. However there were a lot of strong people and they wouldn’t allow that to happen. It was also that some of them were having affairs with the students. Joe had his own group and Ted had his group. Unprofessionalism of the faculty and it really made the rest of the faculty look bad. As a result the faculty were looked down upon. DOTA was seen as the lesser of the three departments in Fine Arts.

 

Another weakness was not developing black playwrights. Joe Walker dabbled at it but he wasn’t professorial. He didn’t work with the students in the way he should have in Academia. He left them to their own devices. He was interested in doing the productions. He wasn’t interested in the hard work of teaching and mentoring.



 

What about the Howard Players production, Saturday Night Live?

The show was tasteless and crude and the students had gone beyond the fringe by doing it. Talked about putting Vera Katz in the trunk of a car and having their way with her. It got to be ugly. They were on stage rubbing themselves. Ted Cooper closed the place down. It was one of the worst things that ever happened. It was chair serving as the Howard Players advisor. Ted Cooper was the chair. It was an embarrassment to Ted Cooper. The students got really upset. Kent Jackman and Melvin Andrews, Greg Poole and were involved and were angry with the faculty because the faculty said there would be no more shows like that and the faculty would have to approve anything the students wanted to put on.


Despite all of the problems that he may have had especially in the later years before he retired I think that for me that was probably one of the finest experiences I have ever had and I appreciate that I was able to develop the Children’s theatre that even now people are still talking about it. I also think of the fact that when they went out in the community and performed that they were doing a great service for the people. It really made a difference to the students because they discovered that theatre was not something that only happened on the stage.

Did the students give feedback on the season selections? 

The season selection was opened up to the students. Faculty did not try to be any particular style or anything one thing. They did what they thought the students and community could handle.

 

Was the departmental traditional during the years you were on faculty?

 Yes. But they broke down when they did the student play by Ajamu, The Brass Medallion in 1975/76. That was a prison play and the scene where men were naked taking a shower. There was a suggestion of sexual activity. Dean Veda Butcher was not happy about that but the faculty assured her that it would be tastefully done.

 

After The Brass Medallion was produced the plays became edgier.

 

Has respectability politics had any impact in the department over the years? 

With children’s theatre they would do things that spoke to black people and who they really were and how they were. Part of the department wanted to cater to the European way of thinking and others who went towards the Black Arts Movement. Torn between where are we going. In some ways the department was schizoid. Much more emphasis was placed on quality performers. 


Final Thoughts...

It was the NYU for blacks.

Fall Semester 1999 Season Theme: Living the Legacy

1. SHADOW BOX written by Michael Cristofer

Directed by Mark Jolin

Date: Sept. 29-30 Oct. 1-2, 6-9

Produced in Ira Aldridge Theatre

Dramaturgy: Lessons on Living: Dialogues on Death and Dying Conference sponsored by Department of Theatre Arts, Department of Sociology and Anthropology, Howard University Hospital & the Department of Professional Development, Quality Management and Research


2. RHYME DEFERRED written by Kamilah Forbes

Directed by Kamilah Forbes

Date: October 13-16, 19-23, 1999

Produced in Environmental Theatre Space


This piece was first produced at Howard University April 23, 1998

From the program: Rhyme Deferred was born out of a collaboration of artists. Each member of the crew is highly adept in his/her artistic medium, making this a true and complete cipher of the four elements of the culture


From program: "Living the Legacy: 50 Years of Theatrical Arts at Howard University" Nov. 15-19, 1999

In fall, 1949, the Howard Players toured in Norway, Denmark, Sweden and Germany with The Wild duck by Henrik Ibsen and Mamba's Daughters by Dubose and Dorothy Heyward. These performances received excellent reviews. This historic tour was the catalyst that propelled the Board of Trustees to approve the establishment of the Department of ''Drama on April 25, 1950. 

Since this suspicious beginning, the Department has maintained the legacy of excellence created by our founders, Anne Cooke-Reid, Owen Dodson and James W. butcher the department has continued to maintain this legacy. We currently enjoy an excellent reputation nationally and internationally., having performed in such venues as Switzerland, Ireland, France and Hong Kong. 

Some of the finest performers in theatre, television and film are products of the training received at Howard. We proudly name Debbie Allen, Phylicia Rashad, Joseph A. Walker, Richard Wesley, the late Roxie Roker, Wendy Robinson, Harriet D. Foy, Roz Coleman and a host of other talents among our graduates. 

We are equally proud of the future artists whose performance you will see today. We celebrate joyfully and proudly as we recount our distinguished history. The faculty, staff and students continue to honor our legacy of fifty (50) years and pledge to continue to reach new heights of creativity. 

Produced by the Department of Theatre Arts

Date: Nov. 15-19, 1999

Produced in Armour J. Blackburn Center











2. FLYIN’ WEST written by Pearl Cleage

Directed by Kenneth Daugherty

Date: Nov. 10-13, 17-20, 1999. 

Produced in Ira Aldridge Theater


3. HIEROGLYPHIC GRAFFITI written by Chad Boseman (Student production)

Directed by Chad Boseman/Aharon Sun of the Griots. Camille Gurnell, Assistant Director

Date: Dec, 1-3, 1999. 

Produced in Environmental Theatre Space

Note from the Director - The play is a work in progress


4. WORDS BEATS MOVEMENTS HIP HOP FESTIVAL (Dance Area)

Date: September 22, 1999

Produced in conjunction with Washington Performing Arts Society & Smithsonian Institution



Spring Semester 2000 Season Theme: Living the Legacy

1st annual memorial production BEVERLY GAIL BARNES KELCH April 22, 1937 - December 13, 1997 (Black Broadway)

Date: March 1-4, 8-11, 10-18, 2000. Produced in Ira Aldridge Theatre


2. HEROES & SHEROES (Play Reading series)

Date: Feb. 5, 11,-12, 2000. 

Produced in Environmental Theatre Space


3. WEARING THE MASK written by Henriette Edmonds

Roxie Roker Touring Company

Directed by Clinton L. Carbon

Date: March 28, 30. April 6, 13, 2001

Produced in Ira Aldridge Theatre

4. CELEBRATING THE EVOLUTION OF DANCE: A Language of Cultural Dialogue (Dance concert)

Date: April 14, 14, 2000. 

Produced in Ira Aldridge Theatre


1998/1999 - Henriette Edmonds, Interim Chair, Department of Theatre Arts

Dean: Dr. Clarence Lee Dean, College of Arts & Sciences

Associate Dean: Dr. Tritobia Benjamin, Division of Fine Arts

Major: B.F.A. Theatre Arts

Areas of Concentration: Acting, Dance, Musical Theatre, Theatre Administration, Theatre Technology

Minor Areas of Concentration: Dance, Playwriting, Theatre Arts, Theatre Administration, Theatre Technology

Faculty: 

Staff: Janet L. Johnson, Claudia Neal, Michael Stepowany

Howard Players President:  ?

Fall Semester 1998 (no season theme)

Directed by Mark Jolin

Date: Oct. 21 – 30, 1998

Produced in Environmental Theatre Space



Directed by Kelsey E. Collie

Dates: Oct. 10-17. 1998

Produced in Ira Aldridge Theatre


Cast: Greg Alvarez Reid (Cast incomplete. Searching for program)


Directed by Dr. Carole W. Singleton

Date: Nov. 11-14, 18-21, 1998

Produced in Ira Aldridge Theatre


Spring semester 1999 (no season theme)


Directed by Vera Katz

Date: Feb. 11-13, 16-20, 1999

Produced in Ira Aldridge Theatre



Directed by Mike Malone

Date: March 1999

Produced in Ira Aldridge Theatre


Date: April 1999. 

Produced in Ira Aldridge Theatre

4. PLAYWRIGHT'S LAB founded by Sybil Roberts (Student Play readings)

Date: Spring 1999

Produced in Environmental Theatre Space


The Playwright's Lab was founded to give aspiring young playwrights a safe, and nurturing environment to develop their artistic voice while honing their skills as writer. The Playwright's Lab recognizes that while "craft" of constructing plays, organizing action in a manner that is both exciting and meaningful, is of the utmost importance;  it is only a part of the playwright's task as artist. First and foremost the playwright must HAVE SOMETHING TO SAY!!! In essence, thought should precede and dictate form. Thus, the Playwright's Lab serves as a "testing ground" for experimental and avant-garde plays, and performance works. finally, the Playwright's Lab exists to serve the works. finally, the Playwright's Lab exists to serve the "process " of writing; and does not have as its goal the production of plays,. It is not a producing organization... it is indeed a Lab. ~ Prof. Sybil J. Roberts 


Play Readings: 


THE BOOTLEG BLUES by J. Kyle Manzay (Student production)

Directed by J. Kyle Manzay

April 13 - 16, 1999. Produced in Environmental Theatre Space

Department of Theatre Arts in conjunction with J. Kyle Korner Productions

1997/1998 - Al Freeman, Jr., Chair, Department of Theatre Arts

By vote of the Howard University Board of Trustees, starting July 1, 1997, the College of Fine Arts will cease to exist and now be known as a Division of Fine Arts in the College of Arts and Sciences

Dean: Dr. Clarence Lee Dean, College of Arts & Sciences

Associate Dean: Dr. Tritobia Benjamin, Division of Fine Arts

Major: B.F.A. Theatre Arts

Areas of Concentration: Acting, Children's Theatre, Directing, Musical Theatre, Theatre Arts Administration, Theatre Education

Minor Areas of Concentration: Dance, Playwriting, Theatre Arts, Theatre Administration, Theatre Technology

Faculty: 

Staff: Paul Falcon, Janet L. Johnson, Claudia Fuller, Reggie Ray

Howard Players President:  Chadwick Boseman

Chadwick Boseman was a sophomore student in the Department of Theatre Arts when the Board of Trustee action took effect. He led a student protest in an attempt to have the removal of the College of Fine Arts reversed. Article below from the March 7, 1997 Hilltop.

Fall Semester 1997 (no season theme)


Directed by Al Freeman Jr. 

Date: Fall 1997

Produced in Ira Aldridge Theatre



Directed by Mike Malone


Spring Semester 1998 (no season theme)


Directed and choreographed by Mike Malone

Date: March 17-21, 1998

Produced in Ira Aldridge Theatre



1996/1997 - Al Freeman, Jr, Chair, Department of Theatre Arts

Dean: Dr. Jeff Donaldson, College of Fine Arts

Major: B.F.A. Theatre Arts

Areas of Concentration: Acting, Children's Theatre, Directing, Musical Theatre, Theatre Arts Administration, Theatre Education

Minor Areas of Concentration: Dance, Playwriting, Theatre Arts, Theatre Administration, Theatre Technology

Staff: Paul Falcon, Janet L. Johnson, Claudia Neal, Reggie Ray

Faculty: 

Howard Players President:  Neil Lewis

Fall Semester 1996 (no season theme) 

 

Directed by Mark Jolin

Date: Oct. 9-12 & 15-19th 1996

Produced in Ira Aldridge Theatre


Costumes – Reggie Ray. Lighting – George Epting. Scenic Design Paul Falcon. Assistant Director student Lenora Pace.


Spring Semester 1997 (no season theme) 

 

2. JELLY'S LAST JAM (Musical) book by George C. Wolfe. Music by Jelly Roll Morton. Lyrics by Susan Birkenhead

Directed and choreographed by Mike Malone. Musical Director David Alan Bunn

Date: March 4-8, 11-15, 18-22nd 1997

Produced in Ira Aldridge Theatre


1995/1996 - Al Freeman, Jr., Chair, Department of Theatre Arts

Dean: Dr. Jeff Donaldson, College of Fine Arts

Major: B.F.A. Theatre Arts

Areas of Concentration: Acting, Children's Theatre, Directing, Musical Theatre, Theatre Arts Administration, Theatre Education

Minor Areas of Concentration: Dance, Playwriting, Theatre Arts, Theatre Administration, Theatre Technology

Staff: Paul Falcon, Janet L. Johnson, Claudia Neal, Reggie Ray

Faculty: 

Howard Players President:  Denise J. Hart. (Sybil Roberst, faculty advisor)

Fall Semester 1995 (no season theme mentioned)


Directed by Mark Jolin

Date: Sept. 28-30 Oct. 3-7th 1995

Produced in Environmental Theatre Space



Directed and choreographed by Mike Malone. Original music by William Hubbard, Raymond Reeder, Chris Royal

Date: Oct. 24,25,26,27,28, 31 Nov. 1,2,3,4th 1995

Produced in Ira Aldridge Theatre



Directed by Lenora Pace

Date: November 1995

Produced in Environmental Theatre Space


Spring Semester 1996 Season Theme: Continuing the Legacy


Directed by student Jackie Carter

Date: Feb. 20-23, 1996

Produced in Ira Aldridge Theatre 



Directed by student Lenora Pace

Date: February 29 - March 2, 1996

Produced in Ira Aldridge Theatre



Directed by Chadwick Boseman

Date: April 18-20th 1996

Produced in Environmental Theatre Space



Designed & painted by Researcher Denise J. Hart spring 1996.
Newsletter designed, edited and printed by researcher Denise J. Hart. Spring 1996.
1996 Special Howard Players Newsletter Commemorative Issue. honoring the 1933 Howard players Dramatic Pro-Mo-Tor 

1994/1995 - Al Freeman, Jr., Chair, Department of Theatre Arts

Dean: Dr. Jeff Donaldson, College of Fine Arts

Major: B.F.A. Theatre Arts

Areas of Concentration: Acting, Children's Theatre, Directing, Musical Theatre, Theatre Arts Administration, Theatre Education

Minor Areas of Concentration: Dance, Playwriting, Theatre Arts, Theatre Administration, Theatre Technology

Staff: Paul Falcon, Janet L. Johnson, Claudia Neal, Reggie Ray

Faculty: 

Howard Players President:  Carmen J. Neely

Fall Semester 1994 (no season theme)

Directed by Al Freeman Jr

Date: Oct. 5-8 & 12-15, 1994

Produced in Ira Aldridge Theatre


2. LEGACY OF A PEOPLE (Howard University Dance Ensemble)

Artistic Director Dr. Sherrill Berryman-Miller

Date: Nov. 18-19, 1994

Produced in Ira Aldridge Theatre



3. SISTAH GIRL written by Denise Hart-Kennedy (Howard Players student Play Reading)

Directed by Jackie Carter. Kameshia Duncan, Assistant Director

Date: Fall 1994

Produced in Environmental Theatre Space

4. RHINOCEROS written by Eugene Ionesco 

Directed by Vera Katz

Date: Fall 1994

Produced in Ira Aldridge Theatre



Photo of scene from Rhinoceros by Eugene Ionesco: KyMoni Abram, Naima Welcher, Anthony Manough, Chatney Stepney, Vonte Woods. Photo credit Jarvis Grant

Spring semester 1995 (no season theme)

 

Directed by student Jackie Carter

Date: March 19-20, 1995

Produced in Environmental Theatre Space 


Directed by Mark Jolin

Dates: Feb. 14-25, 1995

Produced in Environmental Theatre Space 



Directed and choreographed by Mike Malone. Musical Director Raymond Reeder.

Date: March 10-11, 14-18, 20-25, 1995

Produced in Ira Aldridge Theatre



1993/1994 - Al Freeman, Jr., chair, Department of Theatre Arts

Dean: Dr. Jeff Donaldson, College of Fine Arts

Major: B.F.A. Theatre Arts

Areas of Concentration: Acting, Children's Theatre, Directing, Musical Theatre, Theatre Arts Administration, Theatre Education

Minor Areas of Concentration: Dance, Playwriting, Theatre Arts, Theatre Administration, Theatre Technology

Staff: Paul Falcon, Janet L. Johnson, Claudia Neal, Reggie Ray

Faculty: 

Howard Players President: ?

Fall Semester 1993 (no season theme)

Photos of scenes from Death and the King's Horseman written by Wole Soyinka. Photo credit Jarvis Grant
Photo credit Jarvis Grant
Photo credit Jarvis Grant

Guest Director Clinton Turner Davis

Date: Oct. 13-30, 1993

Produced in Ira Aldridge Theatre


Photo credit Jarvis Grant
Photos credit Jarvis Grant

2. OAK AND IVY written by Kathleen McGhee Anderson

Directed by Al Freeman Jr.

Date: Fall 1993


3. AGAMEMNON directed by Mark Jolin. Dates: (searching for program)

4. AFRICA RHYTHM AND MOTION: A Celebration of Tradition and Roots (Howard University Dance Ensemble)

Artistic Director Dr. Sherrill Berryman-Miller

Date: Nov. 19, 20, 1993

Produced in Ira Aldridge Theatre

5. DANCE SHOWCASE: New Beginnings III

Choreographed by Adrian Vincent James

Date: Dec. 6, 1993

Produced in Ira Aldridge Theatre


Spring Semester 1994 (no season theme)

Directed and choreographed by Mike Malone. Musical Direction Raymond Reeder

Date: March 11-26, 1994

Produced in Ira Aldridge Theatre


2. COMING OF AGE (Howard University Dance Ensemble)

 Artistic Director Dr. Sherrill Berryman Miller

Date: April 22-23, 1994

Produced in Ira Aldridge Theatre


3. DANCE SHOWCASE: New Beginnings VIII - The Final Chapter

Choreographed by Adrian Vincent James

Date: April 28, 1994

Produced in Ira Aldridge Theatre



1992/1993 - Al Freeman, Jr, Chair, Department of Theatre Arts

Dean: Dr. Jeff Donaldson, College of Fine Arts

Major: B.F.A. Theatre Arts

Areas of Concentration: Acting, Children's Theatre, Directing, Musical Theatre, Theatre Arts Administration, Theatre Education

Minor Areas of Concentration: Dance, Playwriting, Theatre Arts, Theatre Administration, Theatre Technology

Faculty: 

Staff: Janet L. Johnson, Claudia Neal, Reggie Ray

Howard Players President:  Kyle Leland Rivers

Fall 1992, the department undergoes a name change from Department of Drama to Department of Theatre Arts

Fall Semester 1992 (no season theme)

Directed by Al Freeman Jr. Conceived by Carole W. Singleton

Date: Oct. 8,9,10,15,16,17, 1992

Produced in Ira Aldridge Theatre



Directed by Vera J. Katz

Date: Nov. 12-14 & 17-21. 1992

Produced in Ira Aldridge Theatre




Photo from Antigone by Sophocles. Photo credit Jarvis Grant

Spring Semester 1993 (no season them)

Directed and choreographed by Mike Malone. Raymond Reeder, Musical Director

Date: March 11-13 & 16 – 20, 1993

Produced in Ira Aldridge Theatre

2. CRACKIN' UP written by Guinea Bennett. (Howard Players student production

Directed by Guinea Bennett

Date: Jan. 30 - Feb. 1, 1993

Produced in Ira Aldridge Theatre


3. DANCE SHOWCASE – EXPRESSIONS I


4. DANCE SHOWCASE – EXPRESSIONS II

1991/1992 - Dr. Carole W. Singleton, Chair, Department of Drama

Dean: Dr. Jeff Donaldson (Acting Dean), College of Fine Arts

Major: B.F.A. Drama

Areas of Concentration & Coordinators:Acting (Henriette G. Edmonds), Directing (Kelsey Collie), Musical Theatre (Mike Malone), Theatre Administration (Theodore G. Cooper), Children’s Theatre (Kelsey Collie), Theatre Education (Dr. Carole W. Singleton)

Minor Areas of Concentration: Dance, Playwriting, Theatre Arts, Theatre Administration, Theatre Technology

Faculty 

Staff: Janet L. Johnson, Claudia F. Neal

Howard Players President: ?

Fall Semester 1991 (no season theme)

Directed by Ted G. Cooper. Valerie W. Mills, Musical Director 

Date: Nov. 19,20,21,22,23, 1991 & Jan. 22,23,24,25,30,31 Feb. 1, 1992

Produced in Ira Aldridge Theatre






To right: Dreamgirls cast and production team in Hong Kong 1992. Photo credit Dormetria Robinson

Spring Semester 1992 (no season theme)


Dream Girls travels to Hong Kong for sold out performances! 


Directed and choreographed by Mike Malone. Musical Director Tony Booker

Date: March 3,4,5,6,7, 1992

Produced in Shouson Theatre Hong Kong



2. SENIOR SEMINAR 

Date: April 16,17,18, 1992

Produced in Environmental Theatre Space

1990/1991 - Dr. Carole W. Singleton, Chair, Department of Drama

Dean: Dr. Vada E. Butcher, College of Fine Arts

Major: B.F.A. Drama

Areas of Concentration & Coordinators: Acting (Henriette G. Edmonds), Directing (Kelsey Collie), Musical Theatre (Mike Malone), Theatre Administration (Theodore G. Cooper), Children’s Theatre (Kelsey Collie), Theatre Education (Dr. Carole W. Singleton) 

Minor Areas of Concentration: Dance, Playwriting, Theatre Arts, Theatre Administration, Theatre Technology

Staff: Janet L. Johnson, Claudia Neal, Mike Stepowany

Faculty: 

Howard Players President:  Morris Beasley

Excerpts from 1990/91 College of Fine Arts Annual Report

(pg. 131)...tangential with the Department's instructional programs is its production season which attempts to reinforce the former, It is essential that the Department be provided a production budget commensurate with its size and scope, in order to implement the productions necessary to augment its academic programs. it is important that productions emanating from an academic theatre unit not be regarded as mere entertainment or extra-curricular "frills." Consequently, the 1990-91 budget cuts which resulted in the removal of at least two "service" courses from the Department's teaching schedule and one production from its 1990-91 season should be considered as serious threats to successful implementation of the instructional programs of the Department. 

(pg. 131-132) ... the Department has been invited to bring its production of DREAMGIRLS to the annual Hong Kong Arts Festival in March, 1992. Plans for that project are currently underway. The American Community Theatre in hong kong and the Board of Governors of the American Chamber of Commerce of Hong Kong are certain of adequate corporate funding to totally underwrite this exciting cultural exchange. The Department of Drama considers even the invitation as an honor and a major highlight of its instructional innovation for academic year 1990-91. if this project should materialize (and there is a good chance that it will) it cannot help but be a boost to the image of the Department and a "feather in the cultural cap of the University-at-large. 

(pg. 130) The Directing area of concentration was submitted to National Association of Schools of Theatre (NAST) in June 1991 for plan approval to make Directing an accredited are of study in the department. 

Fall Semester 1990 (no season theme)

 

Directed by Carole W. Singleton

Date: Oct. 18,20,25,26,27 Nov. 1,2,3, 1991

Produced in Ira Aldridge Theatre



Date: Sept. 5-9, 11-16, 1990

Produced in Ira Aldridge Theatre

Spring Semester 1991 (no season theme)

 

Directed by Kelsey E. Collie

In association with the Howard University Children's Theatre

Date: Feb. 14,15,16,21,22,23, 1991 

Toured around the Washington DC Metro Area


2. DREAM GIRLS (Musical) book and lyrics Tom Eyen. Music Henry Krieger

Directed and choreographed by Mike Malone. Musical Dirctor Tony Booker

Date: March 6, 7, 8, 9, 12, 13, 14, 15, 16 1991

Produced in Ira Aldridge Theatre 



3. TO BE YOUNG, GIFTED AND BLACK (student production produced by the department)


4. FRIDAY'S TOAST (Reading of a student play)

Click HERE to review 1990 - 1980 Theatrical Production History

Please note, this research site is not a comprehensive report on all Department of Theatre Arts performance/workshop/symposia/masterclass presentations. Nor is it comprehensive for all Howard Players performance presentations. Nor is this a comprehensive report on the Dance area performance/workshop/masterclass presentations. The research continues.