❗ Some of the Rules and Guides, as of writing this 06/10/2025, are not final until this message is removed; they are subject to change.
Though no consensus exists regarding the true nature of the heavens, nearly every culture believes the movements of the celestial bodies carry meaning. Their changing brilliance, seasonal appearances, and rare alignments are interpreted as signs of fortune, hardship, or great change. Whether these omens reflect the will of the gods or merely patterns imposed on an indifferent cosmos remains one of Azura’s oldest debates..
"Beauty and strength is what makes something believable, you take that away, and one shall be left with nothing for who they are. Not even their name will show who they are."
—Lady Ríghnach Sear
Ríghnach Sear was one of the two people—and only people—to illustrate the Soluunar and Aethereal bodies in their modern depictions (~2911 B.M.). These women were mainly known for their work within the Arcanum, studying the movements of the stars and planets in the insitution's astrological tower (though this was before it lost its top!)
Lady Sear was known to be a strict instructor, her students made to follow strict ettiquete and engage in rich, intellectual conversations. It were rumored among the... underachievers—as she may have put it—that she both did not like her students, nor her lectures. Yet, many of her students saw past her rigidness to see a truly intelligent woman who cared for her studies. The annals of the Arcanum claim she had only two protégés, with many studies that could be described as eclectic. These studies have not been published, and likely have not left her small circle of colleagues.
Arcanum records of interviews with Lady Sear claim she was granted a tithe of land out in the grasslands for her contributions to astrology and cosmology, making her a noble and thus Lady Ríghnach Sear. Additionally, before she were an acclaimed instruction within the Arcanum, Lady Sear was a philosopher, and was known to ponder the world that she inhabitited; attributed to many ideas of how kynd developed on Azura, and how mana may have contributed to such. Upon retirement, she presided amongst her small castletower in the grasslands, where she continued her previously philisophic ponderings for the end of her days.
Ríghnach Sear as depicted in her Arcanum staff portrait."Gaze upon the stars, the planets—tell me they are not beautiful in itself. You cannot exaggerate these details- every swirl, every storm, every dot upon the surface of each piece must not be lost with time! I will not stand for my research to be in vain- no, no I will not..."
—Dr. Nebella Aibréan
Nebella Aibréan is the other—two-of-two—illustrator of Soluunar and Aethereal clestial bodies. Since birth, Dr. Aibréan has been remarked to be skittish and nervous, but equal-parts kind hearted and intelligent; corroborated by the doctor's parents in a later interview. Compared to Lady Sear, Dr. Aibréan was never a philosopher, and rather was always been among the staff of the Arcanum. Though the doctor was stated by her colleague to "have the mind of a philosopher," as by her own admission Dr. Aibréan was plagued by constant "what if" thoughts about the world, aether and Larova.
Despite her relatively kind-hearted nature, Dr. Aibréan was known to lash-out in uncharacteristic spats with her students; namely if they were to question her studies and theorems, resulting in them being hesitant to engage in deeper conversations with their instructor. Moreover, Dr. Aibréan capricious behavior led to Lady Sear and herself coming to intellectual blows in their theorms and illustrations on how to depict the planets and stars. Lady Sear opted into the belief that the cosmological beings within Soluun's grasp should be depicted with equal dignity to their celestial greatness. Inversely, Dr. Aibréan sought to depict them in a more grounded manner, illustrating with an accurate style to how they could be viewed in Azura's night sky.
The two instructors would butt heads constantly, with passerby students claiming that they were always arguing in the halls of the Arcanum; to the point where attending students in both of their lectures claimed they constantly smeared one another! This continued for months, until the cosmologists brokered an agreement betwixt each other: they shall split the artistry. Such was done, and this compromise prompted a whole generation of artists and intellectuals who take inspiration from both cosmologists; though much of their theorems have been lost to recent conflict with the Pale and Midya.
Nebella Aibréan as depicted in her Arcanum staff portrait.The Sun is one of the few celestial bodies whose stories are nearly universal.
Some traditions claim Soluun wandered an empty void until, overcome by unbearable loneliness, he gathered the wandering worlds into his embrace. Others tell of a possessive tyrant who chained every planet to himself through greed and dominion. Most priests refuse to choose between accounts, believing both reveal the same being: His love could never be separated from his need to possess.
Because every world circles him, Soluun is often used allegorically in oaths concerning rulership, loyalty, and family. Many kings have likened their own reigns to the Collector, while others regard him as a cautionary symbol of tyranny.
The immense cloud of particulate that was once the moon of Rulara now stretches across the skies of Azura, obscuring much of the greater cosmos. Rulara's Veil has rendered many of the system’s distant planets nearly impossible to observe, forcing modern astronomers to rely upon pre-Shattering records, ancient myths, and fragmented observations to reconstruct the heavens.
This uncertainty has blurred the lines between astronomy and folklore. While scholars search for objective truth, many priests argue that the old stories contain truths no telescope could ever reveal.
Lunanides is the remaining silver moon of Azura. Once she shared the heavens with her twin sister, Rulara, until the cataclysm known as the Moonshattering forever changed the skies.
Since Rulara’s destruction, Lunanides has wandered the heavens alone, forever watching over the vast ring of celestial debris that circles Azura. Many cultures view her as a symbol of grief and remembrance.
It is said that Lunanides grows brightest when passing besides Rulara’s ring, as though mourning the loss of her sister. During rare eclipses, when Soluun’s light illuminates the ring just so, the heavens briefly glow with the memory of the two sisters together.
Visible during every season except The Court of the Linden King.
Midyan legend tells that the gods fashioned Sekrellus entirely from crystal glass. Its beauty was so breathtaking that the stars themselves abandoned their stations in the heavens, gathering around it forever to form its brilliant ring.
Artists often regard Sekrellus as the highest expression of divine craftsmanship, while sailors believe the brighter the planet appears, the harsher the coming Winter will be. Its arrival has become synonymous with both inspiration and endurance.
Pteoh can be seen during the Court of the Holly Queen, Iaeda can be seen during the Court of the Linden King.
The twin worlds follow an unusual orbital resonance, periodically drawing so near that each briefly circles the other before returning to its proper path.
The tale of Pteoh and Iaeda originates in Ard Alshams.
It tells of two lovers separated by death who begged the heavens for one final embrace. Moved by their devotion, the gods granted them a single reunion each celestial cycle. Though they must always part again, neither ever fails to find the other.
Across much of Azura, the night of their celestial dance (usually falling within Springtide) is considered among the most fortunate times to wed.
Visible only during Hibernalia, in the Court of the Holly Queen.
Long ago, Khaarketa sought dominion over all existence, conquering world after world until even the heavens trembled beneath his ambition.
Rather than destroy him, the gods shattered both his body and his kingdom, scattering the remnants into an endless ring of broken stone, while imprisoning what remained forever within Soluun’s grasp.
The broken ring surrounding Khaarketa is often likened to a shattered crown, and rulers throughout history have treated the planet as both a symbol of conquest and a warning against unchecked ambition.
The Pale derives its very name from this ancient myth.
According to Azurism, Azura is not merely inhabited by life, but is itself alive.
The tides are said to be its pulse. The changing seasons, its breath. Earthquakes are moments of pain, while volcanic eruptions are likened to fever.
Some philosophers reject these interpretations, arguing they are merely poetic descriptions of nature. The faithful counter that there is no meaningful distinction.
Among pilgrims, lying upon bare earth beneath the night sky is considered one of the purest forms of prayer, allowing one to hear the quiet breath of the living world.
Before the Shattering, Maenar appeared prominently each Springtide, during the Court of the Goodly Fae.
It was named after Queen Maenar, one of the oldest Forster monarchs, by her beloved son, a gifted prince whose observations led to its discovery. Though History remembers him as one of Azura’s greatest astronomers, he insisted the discovery belonged to his mother, believing that every great achievement begins with those who first teach us to look upward.
Since the formation of Rulara’s Veil, Maenar has become nearly impossible to observe except through the finest observatories. It has since become a symbol of youthful curiosity and the pursuit of knowledge.
A vast sapphire world visible only beneath the clearest skies. A confirmed sighting of Thaleris has not been recorded post-Shattering.
Legends claim Thaleris is the great abyss of the heavens, where every forgotten thing eventually comes to rest. Lost names, abandoned kingdoms, and memories erased by time are all said to sink beneath its endless blue surface, preserved forever in silence.
Because of this, Thaleris is regarded as the greatest reliquary of history and memory. Scholars, chroniclers, and poets often invoke its name before recording great works.
A grey-red world whose weathered surface resembles cooling iron and ancient stone. Visible only in Highsomer or Fallowtide, during the Court of the Linden King or Unkindly Fae.
According to legend, Inedeir is the celestial forge upon which the gods first shaped the foundations of creation. Before mountains rose, before seas gathered and before the stars found their places in the heavens, it was upon the endless anvil of Inedeir that the divine hammers rang.
Though no flames can be seen upon its surface, smiths believe its forge has never truly gone cold. Blacksmiths, masons, and artisans often wait for Inedeir to appear in the stars before beginning their greatest works.