Orange Juice‑Can Rollers

Willard Finkbinder

Orange‑juice‑can rollers were one of the most wonderfully improvised—and surprisingly effective—hair tools of the early 1960s. They weren’t an official beauty product at first; they were literally empty frozen‑orange‑juice cans repurposed by teenage girls and beauty‑shop regulars who wanted the biggest, smoothest, straightest hair possible. In an era obsessed with height, volume, and dramatic flips, these oversized “rollers” became a secret weapon for achieving that sleek, full crown seen on Southern bouffants and early‑’60s glamour styles.

What They Were

Orange‑juice‑can rollers were exactly what they sound like: metal cans from frozen concentrate—usually Minute Maid or Donald Duck brand—washed out and used as jumbo hair rollers. Their large diameter made them perfect for smoothing naturally wavy hair or creating the wide, rounded volume that smaller rollers couldn’t achieve.

Why Girls Used Them

Southern high school girls, especially those chasing the perfect bouffant or flip style, loved orange‑juice cans because:

• They produced maximum lift at the crown

• They smoothed hair into big, soft curves

• They helped tame humidity‑prone Southern hair

• They worked beautifully with bonnet dryers

• They were cheap, accessible, and reusable

Girls who wanted Sandra Dee‑smooth hair or Connie Francis‑style volume often slept in them, sat under home dryers with them, or wore them while doing homework.

The Technique

Using orange‑juice‑can rollers required commitment:

• Hair was dampened and coated with setting lotion

• Sections were wrapped tightly around the cans

• Ends were secured with bobby pins or roller clips

• A bonnet dryer provided steady heat

• After drying, hair was brushed into a soft, rounded shape

The result was a polished, controlled look—exactly what early‑’60s Southern beauty culture prized.

Cultural Charm

Orange‑juice‑can rollers became part of the teenage ritual. Girls wore them during sleepovers, backstage at school plays, and in beauty shops across the South. Mothers used them, daughters copied them, and beauty operators swore by them for creating “big hair” before dances, football games, and Sunday church.

They were also a symbol of ingenuity: Southern girls didn’t need fancy salon tools to look glamorous. A freezer, a few cans, and a bonnet dryer could produce magazine‑worthy hair.

Legacy

By the mid‑1960s, manufacturers caught on and began producing extra‑large plastic rollers, but orange‑juice cans remained beloved for years. They’re remembered today as a charming piece of beauty history—an example of how creativity and resourcefulness shaped the iconic hairstyles of the era.

My Hair

Craig Bannecke

LHS '65

I enjoyed the article about haircuts in the Lee's Traveller this past Sunday.  After looking at everyones picture and haircut I recalled a photo of myself I'd ran across the other day.

This is my photo in 1971 about a year after graduating from the University of North Alabama.  The photo was taken in front of our family home in Lakewood.  Additionally as you can see, I have a mustache as well,  which was something else that became popular with the long hair and sideburns.

Thanks for all you do to bring back such great memories of our wonderful bygone days.

LEE LUNCH BUNCH

For Classes of ’64, ’65, ‘66

Thursday, October 22, 2026

11:00 am

Logan’s Roadhouse

Balmoral Dr. Huntsville, AL

Lee High School classmates from ’64, ’65, ’66, please save the date for our fall luncheon. 

Also, please remember to send your RSVP to one of the two cell numbers listed below. 

Limited seating so reservations are a must!

Thanks!

Looking forward to seeing you then.

Patsy Hughes Oldroyd ’65 (256) 431-3396

Judy Fedrowisch Kincaid ’66 (256) 656-3667

We covered boy's hair last week, so this week I thought we might look back at some things dealing with the girls.

The Wayback Machine

"Beauty School Dropout"

Frankie Avalon

1971

"Beauty School Dropout" is a song from the musical Grease. It was written by Jim Jacobs and Warren Casey, and was performed by Frankie Avalon for the film version and soundtrack album.

Last Week's Questions, Answers, And Comments

Delores McBride Kilgore, LHS '66, "Very nice!"

Beth McNabb Weinbaum, LHS ‘65, "Joel and I appreciate all that you do to keep us connected to our Fami-LEE through your diligent efforts and time commitment. We would not know what to do without our weekend update from you. All the best."

Skip Cook, LHS ‘64, "It was a shock to see my 1964 senior picture.  The flat top is long gone, but the picture brought back a memory.  During that time, along with many other LHS friends I was a "bag boy" at Kwik Chek on the Parkway.  A bottle of hydrogen peroxide was in the men's room in the back of the store.  It was a fashion statement at that time to have bleached-blonde hair.  The hydrogen peroxide bleach, liberally applied to the front of the flat top allowed this cool look.  As you can easily see from the photo, I didn't do a good job of the bleach application and had only partial coverage of the front of the flat top.  The things we did to try and impress the ladies...."

Joel Weinbaum, LHS ‘64, "At my house haircuts were an every two week ritual at the barber shop. Buck and a quarter as I remember, at the Erskine Hotel. Definitely no long hair over the collar, no serious sideburns, and absolutely nothing close to a duck tail. Elvis' style was not liked at home. Military discipline was a dominant theme, but ironically, as my dad aged he began to appreciate Elvis Presley, and further irony, something we didn't know back then was the fact that I share ancestors with Elvis, something I have mentioned in this forum before...by way of my mother's side. Small world."