Of Becoming

The study of winged beings and anthropological investigations of ancient civilizations led to the creation of these works. Numerous historical cultures followed belief systems focusing on interchangeable substances.  Anthropomorphic figures with transcendental affinities were woven into their mythical tales. The connection of all life and the transposition of form was not a foreign concept.

Of Becoming l and ll

ink and graphite on mylar mounted on linen.   32"h x 36"w

 The morphogenesis of form shows the subject in transition, between worlds, between beings, a changeling. The sections forming each triptych interact in a billowing, cirrus fashion enhancing the lithesome, and simulacra body in its nascent state: a state containing combined elements of entomological and angelical imagery. The body's forced exodus from this virgin state to its altered definition is emphasized by torn and twisted materials. We possess a duality in our perception of beauty. This duality is seen in the butterfly; intricate wing patterns of fragile beauty co-exist with a bulbous, hirsute body. The mystery of the aesthetic is made evident by our captive fascination of the sublime and odious.  A female figure glances over her shoulder with this same fascination. A suggestion of interest and disdain illuminating her face. She turns her back on us in order to gather within herself, awaiting her next incarnation.