I am prepared (and excited!) to create and teach undergraduate courses meeting standardized departmental requirements in late 18th- to early 20th-century German film, literature and thought (Goethezeit , the novella, Weimar-era, lyric, Nietzsche/Marx/Freud) as well as graduate methods and theory courses.
However, I also keep a running list of more experimental course ideas (graduate, undergraduate, and mixed), which range from completed syllabi to rough ideas and constellations of individual works. These are meant to serve as a personal archive / aide-memoire, an intellectual tool (for producing new constellations among familiar works), and a means for responding in conversation and thought to contemporary concerns.