Keynotes Announced
Chair: Priscila Lena Farias
214: Mapping the Ubiquity of a Font in the Visual Landscape of Türkiye: The Curious Case of “that font” by Koray Gelmez, Onur Yılmaz, Istanbul Technical University
362: Graphic and typographic representation of guaraná soft drinks in the Mid-Twentieth century in Brazil: a comparative study between Antarctica and Brahma brands advertising by Nikolas Lorencini, Senac
393: Ontological typography? by John-Patrick Hartnett, University of the Arts London
780: Transliterating Brand Identity: the Role of Typography in India’s Multilingual Landscape by Rana Shinde, Saurabh Tewari, Indian Institute of Technology Delhi
Chair: Mohd. Shahid
89: Exploring Child Psychology through Writing Patterns: Emotional Expression, Storytelling, and Experimental Typeface Design by Ahchana Fariha, Abhijit Padun, Central Institute of Technology, Kokrajhar
541: Visualizing Emotion: Typography and Cultural Identity in South Indian Film Titles by Sankya Shet, NMIMS School of Design
615: From Bold to Elegant: A Study of Indian Cinema Through Typography by Divyesh Deshmukh, Rahul Deshpande, Manohar Desai, Nitin Gawai, Symbiosis Institute of Design
Chair: Aneesha Sharma
53: And the Word Became Flesh: Typographic bodies and surfaces in the archives of the convent Santa Maria Maddalena alla Giudecca by Ela Egidy, University of Melbourne
195: Peripheral Italian Histories: The Role of Nebiolo’s Typefaces Promotion in the Postwar Typographic Culture by Ludovica Polo, Valentina Nitti, Università Iuav di Venezia
329: Tradition and Identity: Portuguese Digital Type Design by Vitor Quelhas,
365: N Typefoundry (1885–1995): Notes for an Oral History by Oriol Moret, Sheila Gonzalez-Mardones, Laura Membrado, Universitat de Barcelona
Chair: Nimish Vohra
166: Typesetting practices and the perception of the typographer in Indian publishing: a case study by Ragini Siruguri, Independent
206: Shirorekha in Indian Typography and Digital Design by Shreeya Kodolikar, MIT Institute of Design; Nilesh Bhalerao, MIT ADT University
774: From Lipi to Font: Typing a New Visuo-aesthetic Identity for Devanagari in New Media by Nandini Mediratta, Prabhav Singh, Indian Institute of Technology Roorkee; Avni Sharma, Delhi University
Chair: Archana Shekara
418: Cultural Representation in Indian Display Typography: Challenges and Evolving Practices by Rajendra Thakre, Aditi Saxena, Navya Jain, MIT Institute of Design, MIT ADT University
493: Handcrafted Greetings: Exploring the art of lettering in rural Community of Jharkhand by Pallavi Rani, NIFT Mumbai; Gautam Kumar, Globant India
771: Hand-Lettered Theatre Boards: Exploring the Typography of Marathi Plays in Maharashtra by Mukul Pardhi, eQ Technologic; Rana Shinde, Saurabh Tewari, Indian Institute of Technology Delhi