117: Contemporary Design Culture in the New Materialist Turn by Li Zhang, Tongji University
236: Collective Counterfactual: Micro-Publishing as Relational Systemic Practice by Neal Haslem, RMIT University; Katherine Gillieson, Emily Carr University of Art and Design
242: Ethical considerations for advancing design-led reuse by Roxane Adams, University of South Australia
317: The $300,000 table: How markets for design (mis)shape our understandings of people, places, and things by Petra Seitz, Bartlett School of Architecture, UCL; Gregor Wittrick, British Museum; Nia Thandapani, Studio Carrom
346: Participatory approaches using 3D digital tools for teaching and learning Architectural History in India by Maniyarasan Rajendran, CARE School of Architecture; Athira TP, World Monuments Fund India
371: Mapping migration paths through the dwindling institutional diversity of Florida by Hien Phan, Frederick Van Amstel, University of Florida
394: Enhancing Cultural Relevance in Technology Design for Chronic Conditions through Participatory Design by Shital Desai, Rupsha Mutsuddi, Monique Danao, York University
447: Navigating NGO-academic partnerships: A meta-analysis of case studies on social design by Guim Espelt Estopà, Elisava, Barcelona School of Design and Engineering (UVic-UCC); Ariel Guersenzvaig, ELISAVA; Jonathan Ventura, Shenkar
515: Inspired by History: Cased-based Learning for Creating Novel Design Products by Elif Erdemir Turkkan, Freelance Designer; Burcak Altay, Bilkent University
672: Entangled Threads: Ecologies of Fashion and the More-than-Human by Michela Musto, Università degli Studi della Campania “Luigi Vanvitelli”
750: The Ulm School, Systems Design, and Development Pedagogy between West Germany and India by Eric Anderson, Rhode Island School of Design
754: Designing for coalescence – How an open-ended participatory research process challenges consolidated cultures of ethical craft projects by Gwendolyn Kulick, German University in Cairo
763: Scripting Speculations: A novel methodology that incorporates narrative principles into the design of speculative worlds and its actors and artifacts by Tanuja Mishra, University of California Davis