This is where we develop the skill of listening. Try not to think about it as written work or theory, but more about how you practise the skill of hearing things better.
Practise it just as you'd practise your instrument.
Pitch: Melody & Harmony
Duration: Rhythms and how they are used
Texture: Roles and use of different layers
Tone Colour: Describing the sound
Dynamics and Expressive Techniques: Shifts in volume and instrumental techniques
Structure: Defining sections and how they are used
Contrary motion is when two melodic lines travel in opposite directions. That is, when one of the lines moves up, the other line moves down.
Oblique motion is when one melodic line stays the same while another changes. That is, when one of the lines moves up/down, the other line stays the same.
Parallel motion is when two melodic lines moves in the same direction at the same interval. That is, when one of the lines moves up/down, the other line does the exact same.
Similar motion is when two melodic lines moves in the same direction at different interval. That is, when one of the lines moves up/down, the other line does the same but at a different rate.
Phrases and motifs moving in steps
A constantly moving bass line typically found in Jazz music
An alternating arpeggio pattern, typically 1 5 3 5 1 5 3 5. Mainly used in a harmonic layer and found in classical music.
A bass note that stays the same while the chord progression or motifs continue
A restatement of a theme or idea
A continually repeated pattern
Draw the melody!
Decoration added to a melody to make it more interesting.
Range = Distance from lowest to highest note in a phrase
WIDE range or NARROW range
Register = Every instrument has a low, middle and high register
Major = Happy
Minor = Sad
Modes = Shades of Happy + Sad
A repeated phrase that is raised or lowered
Separating a chord by ascending or descending through it
Separating chords randomly
A series of notes played simultaneously
Ties, slurs, legato, staccato, accent
Chords that finish a phrase/section
Perfect: Chord V to Chord I
Plagal: Chord IV to Chord I
Interrupted: Chord V to Chord iv
A held note over changing chords, typically in the melody or harmonic layer