Press Release

Harold Olejarz

Current Exhibitions

February 1, 2019 - April 30, 2019 - The Art Gallery, Berkshire Hathaway HomeServices, 79 South Livingston Avenue, Livingston, NJ 973-992-6363


Harold Olejarz began his career as a sculptor. He worked mostly in wood and created wood sculptures ranging from waves to figural sculptures inspired by Greek sculpture. Later, he turned to Performance Art and created wearable sculptures. He installed himself, as art, in museums and public spaces across the country. His performances were written about in many newspapers and featured on TV news programs, including NJN and WOR in the New York area. He even made the cover of the NY Daily News.

Olejarz’s art has been exhibited in numerous galleries and at the New Museum in New York and The Newark Museum and The Jersey City Museum in New Jersey. Olejarz was awarded a public art commission by NJ Transit. For this commission he created two etched glass block windscreens, that are installed at the Pavonia/Newport Light Rail Station in Jersey City.

Born raised and went to two colleges in Brooklyn, NY. Born 1952; Brooklyn College, BA, 1975; Pratt Institute, MFA 1977. Now lives in Tenafly, NJ

1975 - 1985

1985 - 1992

1992 - present


My first interest as an artist was in sculpture, I created tangible, three-dimensional objects and worked almost exclusively in wood. I began a series of wave sculptures made of wood as an undergraduate student at Brooklyn College . I enjoyed working with wood because I found that while wood was easy for me to cut and shape into waves. Wood also had a structural integrity that allowed me to build with it. I cut and laminated boards together and then used a grinder to shape and refine the wave forms. As the work developed the waves became more and more abstract. Soon, I believed that a wave was anything that expressed a rising and falling movement.

Performance Art

In 1985, while I was working on a life-size static figure sculpture based on a classical Greek sculpture, I realized that if I could put myself into my sculpture and create a sculpture that I wore, I could install my sculpture anywhere. This was the start of a performance art project that grew and developed over the next ten years. In that time I would wear sculptures I made and install myself, my art, in various museums, galleries and urban environments. The museum self-installations were unannounced visits to a museum wearing my sculpture. I simply walked into a museum wearing a sculpture. Once in the museum, I would install myself in a gallery and interact with the art on exhibit.

Digital Imaging - Kaleidoscopic Pinwheel Images

There is a kaleidoscopic, puzzle-like aspect to my images that make them engaging. For me, a photograph is a building block. I edit, duplicate and rotate a photograph to create a constructed image composed of many copies of the original photograph. The images evoke pinwheels, kaleidoscopes, mandalas and ammonites. They encourage the viewer to delight in the repetition and patterns revealed in the constructed image.

The process of creating my digital images is, at its heart, experimental. I use a photograph I have taken of a building, an art object or landscape and edit the image. Then I repeat and rotate the image.The patterns evolve as the image is copied, repeated and rotated. I take great pleasure in seeing a constructed image evolve and come into being. When the circle is complete, I once again experiment with different ways to “finish” the image. I may rotate the image or edit different layers in the image to reveal a different aspect of the constructed image. I may also copy the “pinwheel” and rotate it so that it reflects and/or doubles the original image.