₊˚⊹♡ MAIN CAST ₊˚⊹♡
⋆˙⟡ CLICK THE MAIN CAST'S NAME FOR MORE INFO ⋆˙⟡
₊˚⊹♡ CAST ₊˚⊹♡
KIRA STONE
(voice of Aeolus)
WANDA HERRANS
(voice of Anticlea)
MASON OLSHAVSKY
(voice of Tiresias)
KJ BURKHAUSER
(voice of Scylla)
BARBARA WANGUI
(voice of Calypso)
BRANDON MCLNNIS
(voice of Apollo)
MIKE RIVERA
(voice of Hephaestus)
JANANI K. JHA
(voice of Aphrodite)
SARA BOTELHO
(voice of Hera)
DIANA RIVERA-HERRANS
(voice of Princess Winion)
LUKE HOLT
(voice of Zeus and Elpenor)
ARMANDO JULIAN
(voice of Eurylochus)
TROY DOHERTY
(voice of Hermes)
AYRON ALEXANDER
(voice of Antinous and Perimedes)
EARLE GRESHAM JR.
(voice of Ares)
DENNIS DIAZ
(voice of Eurymachus)
TRISTAN CALDWELL
(voice of Amphinomus)
JAMIE WILTSHIRE
(voice of Melanthius)
₊˚⊹♡ CHARACTERS ₊˚⊹♡
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ART BY XIMENA NATZEL
Odysseus' signature instrument is a guitar, which changes based on his mood:
Nylon guitar – used in peaceful moments
Electric guitar – used during intense scenes
Soft electric guitar – featured in Monster and Would You Fall in Love with Me Again
Steel-stringed acoustic guitar – symbolizes his pride in Storm
Though not mentioned in the musical, Odysseus is the great-grandson of Hermes:
His mother, Anticlea, is the granddaughter of Hermes through her father Autolycus
Through Anticlea’s marriage to Laertes, Odysseus has a sister named Ctimene
In classical mythology, Ctimene marries Eurylochus
Odysseus is the King of Ithaca and captain of the Greek Army, serving as the protagonist and main hero of EPIC: The Musical and its source material, Homer’s Odyssey. Known as the "Warrior of the Mind," he is the third King of Ithaca and is affectionately called “Ody” by Calypso and “Dissy” in fan circles. He is affiliated with the Kingdom of Ithaca and the Greek Army. His family includes his wife Penelope, his son Telemachus, his mother Anticlea, and his great-grandfather Hermes, with Athena acting as both his mentor and distant relative.
ART BY Julsunart
Unlike other characters who have consistent signature instruments, Eurylochus’ instrumental backing changes throughout the musical:
Bass in "Full Speed Ahead"
Piano and kick drum in "Luck Runs Out"
Guitar (Odysseus’ instrument) in "Mutiny" when he tries to take control of the ship
However, the crew consistently appear as a chorus during his songs—making their voices, in a sense, his signature instrument.
While never directly stated in the musical, Eurylochus is originally from Same, a nearby island to Ithaca, as confirmed by Jorge through his great sword called “the Strongest of Same.”
His great sword design was inspired by Guts from Berserk and Cloud Strife from Final Fantasy. Like Cloud, Eurylochus also wears a left-shoulder pauldron, leaving the other side exposed.
According to Homer, and canonically in earlier drafts of the musical, Eurylochus was married to Ctimene, Odysseus’ youngest sister, making him Odysseus’ brother-in-law.
Ctimene was planned to appear in early versions of the musical. In those drafts, her voice was provided by Diana, Jorge’s real-life sister, and scenes showed Eurylochus courting her.
Eurylochus is the second-in-command of Odysseus' crew, serving as both a protagonist and a situational antagonist throughout the story. He holds the title of Second-in-Command of the Greek Army and is affiliated with both the Kingdom of Ithaca and the Greek Army. He is married to Ctimene, Odysseus' sister, making Odysseus his brother-in-law. Eurylochus plays a significant role in multiple sagas, including The Troy Saga, The Cyclops Saga, The Ocean Saga, The Circe Saga, The Underworld Saga, The Thunder Saga, The Wisdom Saga, and The Vengeance Saga. He meets his tragic end in Thunder Bringer, where Zeus kills him after Odysseus chooses to save himself at the cost of his entire crew. Behind the scenes, the character is portrayed by Samuel Jackson (Demos) and Armando Julian.
ART BY Mirscy
In the demos, Polites was voiced by Macy Mateer, Jorge Rivera-Herrans' friend from college who helped him work on his first musical, My Heart Says Go.
Polites was only mentioned twice in the original source material.
He is musically represented by mallet-type instruments in Epic: The Musical.
Polites is lovingly referred to as a "pancake" by the fandom due to his unfortunate and sudden death at the hands of the Cyclops Polyphemus.
Polites was Odysseus’ closest friend and a loyal soldier in the Ithacan army. As a member of the Greek forces, he accompanied Odysseus throughout many of their early trials, appearing in The Troy Saga, The Cyclops Saga, The Underworld Saga, The Wisdom Saga, and The Vengeance Saga. His deep bond with Odysseus was one of the emotional backbones of the story, making his death particularly impactful. In Act I, during the events of “Survive”, Polites was tragically killed by the Cyclops Polyphemus, marking a significant turning point in Odysseus’ journey. Though his time in the story is cut short, Polites’ memory continues to haunt Odysseus throughout his trials, influencing his emotional arc and resolve. In Epic: The Musical, Polites is portrayed by Macy Mateer in the Demos and by Steven Dookie in the full cast.
ART BY GIGI
Perimedes and Elpenor were originally featured in a deleted song titled "Comfort Zone."
Jay confirmed that Perimedes and Elpenor are best friends, highlighting a close bond that, while not fully explored in the final musical, adds emotional depth to their roles as crewmates and companions.
Perimedes was a loyal soldier of the Kingdom of Ithaca and a member of Odysseus' crew during their journey home from the Trojan War. Though not as prominently featured as other characters, he appeared in The Ocean Saga and The Thunder Saga of Epic: The Musical. As part of the Greek Army, Perimedes followed Odysseus through the many dangers of their voyage, including divine punishments and monstrous threats. His fate was sealed in The Thunder Saga, when Zeus demanded a sacrifice. Instead of offering himself, Odysseus chose to sacrifice his remaining men, leading to Perimedes’ death by Zeus’ wrath. His death, like those of his fellow crewmates, underscored the heavy cost of leadership and the moral compromises Odysseus made on his journey home.
ART BY GIGI
Elpenor was originally supposed to have a verse in "The Underworld," but it was cut.
He, along with Perimedes, Polites, and Eurylochus, are the only crew members who have a significant role throughout the musical.
Elpenor was a soldier in Odysseus' army and a member of his crew from Ithaca. In the musical, he is portrayed as a somewhat tragic and humorous character. Elpenor’s death occurs early on in the story, during the events of "There Are Other Ways." After being turned back into a human by the witch Circe, Elpenor gets drunk and stumbles off the roof of her palace, meeting an untimely death. His death is one of the first signs of the crew's vulnerability, foreshadowing the dangerous and unpredictable nature of their journey. Though his role in the narrative is brief, Elpenor's fate lingers in the background, especially during the underworld scenes, where Odysseus is confronted by his shade.
ART BY Samantha_artt
In the classical myths, Penelope is a cousin of Helen of Sparta, who was kidnapped by the Trojan prince Paris. This event, along with Paris stealing the treasury of Penelope's cousin's kingdom, was one of the reasons for the start of the Trojan War, which led to Odysseus' 20-year separation from her.
Penelope is represented by the Viola in the musical.
Penelope is mentioned in every saga of the musical, except for The Cyclops Saga.
Penelope is the queen of Ithaca, beloved wife of Odysseus, and the mother of their son, Telemachus. As a princess of Sparta, she brings royal lineage to the Kingdom of Ithaca. Throughout the musical, Penelope remains a symbol of loyalty and love, waiting for her husband’s return from the war. Her character is mentioned in the Troy Saga, Underworld Saga, and Ocean Saga, but her major appearance occurs in the Ithaca Saga, where she is reunited with Odysseus after his long and tumultuous journey. Despite the absence of her husband for many years, Penelope holds onto hope and navigates the trials of ruling Ithaca and raising Telemachus on her own. In the musical, Penelope is portrayed by Lily Hickey in the demos and by Anna Lea in the full production.
ART BY DUVETBOX
The nickname “Little Wolf” is a reference to Odysseus, highlighted when Poseidon says, “Guess the pack of wolves is swimming with the shark now,” tying Telemachus to his father's legacy as a “wolf” in Ruthlessness.
Telemachus’ signature instrument is the indie piano. He is also accompanied by an acoustic guitar and string ensemble in his music, symbolizing his connection to both Odysseus and Penelope.
Telemachus, often called the “Warrior of the Mind” and affectionately nicknamed “Little Wolf,” is the Prince of Ithaca and a central character in Epic the Musical. The only son of Odysseus and Penelope, and great-great-grandson of Hermes, he is raised in a kingdom haunted by the absence of his legendary father. Unlike the heroes before him, Telemachus is defined not by physical might but by intellect, compassion, and a relentless pursuit of truth. Throughout The Wisdom Saga and The Ithaca Saga, he grows under the guidance of Athena, mirroring the divine mentorship once given to Odysseus. Despite his youth and the crushing expectations of lineage, Telemachus forges his own path—one rooted in heart and reason. His appearances across the series, including mentions in The Troy, Underworld, and Thunder Sagas, and a cameo in The Ocean Saga, gradually build his arc from a curious boy to a legendary figure in his own right. Played by Miguel Veloso (MICO), Telemachus stands as a symbol of new leadership—gentler, wiser, and chosen.
ART BY DUVETBOX
Antinous and the other suitors wield a grungy electric guitar, symbolizing their chaotic and aggressive attempt to replace Odysseus, whose instruments—an electric guitar and a nylon string guitar—represent balance, experience, and rightful leadership.
Originally, Antinous was meant to survive the arrow to the neck and ambush Odysseus later in the cut song "King", but this was ultimately changed in the final version, and Antinous was confirmed to die from the initial strike.
Antinous is the ruthless and manipulative leader of the 108 suitors vying for Penelope’s hand during Odysseus’ long absence in Epic: The Musical. As the primary antagonist of The Wisdom Saga and a key figure in The Ithaca Saga, he embodies the corrupt decay that has infected Ithaca in its king’s absence. Antinous exerts dominance over the other suitors, using charm, intimidation, and political maneuvering to maintain control. His actions reflect not only a hunger for power but a calculated challenge to the legacy of Odysseus and the moral fabric of Ithaca. Ultimately, his ambition is cut short when Odysseus returns and fatally shoots him in the throat, marking the beginning of the vengeance that restores justice to the kingdom.
ART BY Gwendy | NS2D Studios
Eurymachus had a significantly larger role in Homer’s Odyssey, where he co-led the suitors alongside Antinous.
Gwendy, the artist behind the official animatic for Song 38, pitched an idea to Jorge in which Odysseus would cut off Eurymachus' arms after his plea for peace.
Though this concept was ultimately scrapped, Gwendy shared the original storyboards on her YouTube channel and noted that Jorge visibly recoiled in shock at the suggestion.
Eurymachus is one of the 108 suitors of Penelope featured in EPIC: The Musical. Aligned with the Kingdom of Ithaca and a member of the Suitors of Penelope, he seeks to take Odysseus's place as king during the hero’s prolonged absence. Though less aggressive than Antinous, Eurymachus still plays a key role in the suitors’ occupation of the palace.
He appears in The Ithaca Saga and is portrayed by actor Dennis Diaz. Eurymachus ultimately meets his end during Odysseus's violent return to Ithaca. Attempting to plead for mercy, he is shot dead by Odysseus, cementing his fate along with the rest of the suitors who underestimated the wrath of the returning king.
ART BY Luiza Xavier Mazzei
In Homer’s Odyssey, Amphinomus is portrayed as one of Penelope's favored suitors due to his decency and good judgment.
While Odysseus was disguised, he secretly warned Amphinomus to leave the palace before it was too late—a warning Amphinomus tragically ignored.
Amphinomus is one of the 108 suitors of Penelope featured in EPIC: The Musical. He is a mortal man affiliated with the Kingdom of Ithaca and a member of the Suitors of Penelope. Though not as notorious as Antinous or Eurymachus, Amphinomus plays a key role during the downfall of the suitors in The Ithaca Saga.
Portrayed by Tristan Caldwell, Amphinomus ultimately meets his end during the bloodbath that follows Odysseus’s return. While searching for weapons in an unlocked armory with Melanthius, Amphinomus is caught off guard and stabbed in the back by Telemachus, Odysseus's son. His death symbolizes the passing of the torch as Telemachus steps into his role as a warrior and protector of Ithaca.
ART BY El_Crafts
In the original Odyssey, Melanthius was not a suitor but Odysseus’s disloyal goatherd who sided with the suitors and eagerly served them.
He was especially favored by Eurymachus, among all the suitors.
His death in the source material was far more gruesome—he had his nose and ears cut off, was castrated, and was then dismembered by two of Odysseus's loyal servants.
In the song "Odysseus", Melanthius becomes the new leader of the remaining suitors after discovering the open armory, just before being killed by Odysseus.
Melanthius is one of the 108 suitors of Penelope in EPIC: The Musical. Aligned with the Kingdom of Ithaca, he is featured in The Ithaca Saga and portrayed by actor Jamie Wiltshire. Though less prominent early on, Melanthius becomes a significant figure during the climax of the saga, particularly after the armory is discovered.
He is ultimately killed by Odysseus in one of the bloodiest and most symbolic deaths among the suitors. After gaining temporary power and battling Telemachus, Melanthius is betrayed by the very chaos he helped create. His desperate plea for mercy falls on deaf ears, and he is repeatedly stabbed and then decapitated by Odysseus, marking a brutal end for a man who rose too quickly in a collapsing hierarchy.
ART BY NEAL ILLUSTRATOR
According to creator Jay, Zeus's characterization in EPIC: The Musical was inspired by Xehanort, Ansem, and Xemnas from the Kingdom Hearts series.
Although not directly stated in the musical, Zeus is canonically the son of Kronos and Rhea, and brother to Hera and Poseidon.
Through his son Hermes, Zeus is the great-great-grandfather of Odysseus.
Zeus is the King of Olympus and the god of thunder, the sky, and justice in EPIC: The Musical. He is a central figure in the divine hierarchy and serves as the overarching antagonist throughout the story. A powerful immortal, Zeus rules from above, manipulating the mortal world and often using fear and power to maintain his version of “order.”
He appears across multiple sagas—The Troy Saga, The Thunder Saga, and The Wisdom Saga—voiced by Mario Simone (in demos) and Luke Holt. With titles such as “Master of the Heavens,” Zeus commands immense power and acts as both judge and punisher. His actions frequently place him in opposition to Odysseus, particularly as the hero challenges the will of the gods.
ART BY Mazzei
In EPIC: The Musical, Athena is affectionately nicknamed the "Badass in the Arena" by a young Odysseus and jokingly referred to as a "Divine Sugar Momma" by fans, reflecting her popularity and protective role.
Athena is the daughter of Zeus and was born from his forehead fully armored, according to mythological tradition—symbolizing her connection to thought and war.
She is one of the few gods who remains consistently aligned with the mortals, especially Odysseus and Telemachus.
Athena is often portrayed as Odysseus’s divine mentor, and in some fan interpretations, a distant relative—since Odysseus is descended from Hermes, another of Zeus’s children.
In The Wisdom Saga, Athena challenges Zeus’s authority by rallying support among other gods to free Odysseus, directly triggering Zeus’s rage.
Athena is the goddess of wisdom and strategy, a prominent figure in EPIC: The Musical, and one of its key protagonists during The Wisdom Saga. As the daughter of Zeus and one of the Olympians, she serves as both divine guide and emotional anchor for mortals, particularly Odysseus and Telemachus. She once mentored Odysseus and continues to aid his son, Telemachus, showing her enduring bond with the line of Ithaca’s rulers.
Athena appears in multiple sagas—including The Troy Saga, The Cyclops Saga, The Wisdom Saga, and The Ithaca Saga. She is portrayed by Teagan Earley, and her wisdom, strength, and moral compass often put her at odds with other gods, especially her father, Zeus. Through her relationships and decisions, Athena represents the voice of reason, strategy, and justice in contrast to the more brutal divinity of her Olympian peers.
ART BY NEAL ILLUSTRATOR
According to Jay, Poseidon's character was inspired by Sephiroth from Final Fantasy.
His ultimate move, Shatter the Ocean, visually resembles the cover of Gareth Hinds’ graphic novel adaptation of The Odyssey.
Poseidon’s theme music is led by a brass section that becomes increasingly electronic and distorted as his anger intensifies.
The rhythmic “triplets” associated with his music are symbolic of ruthlessness and are echoed by other characters when embracing brutal tactics.
Poseidon was originally meant to appear in Luck Runs Out, convincing Eurylochus to betray Odysseus by opening the wind bag, but the scene was cut to preserve his intimidating aura.
Though unmentioned in the musical, Poseidon is the son of Kronos and Rhea, brother to Zeus and Hera, and father of both Polyphemus and Charybdis.
Poseidon is the god of the sea and storms and a major antagonist in EPIC: The Musical. He is the brother of Zeus and Hera and the father of numerous sea creatures, including the Cyclops Polyphemus and the monster Charybdis. Fueled by vengeance after Odysseus blinds Polyphemus, Poseidon becomes one of the most dangerous obstacles standing between the hero and his return to Ithaca. His presence in the musical is marked by overwhelming force, terrifying spectacle, and brutal ideology, all reflected in his devastating powers and aggressive musical motifs.
ART BY El_crafts
In EPIC, Hermes's caduceus can shrink down and be worn as a necklace.
Hermes was originally just a brief cameo in the song Puppeteer, where he was portrayed as nerdy and quirky.
His personality evolved into the confident and flashy Hermes we now see during the development of Dangerous.
Jorge was inspired to base Hermes' musical theme on 80s Synthwave after his lamp’s lightbulbs flickered wildly while he played with an app — this became the sonic signature for Hermes' scenes.
Though not mentioned directly in the musical, Hermes is the son of Maia and the great-grandfather of Odysseus through his granddaughter Anticlea (via her father Autolycus).
Hermes is the god of travelers, merchants, messengers, and thieves in EPIC: The Musical. As the divine Messenger of the Gods and a son of Zeus, Hermes has a mischievous and charismatic personality that sets him apart from the more serious Olympians. Despite his limited appearances, Hermes plays a critical role in Odysseus’ journey, offering timely aid and cryptic guidance. His powers of speed, illusion, and trickery mirror his role in mythology and are performed with synth-heavy flair, marking him as one of the more playful yet essential gods in the story.
ART BY elianzis_art
Apollo’s signature instrument is the lyre, symbolizing his patronage of music and poetry.
Although often conflated with the sun, the true Helios is the original sun god in Greek myth; Apollo’s solar association is a later development.
In classic mythology (not mentioned in the musical), Apollo is the son of Leto and the twin brother of Artemis.
Apollo is the god of light, music, archery, healing, knowledge, and prophecy in EPIC: The Musical. A son of Zeus and one of the Olympians, he appears exclusively in The Wisdom Saga as the first trial in Zeus’s divine contest, God Games, which Athena must win to secure Odysseus’s freedom. Regal and purposeful, Apollo embodies the clarity of daylight and the harmony of the lyre, offering both challenge and insight to his fellow Olympian.
ART BY Tamatutta
Hephaestus’s musical sound is shaped by hammer strikes and church bells, evoking the clanging of a forge.
In the official animatics, Hephaestus is depicted with prosthetic legs, referencing myths where he was thrown from Olympus and left permanently injured.
Mythologically, his parentage varies—he is either the son of Hera alone or of both Hera and Zeus.
In many myths, Hephaestus was once married to Aphrodite, but in EPIC, she appears alongside Ares, reflecting their better-known romantic pairing.
He is voiced by Mike Rivera, the real-life father of EPIC creator Jorge Rivera-Herrans.
Hephaestus is the god of fire and blacksmithing in EPIC: The Musical. As the divine craftsman of the Olympians, he is known for his unmatched skill in forging both weapons and ideals. The son of Hera, he appears in The Wisdom Saga as Level 2 in Zeus’s trial, God Games, testing Athena’s arguments and convictions in her quest to free Odysseus. Quietly powerful and emotionally complex, Hephaestus embodies resilience, creativity, and the pain of betrayal—both divine and human.
ART BY Tododokii
Aphrodite’s musical instrument is a saxophone, chosen for its romantic and seductive connotation.
She opens her animatic appearance by summoning two doves, symbolic of love and her divine presence.
Her mythological origins vary: she is either the daughter of Zeus and Dione or born from seafoam after Uranus’s fall—making her either a peer or an elder to the other Olympians.
Though once married to Hephaestus, Aphrodite is romantically paired with Ares in both myth and EPIC: The Musical, reflecting her association with passion over duty.
Aphrodite is voiced by Janani K. Jha, whose sultry performance adds emotional depth to her presence.
Aphrodite is the goddess of beauty, love, and lust in EPIC: The Musical, embodying desire, heartbreak, and emotional intensity. As a member of the Olympians and the lover of Ares, she appears in The Wisdom Saga as Level 3 of the God Games, where she tests Athena’s emotional understanding of Odysseus’s journey. Equal parts captivating and ruthless, Aphrodite is not merely a goddess of pleasure—she is a force that exposes the vulnerability, guilt, and longing within the human heart.
Ares and Athena share a symbolic connection in EPIC, both representing aspects of war—brute force and strategy, respectively.
Ares’ main instrument is the erhu, a Chinese spike fiddle, chosen as a nod to Sun Tzu’s The Art of War.
He is also associated with the snare drum, reflecting his militaristic energy and rhythm of battle.
His version of Quick Thought differs from Athena’s—amplifying courage and pain resistance, but also increasing rage and emotional instability.
His emotional battlefield—called the Quick Thought Dimension—manifests as a barren, desolate wasteland, echoing the devastation war leaves behind.
Ares, the God of War and Courage, brings brute strength, rage, and raw conviction to EPIC: The Musical. As the son of Zeus and Hera, and the fiery lover of Aphrodite, Ares plays a pivotal role in The Wisdom Saga as Level 4 of the God Games, testing Athena's resolve and Odysseus's worth. Fierce, battle-hardened, and unflinchingly honest, Ares forces others to confront not just their choices—but the cost of survival.
ART BY AnniFlamma
Hera’s musical style in EPIC is inspired by disco, specifically Gloria Gaynor’s "I Will Survive", highlighting her resilience and independence.
While not directly stated in the musical, Hera is canonically the daughter of Kronos and Rhea, and sister to Zeus and Poseidon.
She is Athena’s foster mother, despite their often tense relationship.
Hera is often depicted as stern and unforgiving—but in EPIC, she reveals a rare vulnerability when confronted with Odysseus’ faithfulness, something her own husband lacks.
Hera, the Queen of Olympus and Goddess of Marriage and Family, stands as the final and most formidable test for Athena in EPIC: The Musical. Regal, composed, and unyielding, Hera embodies divine authority and the enduring scars of betrayal. As Zeus’s sister and wife, and the mother or guardian of several Olympians—including Ares, Hephaestus, and Athena—Hera’s judgment holds unmatched weight. In Level 5 of the God Games, she doesn’t seek blood or cunning—she seeks integrity.
The name "Winions" is a play on "wind" + "minions", tying them to Aeolus, the ruler of winds in Greek mythology.
They often appear with Aeolus or Hermes, suggesting a supernatural ability to travel with the winds across islands.
Notable Winions include Gloob, Smumpus, Bombom, and the Princess Winion.
The Princess Winion is voiced by Diana Rivera-Herrans, sister of series creator Jorge Rivera-Herrans.
Winions have glowing eyes when affected by lotus fruit, showing their connection to mind-control and deception.
Their role is often deceptive, offering gifts or advice that backfire—like when they trick Odysseus’ crew into opening Aeolus’ wind bag.
The Winions are a quirky, chaotic, and surprisingly pivotal group of characters in EPIC: The Musical. These small, mischievous creatures appear throughout The Troy Saga, The Ocean Saga, and The Vengeance Saga, often meddling with Odysseus' journey—sometimes playfully, sometimes disastrously. Despite their cartoonish demeanor, the Winions symbolize a deeper theme: temptation, misdirection, and the unpredictable nature of fate. Created by Jorge Rivera-Herrans, the Winions are a mix of humor and havoc, offering both comedic relief and narrative consequences.
ART BY Ximena Natzel
Polyphemus' music features a cello layered with synth, emphasizing both his physical menace and supernatural nature.
He is voiced by Jorge Rivera-Herrans, the creator of EPIC: The Musical.
In mythology, Polyphemus is the son of the sea nymph Thoösa and Poseidon.
Despite his monstrous demeanor, he genuinely seems to care for his "favorite sheep," implying isolation and neglect from his fellow cyclopes.
The famous "Nobody" trick from myth is incorporated into his character—Odysseus tricks Polyphemus by claiming his name is "Nobody."
After Odysseus blinds him, Polyphemus throws boulders at the fleeing ship and prays to Poseidon for vengeance once Odysseus arrogantly reveals his true identity.
Polyphemus is the terrifying, man-eating cyclops and primary antagonist of The Cyclops Saga in EPIC: The Musical. As the monstrous son of Poseidon, he becomes a major obstacle in Odysseus’ journey when the hero and his crew—misled by the Winions and the lotus fruit—are lured into his cave. While Polyphemus is brutal and imposing, EPIC also hints at a tragic loneliness beneath the surface, adding depth to this mythological villain. His presence marks a turning point in the story, where cunning must triumph over brute force.
ART BY Giulia Toneatto
Aeolus is voiced by Kira Stone and is most prominent in the song “Keep Your Friends Close.”
Their canon design by Giulia Toneatto features fair olive skin, long blond hair, and a turquoise jumpsuit adorned with cloud motifs.
Aeolus’ music is characterized by playful and airy tones, matching their tricky demeanor.
They command the Winions, who act as their wind-born minions, spreading mischief across multiple sagas.
In mythology, three different figures named Aeolus exist, each with varying divine or mortal status, depending on the source.
Jorge Rivera-Herrans mistakenly imagined Aeolus’ island as flying in the sky, rather than floating on the sea, which became canon in the musical.
Aeolus was originally more helpful in an earlier draft of the story, as shown in a cut song replaced by their more cunning portrayal in “Keep Your Friends Close.”
Their pronouns remain unconfirmed, and fans have embraced Aeolus as a fluid or androgynous figure.
Aeolus, the playful yet unpredictable God of the Wind, appears in EPIC: The Musical as a mystical figure who both aids and hinders Odysseus. Living on a floating island and commanding the mischievous Winions, Aeolus represents the ever-changing nature of the wind—beautiful, alluring, but dangerous when disrespected. With a whimsical personality and ambiguous motives, Aeolus embodies a force of nature not easily trusted, and their role in The Ocean Saga marks a critical turning point in Odysseus’ journey.
ART BY GIGI
Circe is voiced by Teagan Earley (Demos), with her animatic appearance based on design choices referencing Helios, her mythological father.
Her musical magic is performed using cards, inspired by Yu-Gi-Oh!
Circe’s vocal motif appears later in Scylla’s theme, referencing their canonical connection in mythology.
She sings the highest note in the musical, an F5, during There Are Other Ways.
Circe is one of the few gods in the musical who does not sing with a backing ensemble, emphasizing her human-like voice and isolation.
In mythology, Circe is the daughter of Helios and Perseis, and sister to Pasiphaë and Aeëtes.
The story of Circe’s jealous transformation of Scylla is canon in the musical and hinted at in her dialogue.
The actress Tayla Sindel (Circe) is dating Jorge Rivera-Herrans, the voice of Odysseus, creating an ironic real-life parallel to their on-stage dynamic.
Circe, the enigmatic Queen of Aeaea, is a divine sorceress who commands both magic and fear. As the central antagonist of The Circe Saga in EPIC: The Musical, she initially appears as a beguiling threat to Odysseus and his crew, turning his men into pigs with enchanted food. But beneath her formidable power lies a complex survivor who has learned to distrust the world—and men in particular. With her haunting voice, magical cards, and emotional vulnerability, Circe becomes one of Odysseus’ most powerful adversaries and, eventually, a reluctant ally.
ART BY Ainhoa Velasco
Voiced by Mason Olshavsky, Tiresias debuts in the Underworld with the song No Longer You.
He was first mentioned in The Circe Saga, when Circe sends Odysseus to find him.
His motif reappears in Six Hundred Strike, suggesting the exact moment he foresaw Odysseus's transformation.
According to mythology, Tiresias was transformed into a woman for several years and had both male and female experiences, later being blinded by Hera and granted prophecy by Zeus.
Tiresias has a daughter named Manto, who also became a prophet, as well as another daughter, Historis, and an unnamed husband in some versions of mythology.
Though aligned with Apollo, Tiresias’ visions are often more tragic than hopeful, portraying inevitability and moral downfall.
Tiresias, known as The Blind Prophet, is a deceased oracle of Apollo who dwells in the land of the dead in EPIC: The Musical. Though blind, he possesses powerful second sight, receiving cryptic visions of the future. Tiresias serves as a pivotal figure in The Underworld Saga, delivering a chilling prophecy that deeply affects Odysseus’ fate. His words foreshadow the emotional and moral decay Odysseus undergoes, transforming from hero to something darker. Elusive, wise, and haunted by truth, Tiresias represents the irreversible cost of foreknowledge.
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Scylla is voiced by KJ Burkhauser and appears in The Thunder Saga and The Wisdom Saga.
Her design, as preferred by Jorge Rivera-Herrans and shown in the reveal trailer, features six serpentine necks with razor-sharp jaws, while her humanoid former self remains trapped within the body, hidden inside a massive mouth-like cavity.
Circe's motif plays when Scylla is mentioned in Suffering, nodding to their mythological connection—Circe turned her into a monster out of jealousy.
In The Thunder Saga, Scylla devours six of Odysseus’s crew, a moment that mirrors the original myth in Homer’s Odyssey, where she is the lesser evil compared to Charybdis.
A Siren tells Odysseus in Suffering that Poseidon himself avoids Scylla’s domain, underscoring her terrifying reputation—even among gods.
In myth, Charybdis is sometimes said to be Scylla’s mother, creating a chilling lineage of sea-born destruction.
Scylla is a monstrous, six-headed sea creature who dwells in a deadly strait opposite the whirlpool beast Charybdis in EPIC: The Musical. Once a beautiful nymph, Scylla was transformed into a monster by the sorceress Circe out of jealousy, a tragic past that underpins her terrifying present. She serves as a deadly obstacle in The Thunder Saga, where Odysseus must choose between certain death or a painful sacrifice. Merciless, ancient, and terrifying even to the gods, Scylla embodies the inescapable cost of the journey home.
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Portrayed by Barbara Wangui, Calypso appears in The Wisdom Saga and The Vengeance Saga.
Her divine isolation on Ogygia may mirror her mythological parentage as the daughter of Atlas, the Titan cursed to hold up the sky.
In mythology, Odysseus stays with Calypso for seven years, though he longs to return to his wife Penelope. Some sources note he was held against his will, a subtle element reflected in the musical.
The god Hermes is the one who delivers Zeus’s command for Odysseus’s release, a plot point preserved in both the myth and the musical.
Calypso promises to guide Odysseus without physically helping, showing her reluctant obedience to the gods while still expressing care.
Her themes of oblivion and timeless sorrow contrast sharply with Odysseus's drive for home, highlighting her as a symbol of passive escape versus heroic action.
Calypso is a minor goddess and the Queen of Ogygia, a lonely island lost to time in EPIC: The Musical. Bearing the divine titles Goddess of Charm, Oblivion, and Eternal Solitude, she exists in near-total isolation—until fate delivers Odysseus to her shores. In The Wisdom Saga and The Vengeance Saga, she offers Odysseus rest, shelter, and temptation, keeping him on her island for seven years. Mysterious and melancholic, Calypso symbolizes the painful beauty of stasis and the allure of forgetting the world.
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Charybdis is pronounced “Kuh-RIB-duss” in most English adaptations.
Despite having no dialogue, she plays a major plot role, symbolizing overwhelming, natural chaos.
In mythology, Charybdis is often said to be the daughter of Poseidon and Gaia, which would make her a sea-born divine being.
In some myths, Charybdis was a giantess punished by Zeus, cursed to transform into a sea monster due to her greed or defiance.
There are myths that name her as Scylla’s mother, reinforcing the theme of destructive, inherited chaos.
Her musical moment directly precedes the climax of Odysseus’s rivalry with Poseidon, tying her fate to the god of the sea.
Charybdis is a massive, tube-like sea monster who dwells in the treacherous straits opposite Scylla, serving as a near-insurmountable obstacle for Odysseus in EPIC: The Musical. Though she has no spoken lines, her presence in The Vengeance Saga is both pivotal and terrifying. She manifests as a living whirlpool, sucking in everything in her path. Odysseus must confront her in one of the most harrowing moments of his journey—where survival depends not on strength, but on wit and resilience.