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I am Hilda Mumbi, known as Wambui Mumbi in the art world, a talented graphic designer and artist hailing from Kenya. Among my numerous creations, one holds a special significance and meaning. Over the years, I have actively participated in various prestigious gallery exhibitions, such as the Manjano Art Festival in 2019 and the Yellow [some other exhibition, but the name is cut off]. Through my artistic endeavors, I strive to convey emotions, stories, and messages that resonate with viewers, leaving a lasting impact. As a dedicated artist, I continuously explore new avenues to express my creativity and showcase the rich cultural heritage of Kenya.
I CRY SERIES
I CRY SERIES
I did the "I Cry Series" in celebration of Women’s History Month, March. Despite the milestones made in fighting for Women’s right, women are still at a disadvantage and face a lot of discrimination. As such I wanted to highlight and condemn the injustices that I and most women have gone through.
BODY DISCRIMINATION
This piece criticizes today's manufactured beauty standards. Many women struggle with eating disorders including anorexia and depression in an effort to look beautiful.
In this society, a woman can never be considered beautiful enough, which is a disconcerting reality we must accept.
As a result, the protagonist of this piece is depicted with a phone in her hand, reflecting the negative pressure of social media. Her large left leg contrasts with her little right leg to represent the unrealistic beauty standards set for women.
INVALIDATION
Women put just as much effort into their work as men do, often even more. But despite this, society never recognizes the contributions made by women; in fact, most people discount their labor and invent absurd justifications for their success.
The lawyer who is the focus of this piece is framed by court pillars. I chose to draw attention to certain portions of her body to illustrate some of the workplace sexual assaults that women experience and how they are degraded due to their gender.
TIMELINES
This article discusses the absurd deadlines that women are expected to meet. The social expectations of when they should start and finish education, as well as the pressure to be married and have kids, are issues that most women contend with.
As a result, the lady imprisoned in the clock serves as the topic of this composition. Her dejected attitude depicts the suffering many women experience in trying to live up to society's standards.
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