You may wish to include the Calligraphy for Dragon (lóng) in your painting. This can be found on our Zodiac Animals Calligraphy page. For information on Dragon personality traits, take a look at the Chinese Zodiac Dragon page on the Travel China site.
I have attempted to gather all the information I have acquired on Chinese Dragons and try to put it together in some semblance of order and accuracy. Over the years there has been a lot of contradictory information as the mythology around the Chinese Dragon has been passed down through time...
In which case, should there be something you do not agree with, please let me know as I am more than happy to revisit the sources of this information. If you have a better source, please share. In the meantime I trust that this resource is useful to you.
Colourful Dragon statues against the sky in Beijing
The origin of the Chinese Dragon is uncertain, but many scholars agree that it originated from totems of different tribes in China. Some have suggested that it comes from a stylized depiction of existing animals, such as snakes, fish, or crocodiles. For example, the Banpo site of the Yangshao culture in Shaanxi Province featured an elongated, snake-like fish motif. Archaeologists believe the “long fish” to have evolved into images of the Chinese Dragon.
The association with fish is reflected in the legend of the carp that saw the top of a mountain and decided to reach it. It swam upstream, climbing rapids and waterfalls letting nothing get in the way of its determination. When it reached the top there was the mythical “Dragon Gate” and when it jumped over it became a Dragon. Several waterfalls and cataracts in China are believed to be the location of the Dragon Gate. It is worth noting that Dragon Gate Taoism is currently the largest existing Taoist branch in the world, according to Wikipedia.
Fundamentally, this legend is used as an allegory for the drive and effort needed to overcome obstacles and achieve success.
An alternative view, advocated by He Xin, is that the early Dragon depicted a species of ancient, giant saltwater crocodile, the precursor to today’s Crocodylus porosus, the largest living reptile. The crocodile is known to be able to accurately sense changes in air pressure, and, therefore, to sense coming rain. This may have been the origin of one of the Dragon’s mythical attributes to control the weather, especially the rain. In addition, there is evidence of crocodile worship in ancient Babylonian, Indian, and Mayan civilizations. The association with the crocodile is also supported by the ancient view that large crocodiles were a variety of Dragon. For example, in the Story of Zhou Chu, about the life of a Jin Dynasty General, he is said to have killed a “Dragon” that infested the waters of his home village, which appears to have been a large crocodile.
Some support for the crocodile hypothesis may come from the fact that the Marsh dragon, jiǎo lóng (湫㡣), in ancient Chinese legend is known as the ‘Water Dragon’. Its habitats are mostly ponds, valley lakes or deep under the rivers and streams (not sea) which are far away from residents.
The coiled snake or Dragon form played an important role in early Chinese culture. Legendary figures like Nüwa (女媧), the mother goddess of Chinese mythology (credited with creating humanity), and the sister and wife of Fuxi (伏羲), the emperor-god, are depicted as having snake bodies. Some scholars report that the first legendary Emperor of China, Qin Shi Huang Di (黃帝 – The Yellow Emperor) used a snake for his coat of arms. Every time he conquered another tribe, he incorporated his defeated enemies emblem into his own. This may explain why the Dragon appears to have the features of various animals.
There is no apparent connection to the western Dragon. For one thing, Chinese Dragons do not need wings to fly. In fact, if anything Chinese Dragons are opposites as Western Dragons are generally seen as evil.
For superb examples of Western Dragon, please reference Smaug from The Hobbit by JRR Tolkien which was stunningly re-imagined by Peter Jackson for the big screen and by Alan Lee for the illustrated books.
There are a variety of interpretations to explain the number of claws that an Oriental Dragon might have. I have pulled together a few here. Again, if you know more then please let me know.
Blue Sky Dragon - detail by unknown
Chinese Dragons have five claws on each foot while Indonesian or Korean dragons have four, and Japanese dragons have three. To explain this phenomenon, Chinese legend states that all Imperial dragons originated in China, and the further away from China a Dragon went the fewer claws it had. Dragons only exist in China, Korea, Indonesia, and Japan because if they travelled further they would have no claws to continue. The Japanese legend has a story similar to the Chinese one, namely that dragons originated in Japan, and the further they travelled the more claws they grew and as a result, if they went too far they would have too many claws to continue to walk properly.
Official interpretation within China was that five claw Dragons are reserved for emperors (five is the holy number i.e. there are five elements). Four claw Dragons are reserved for kings, princes and certain high rank officials. Three claw Dragons are used by the merchant class. Since Korea and other nations only held the title of king (with respect to the emperor in China), they are only allowed to use four claw Dragons. Improper use of claw numbers is considered a sign of rebellion, and could be punished heavily such as through the execution of a whole clan.
Five-clawed Imperial Yellow Dragon
Another interpretation according to several sources, including historical official documents, is that ordinary Chinese dragons had four toes, but the Imperial Dragon had five. It was a capital offence for anyone, other than the emperor, his blood relatives, and the very few officials who were granted such an extraordinary privilege by the emperor – to use the five-clawed dragon motif.
Korean sources seem to oppose this theory, as the Imperial dragon in Gyeongbok Palace has seven claws, implying its superiority over the inferior Chinese Dragon. Of course, this Dragon image is hidden in the rafters of the palace and not entirely in view, even to those who know it is there, suggesting that while the ancient Koreans viewed it as superior, they also knew that it would be offensive to the Imperial Chinese Court…
The Han style Dragon is also 3 clawed, which may explain how the three clawed Dragon came to Japan during the Tang or pre-Tang period.
Han Dynasty Dragon sculpture
As discussed earlier, the crocodile, and therefore, the Dragon have the power to control the weather. This means that Chinese Dragons move through the air, not by beating wings (which they do not need) but freely as if swimming, their incredibly flexible bodies twisting and turning without effort.
Their long bodies undulate, swirl and loop through the air while their legs can be seen to flail in all directions, almost as if disconnected from their bodies. Tip: This can make it easier to paint them. Their claws are hyperactive and wide open as if ready to take prey, or to grasp a huge pearl…
Song Dragon 2 (with flailing legs) – Paul Maslowski 2021
There is some interpretation of a Dragon’s characteristics but here follows the essence of a Dragon, which may be drawn on, when creating your own. Here is an example of a Song Dynasty Dragon using the characteristics detailed below.
There are nine characteristics detailed here, some of which come from Zodiac animals. There could be more, or less, depending on which tradition you follow or how detailed you wish to make your painting. I have added examples of Dragon characteristics as I have come across them.
They could have any (or all) of the following characteristics...
Head of a camel
Head - Camel Bactrian tri-coloured detail - 690-750AD Tang
Eyes of a hare
Eye - Double Happiness detail - Hare - Cui Bai
Ears of a Buffalo or Ox
Ear - Five Oxen detail - Han Huang
Antlers of a deer
Antlers - Lingzhi and Deer detail - Bada Shanren
Paws of a tiger
Paw - Tiger family detail
Talons of an eagle
Talons - Eagle
Neck of a serpent
Neck - Snake on bamboo - detail
Scales of a carp
Scales - The pleasure of fishes - detail - Zhou Dongqing 1291
Long whiskers…
Whiskers – Five-Clawed Imperial Yellow Qing Dynasty Dragon detail
Chinese Dragons are the ultimate symbols of cosmic energy. The Dragon is said to be the most potent symbol of good fortune in the Chinese pantheon of symbols. As one of the four creatures of the world’s directions, the Azure Dragon of the East stands for new beginnings. The others are the Vermilion Bird of the South, the White Tiger of the West, and the Black Tortoise (also called “Black Warrior”) of the North. The Dragon has the power to release water to parched lands which means it stands for abundance and relief. Continued success, high achievement, and prosperity are also listed among the Chinese Dragons arsenal of good qualities, which rank it one of the most popular of Chinese signs.
Clouds are symbols of celestial mobility because many gods and immortals used clouds as vehicles on which they travelled. Arguably, the most famous is the Monkey King who could summon a cloud with a special whistle (see The Journey to the West). Cloud is also considered a portent of good luck, carrying much needed rains that enable the growth of abundant crops. When clouds are combined with auspicious Chinese Dragons, this makes a perfect emblem to manifest positive effects in your life.
A pearl is often depicted with a Chinese Dragon. The pearl is sometimes thought to represent the moon. In fact, one legend has it that some Dragons had become infatuated with the moon, and went insane trying to steal it from the sky. Other tales depict the pearl as an egg placed beneath the Dragons neck or chin. The Dragon is said to carry the egg away until it is ready to hatch. By far the most agreed upon tale is that the pearl represents the Dragon’s wisdom, hence the term: “pearls of wisdom”…
These two great forces of the universe reflect the primordial Yin and Yang of existence. To the Chinese, the Tiger is the emblem of dignity, and courage. This, combined with the abundance, luck, and Yang energy of the Chinese Dragon is a combination that is hard to beat.
Together, the Dragon and Phoenix symbolise Yin and Yang i.e. perfect balance. Standing alone, each symbol is hugely powerful. Together they represent a powerful union of success, prosperity, friendship, love, and enlightenment. The union of these two highly symbolic creatures at wedding festivities suggests a match that is blessed with money and incredible luck. Furthermore, it denotes the beginning of a dynastic family with the Dragon symbolising the patriarch and the Phoenix signifying the matriarch.
Probably the most famous Chinese painting of Dragons is that by Chen Rong (1200 – 1266) of the Song Dynasty who was an official, poet, and Taoist who specialised in painting the Dragon, a symbol both of the emperor and of the mysterious all-pervading force of the Tao. Chen Rong’s paintings show these fabulous creatures emerging from amid rocks and clouds. His hand scroll entitled ‘The Nine Dragons’ has become widely recognised as THE reference Chinese Dragon work. Should you wish to see it, the piece is in the possession of the Museum of Fine Arts, Boston.
The Nine Dragons - detail - Chen Rong 1244
The mainland overlooking Hong Kong is called Kowloon, which literally means Nine Dragons. Legend states the mainland was named this by the Chinese Emperor, Bing, who fled there after the Song Dynasty fell. Originally, he named it after the eight hills predominantly located on the land. His servant supposedly observed that the Emperor should also be counted among the regal figures. Hence, the jiǔ lóng (or Nine Dragons) nomenclature was born.
P’u-lao: Alerts one to danger, and serves as a protector. Often engraved on bells, sacred singing bowls, and gongs
Ch’iu-niu: Creator of Yang energy through the use of ancient dragon music
Pi-his: Provider of knowledge, luck and upholds the virtue of finer education
Pa-hsia: Provider of strength and support when called upon during times of need
Chao-feng: Guardian of the holy places, sacred lands, and holy temples
Chih wen: Symbolizes the power of water over fire
Suan-ni: Mighty protector and emblem against theft, loss or betrayal of any kind
Yai-tzu: Protector and guardian against any physical harm
Pi-kau: Defends again litigation, verbal disputes, or false accusations.
Baby Dragons emerging - Chris Gallagher 2021
Some while back we set an LCBP Dragon Challenge. I think most of us would agree that this one has been an intense one. However, the level of work was astounding and outstripped all of our expectations. What was also fantastic was how many paintings were produced...
We start with a couple of paintings by Chris who originally set us the Challenge and quite honestly forced me to bring together as much of my Chinese Dragon documentation as I have. Thank you Chris.
I have to include this painting first which I see as a metaphor for the LCBP Challengers group as we are in the process of watching the birth of painting dragons - phenomenal forces of nature. It also shows one Dragon getting their first taste of producing a fireball, whereas the other is adept at producing smoke...
The second painting from Chris is a more classical painting of a regal sky dragon chasing a red orb.
Note the 5-claw toes and the royal colours, blue and yellow, present in the painting:
Blue Dragon - Chris Gallagher 2021
Next, we have a different take on a Blue Dragon. Considering this is the first time Kim has ever painted a Chinese Dragon, and she has had no formal teaching on the subject, we were all impressed with this Happy Dragon and the Calligraphy. Here is a Prince among Dragons - note the 4-claw toes...
Blue Dragon - Kim Ashburner 2021
Next, we come up to date with a phenomenal painting by Claire.
This Dragon emerges from its cloud wearing a mask and clutching both sanitiser and vaccine...
Claire says, "I was trying to find a different approach to painting a dragon, yet incorporating the traditional elements such as a pig's nose, deer antlers and cow's ears. The eyes are, however, westernised as Paul pointed out immediately. I was feeling quite frustrated at being able to do very little to combat this pesky virus so I summoned up my 2021 virus-beating dragon to help. Sometimes only painting in anger will do..."
A dragon of a year - Claire Seaton 2021
Double Dragon - Paul Maslowski 2021
As I intimated earlier, I have been looking at classical Dragons and especially the work of Chen Rong (1200 – 1266) of the Song Dynasty who produced probably the most recognisable Dragons in the Chinese painting Canon - The Nine Dragons. See above...
My painting here takes his work as inspiration and compresses a couple of the Dragons to produce tension. What are they both looking at? I cannot wait to have time to produce a larger piece with more Dragons...
Lastly, but by no means least, I had to include this wonderful painting by Reg. As a fellow tai chi practitioner I always appreciate thoughtful images of tai chi practice and this fits so well with our theme.
Swimming Dragon Tai Chi - Reg Robinson 2021
I hope you have found this Dragon page useful. If there are other Dragon symbols that you are aware of, please get in touch as we are always open to learning more. Thank you and Happy Dragon painting.