Welcome to my studio, the place where shape, structure and curiosity meet. Here I share more about the inspiration behind each design, the crafting process and how every concept gradually comes together.
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Camilla Glacier sofa
My first design was the Camillo sofa. “Glacier” describes the size of the design, as it is a large piece compared to my chairs. It is difficult to handle and involves a lot of wood- and steelwork.
Steelwork:
I am using 50 x 25 mm steel and placing the 50 mm side facing outward to show more depth. At the backrest, I turn the steel so that the 50 mm side again faces outward, giving it a cleaner, more deliberate thin appearance from the side. For the front legs, I bring the steel around the corners at 90 degrees, and also do a centre support in the same style. I am still wondering whether I should make the finish smooth to emphasise the lines that make the foot appear almost detached from the frame.
Upholstery:
The material is a very light cream/white bouclé from the Hogan range by Hertex (Glacier). I am planning one solid piece of fabric for the entire seat, with only subtle vertical stitching in the front corners, with no seams on the front or sides.
Very minimalist. No top stitching.
Dimensions:
1.8 m wide. I am aiming for a slightly lower seat height than normal, approximately 415 mm before sitting and sinking deeper into the seat.
The backrest is also lower so that an arm can comfortably rest over it. The seat will be very flat with minimal curvature in the centre, only what is caused by the suspension.
The usable seat depth will be slightly deeper than normal, approximately 600 mm, with the backrest positioned further back for a more relaxed seating experience.
Backrest:
Lower than normal and stopping just below the shoulders. I am introducing a very slight taper (approximately 10 degrees), but still want to retain the strong “box” appearance.
Features:
I am planning to shift the backrest to one side rather than placing it in the centre. The backrest will also be 1.3 m wide compared to the 1.8 m width of the seat.
I will offer both options to a client and design the steel so that either option can be used during installation. I am also working on a sliding table that can move across the open section of the seat, but I still need to decide between wood or an upholstered surface for the tabletop.
The light-coloured material is probably not ideal when it comes to stains, but for me, it is mainly about the aesthetics.
Armrests:
No fixed armrests. Instead, I am designing two loose cushions that fulfil this function. Instead of round bolsters, I will use rectangular cushions with higher-density foam, firm enough to support the elbows, easy to move and completely removable to maintain that minimalist appearance.
Colours and finish:
I really like deep bronze and gold, but for this design I am using a simple matt black steel. The finish will show hand-finishing with directional lines in the steel, rather than a smooth, standard finish — something more unique and tactile.
The back of the backrest, as well as the cushions, I want to do in black suede for contrast: black and white.
Watch this space as this design comes together.
Design. Create. Learn.
concept sketches
final dimension
design
design
sketches
3 D
3 D
steel design
L'Atelier, the Studio Chair NextGen (work in progress)
With the successful launch of the first edition, my vision for the next-generation L'Atelier is to create something much bolder and more striking.
The new version is taking shape on the workbench with some serious upgrades:
Bolder frame: Moving to wider steel sections for the outer frame.
Enhanced comfort: A deeper seat and extended proportions.
The focal point: A completely unique split backrest design.
For the palette, I’m combining blacks and greys in mixed textures of pleather and fabric. I’ve also been experimenting with the steel finish mixing white into black steel paint to hit a custom, off-black gunmetal colour.
Watch this space as this design comes together.
Design. Create. Learn.
final sketch
final dimension
SteelWorx
foam design
basic steelworx
recline feet
wider steel sections
fabric selection
two tone fabric design
inspiration / vision
wider steel sections
fabric selection
the story
design philosophy
split backrest design
simple design, deep thinking
sprung design
hidden design details
deeper comfort
detailed features
base black
slate first cut
fabric design
two tone combo
rised edges
top stitch
double backrest design
dark grey steel finishes
L'Atelier, the Studio Chair
L'Atelier is a chair designed for artists, creators, and anyone who enjoys having a comfortable place to sit, think, and create.
Named after the French word for a workshop, this design reflects the journey that took place in my own workshop. What started as a simple idea to create a chair in its most basic form, with function as the main focus, soon turned into months of redesign, adjustments, and experimentation. Even once the frame reached the workbench, the design continued to evolve.
One lesson I learned through this project is that creating less often requires more thought. Using less steel, less wood, less foam, and less fabric sounds simple, but creating a chair that still feels luxurious, comfortable, wide, and stylish is not easy. Every detail had to earn its place.
The custom steel frame was designed to be strong and clean, while the upholstery was carefully built up with multiple layers of support and foam to create lasting comfort. The result is a chair that feels simple at first glance, but carries a lot of thought and craftsmanship behind it.
I designed L'Atelier to be an everyday chair. A place to rest, think, sketch, read, and let creativity flow. A chair designed by an artist, for the artist.
Every new piece is an opportunity to explore the craft differently. To question materials. To challenge assumptions. To embrace the mistakes that often lead to the most meaningful discoveries.
Introducing the second edition of L'Atelier. A studio chair designed for creators. Created with a deliberate focus on less, L'Atelier strips away the unnecessary and leaves only what matters: proportion, comfort, materiality, and detail.
Built around a handcrafted steel frame using a combination of rectangular and square sections, the chair features an integrated inner and outer rail system that supports a deeply upholstered seat and backrest while maintaining a clean architectural silhouette.
The seating experience is firm yet luxurious. Deep sprung support provides exceptional comfort while preserving the chair's form and structure over time. The upholstery combines rich black vegan leather with soft slate Hertex fabric, creating a unique visual contrast that celebrates texture and craftsmanship.
A defining feature of L'Atelier is its completely split backrest. Each section differs subtly in proportion and detail, reinforcing the philosophy that bespoke design should never be perfectly repeated.
Steel finished in a dark grey, near-black industrial finish that grounds the piece, while a designer bolster cushion provides additional comfort and arm support.
Design. Create. Learn.
the idea
final dimension
some inspiration
SteelWorx
design in parralel
fabric selection
comfort design
bronze finish
the brand
aestetics
mock-up
tell the story
the shoot
BLOK 50
Inspired by the music we used to love from 1994, the year I matriculated. Missing.
A song where the emotion comes from what isn’t there, the absence, the space, the simplicity of the vocal line.
"like the deserts miss the rain"
Blok 50 design thrives on minimalism, space, absence of clutter and intentional restraint.
“Missing” didn’t age, it became iconic.
the idea
final dimension
some colour
SteelWorx
WoodWorx
fabrics
comfort design
patena finishes
the brand
aestetics for the rear (no bolts)
mock-up
tell the story
the shoot
Platform 25
My vision with this piece is to create a bespoke chair that maximizes fabric while minimizing steel. Every curve and joint has been considered carefully, structural integrity remains the priority, with reinforced elements placed strategically to strengthen the naturally weaker areas.
the idea
concept
some colour
SteelWorx
WoodWorx
fabrics
comfort design
dark bronze finishes
the brand
aestetics
mock-up
tell the story
the shoot
Little Alaine
The Little Alaine Chair is an evolution of an original 2023 design, reimagined with new proportions, refined details, and luxury upholstery.
the idea
final dimension
some colour
SteelWorx
WoodWorx
fabrics
comfort design
dark bronze finishes
the brand
aestetics
mock-up
tell the story
the shoot
The HENRI EVO
The original Henri design was the first piece where people truly began to recognise my work. After a few years, I felt the need to return to it and not to change it, but completely elevate it. The new Henri keeps the spirit of the original while introducing deeper luxury sprung support, wider steel proportions, refined finishes and a higher level of craftsmanship in every detail.
the idea
final dimension
some colour
SteelWorx
WoodWorx
fabrics
comfort design
textures matt black
the brand
aestetics
mock-up
tell the story
the shoot
The Doux Chair.
The Doux , an Impressionist in Steel and Stone
In the heart of late 19th-century Paris, Charles Alexandre Picart Le Doux looked at the world differently. As the "last true impressionist," his work moved between the raw power of a landscape and the gentle, sensual curve of a portrait. He sought a specific kind of perfection, a balance between the bold and the soft.
Named in honor of Le Doux’s legacy, this piece is a study in contrasts. It begins with a rigid, "box" frame in a square silhouette in hammered dark bronze, finished in what I call "rough-smooth".
the idea
final dimension
some colour
SteelWorx
WoodWorx
fabrics
comfort design
dark bronze finishes
the brand
aestetics
mock-up
tell the story
the shoot
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